Featured Paintings

Cattle Crossing

$7400.00

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase. Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.

The Summer Pasture

$6750.00

This is a beautiful sundrenched scene by French artist Auguste Bonheur, oil on canvas, 23 1/2 x 31 1/4 inches, c. 1860, signed, in an ornate period frame. Auguste Bonheur was born into the Bonheur family of animal painters; his father, Raymond Bonheur was an art teacher as well as artist and taught painting to both Auguste and his older sister, the renowned animal painter Rosa Bonheur. The Bonheurs kept a small barnyard with sheep, chickens, and a cow, which they would often portray in their paintings. Auguste especially excelled at landscapes, which he depicted with a bright clarity of light and color, often including the farmyard animals in his scenes. Auguste was quite successful in his own time, he exhibited regularly at the Paris Salon as well as at galleries in London and Leeds. In 1861 Theophlie Gaultier wrote,"Auguste Bonheur has dared - and it is great audacity - to unvarnish nature, to take away the smoke and the dirt, to wash off the bitumen sauce with which art ordinarily covers it, and he has painted it as he sees it. His animals have the soft and satin-like skin of well-to-do animals; his foliage, the bright freshness of plants washed by the rain and dried by the sun."

At Bellerive, Lake Geneva

$6400.00

This is a very fine painting of a man and his dog fishing in Lake Geneva, Switzerland. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner, in an ornate period gilt frame, most likely the original. Another very similar painting by Vuagnat of the same location is in the collection of the Victoria Museum, Melbourne, Australia.

Punts at a Quiet Landing

$6400.00

Oil on panel, 11 x 16 inches, cradle backing, signed lower right, in an ornate period gilt frame. A very well regarded artist of the French Realism movement, Emile Lambinet was born in Versailles and studied with Horace Vernet and John Baptiste Camille Corot. Both of these artists greatly influenced Lambinet's mature style of painting, as can be seen in this image, with the exacting details and bright atmosphere of Vernet and the subtle color palette with just a few accents of saturated color of Corot. Lambinet showed his work regularly at the Paris Salon, winning medals in 1843, 1853 and 1857, and in 1867 was made a Chevalier of the Legion de'Honnuer. Today Lambinet's paintings can be found in many museums worldwide, with the largest collection of his work at the Musee Lambinet in the artist's hometown of Versailles.

Near Aber, North Wales

$4800.00

Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame. John Fullwood exhibited at the 1877 Royal Birmingham Society of Artists Show. The Royal Birmingham Society of Artists, established in 1821, was highly influential during the Pre-Raphaelite and Arts and Crafts periods. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais, Frank Brangwyn, and Lord Leighton.

Sailing in Moonlight

$3850.00

This is an original oil on canvas painting of a sailing ship in moonlight. This painting is signed Edward Moran lower left corner. The canvas measures 20X16 inches. It comes housed in a period gilt deep frame. Born in England, Edward Moran is best known for his marine paintings, and is credited with the Moran family's entry into the art world.
He and his brother studied and shared a studio in Philadelphia and then both returned for a time to England. While there they were heavily influenced by the paintings of J M W Turner
Edward was known for his silvery tones and loose accents of light. He developed a style based primarily upon English painting of the seventeenth and eighteenth centuries and seventeenth-century Dutch painting. Edward Moran's forte was seascapes. His Hints for Practical Study of Marine Paintingwere published in issues of Art Amateur in 1888, and reflected his expertise on the subject. A beautiful combination the darkness of the sea at night with the rising moon just behind.

Cabin by the Fjord

$3000.00

This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.

Sunset Glow

$2850.00

This is an original oil on canvas painting by American artist Frank Vining Smith (1879-1967) This painting