Featured Artwork

Les Glaneuses, The Gleaners

$8400.00

This is an original etching by Jean Francois Millet titled: "Les Glaneuses, The Gleaners. It was created in 1855 and printed on a laid type Japan paper. The image measures 7 1/2X10 inches, printed in a brown toned ink. This is the second state of two. The sheet size measures 9 3/4X13 inches. This etching is in very fine condition, never dipped or cleaned. There are two old spots of tape residue on the upper corners of the sheet but more than an inch away from the image. There is also a tiny hole in the bottom edge of the sheet but also well out side of the image area, at least 1 1/2 inches away. A beautiful and rich impression, nice use of plate-tone throughout. The etching of The Gleaners came before the painting of the same subject, which is now in the Musee d'Orsay, Paris, and was painted in 1857. Walking the fields around the small town of Barbizon, one theme returned to Millet's artistic sensibility repeatedly: gleaning, the age-old right of peasants to collect the grain left in the fields after the harvest.(r.e.lewis)
(Museum framed)

Cattle Crossing

$7400.00

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase. Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.

The Summer Pasture

$6750.00

This is a beautiful sundrenched scene by French artist Auguste Bonheur, oil on canvas, 23 1/2 x 31 1/4 inches, c. 1860, signed, in an ornate period frame. Auguste Bonheur was born into the Bonheur family of animal painters; his father, Raymond Bonheur was an art teacher as well as artist and taught painting to both Auguste and his older sister, the renowned animal painter Rosa Bonheur. The Bonheurs kept a small barnyard with sheep, chickens, and a cow, which they would often portray in their paintings. Auguste especially excelled at landscapes, which he depicted with a bright clarity of light and color, often including the farmyard animals in his scenes. Auguste was quite successful in his own time, he exhibited regularly at the Paris Salon as well as at galleries in London and Leeds. In 1861 Theophlie Gaultier wrote,"Auguste Bonheur has dared - and it is great audacity - to unvarnish nature, to take away the smoke and the dirt, to wash off the bitumen sauce with which art ordinarily covers it, and he has painted it as he sees it. His animals have the soft and satin-like skin of well-to-do animals; his foliage, the bright freshness of plants washed by the rain and dried by the sun."

At Bellerive, Lake Geneva

$6400.00

This is a very fine painting of a man and his dog fishing in Lake Geneva, Switzerland. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner, in an ornate period gilt frame, most likely the original. Another very similar painting by Vuagnat of the same location is in the collection of the Victoria Museum, Melbourne, Australia.

Punts at a Quiet Landing

$6400.00

Oil on panel, 11 x 16 inches, cradle backing, signed lower right, in an ornate period gilt frame. A very well regarded artist of the French Realism movement, Emile Lambinet was born in Versailles and studied with Horace Vernet and John Baptiste Camille Corot. Both of these artists greatly influenced Lambinet's mature style of painting, as can be seen in this image, with the exacting details and bright atmosphere of Vernet and the subtle color palette with just a few accents of saturated color of Corot. Lambinet showed his work regularly at the Paris Salon, winning medals in 1843, 1853 and 1857, and in 1867 was made a Chevalier of the Legion de'Honnuer. Today Lambinet's paintings can be found in many museums worldwide, with the largest collection of his work at the Musee Lambinet in the artist's hometown of Versailles.

Near Aber, North Wales

$4800.00

Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame. John Fullwood exhibited at the 1877 Royal Birmingham Society of Artists Show. The Royal Birmingham Society of Artists, established in 1821, was highly influential during the Pre-Raphaelite and Arts and Crafts periods. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais, Frank Brangwyn, and Lord Leighton.

Sailing in Moonlight

$3850.00

This is an original oil on canvas painting of a sailing ship in moonlight. This painting is signed Edward Moran lower left corner. The canvas measures 20X16 inches. It comes housed in a period gilt deep frame. Born in England, Edward Moran is best known for his marine paintings, and is credited with the Moran family's entry into the art world.
He and his brother studied and shared a studio in Philadelphia and then both returned for a time to England. While there they were heavily influenced by the paintings of J M W Turner
Edward was known for his silvery tones and loose accents of light. He developed a style based primarily upon English painting of the seventeenth and eighteenth centuries and seventeenth-century Dutch painting. Edward Moran's forte was seascapes. His Hints for Practical Study of Marine Paintingwere published in issues of Art Amateur in 1888, and reflected his expertise on the subject. A beautiful combination the darkness of the sea at night with the rising moon just behind.

Femme au Chapeau

$3450.00

Etching with drypoint, plate size 22 1/4 x 13 5/8 inches, c. 1900, pencil signed. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. He traveled between France and America, and in 1912 was commissioned to create the astrological ceiling decoration in New York's Grand Central Station.

Landscape with a Cow drinking

$3250.00

This is an original etching by Rembrandt titled:" Landscape with a cow Drinking". This etching was created circa 1650, printed on an early laid type paper, no visible watermarks. The image measures 4 1/8X5 3/16. 1/8 inch borders all around. The catalog description reads, Bjorklund's second state of 3, before the additional work on the building at the right, Usticke's second state of 6. An even impression with strong contrasts including the lightly etched distant landscape formation. Barsch 237. This etching came in an early mat with a pencil inscription "ex G.T.Cloughe Coll"...Very good condition a faint light spot center right in the sky but unobtrusive. Properly hinged at the upper edges of the sheet.... A fine rich etching.

Cabin by the Fjord

$3000.00

This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.

Portrait Bust of a Young Girl

$2850.00

This is a beautiful cast bronze portrait of a young girl by Italian/American artist Salvatore Cartaino Scarpitta. The bust is 14 inches tall and stands on a 6 inch base. signed by the artist on the lower corner, dated 1912, with a Benjamin Zoppo, New York foundry mark. Scarpitta was born in Italy and graduated from the Royal Italian Academy before emigrating to America. He was a very successful sculptor, creating commissions for the Los Angeles Stock Exchange Building, the Church of St John the Evangelist and Church of the Sacred Blood, as well as portraits of Mussolini, Marlene Dietrich, and Frank Springer; in 1914 he was awarded the Bartlett Prize from the National Academy of Design.

Winter Lac Ouimet, Mont Tremblant

$2850.00

This is an original oil on board painting by Canadian artist Albert Edward Cloutier ((1902-1965) Signed lower center, this painting has an image area of
29X35 inches. It came to us in what appears to be the original frame with the Walter Klinkhoff Gallery,Montreal, label on the back. The title of this work is:
"Winter Lac Ouimet, Mont Tremblant", it is a view of the Laurentian Mountains of Quebec. Albert Cloutier was a painter, commercial artist and muralist who grew up in Montreal. He also lived in Ottawa and during his time as a war artist was posted in several locations in eastern Canada. He was a member of the R.C.A. and also the CSGA. He moved to Saint-Hilaire, Quebec in 1959 where he lived the rest of his life. His mediums were primarily oils and graphics. His subjects were landscapes, commercial art and (during the war)the military. His style was expressionist and greatly influenced by the Group of Seven.
He studied art under A.Y.Jackson and Edwin Holgate. And from 1955 until 1965 he taught at the École des Beaux-Arts in Montreal.

En Plein Soleil (In the Sunlight)

$2850.00

An etching from 1881. This impression is pencil signed in the lower left, with the artist's red stamp in the lower right. It is plate signed in the lower left as well. Plate measures 7 7/8 x 11 3/4 inches on 10 x 14 inch watermarked laid paper. Catalog: Beraldi 45. Edition of 100. This etching has a rich drypoint burr and a wide tonal range. A plate from the album A Portfolio of Autograph Etchings, published by James R. Osgood and Company, Boston, 1881; printed by Goulding, London, 1881. The scene depicted is likely of Tissot's garden in St. John's Wood, London. The woman on the right is the artist's companion, Kathleen Newton, at left; her children, Cecil George Newton and Muriel Mary Violet Newton, and two unidentified figures. Tissot attended the Ecole des Beaux Arts along with James McNeill Whistler and Degas. He relocated to London after fighting in the Franco-Prussian war and in 1864 exhibited his oil paintings at the Royal Academy. He quickly became well known for his portraits of high-society women but retreated to a life of domesticity with his mistress Kathleen, whom he loved dearly. He never fully recovered from her death in 1882 and returned to Paris afterwards with a newfound interest in religion and spirituality.

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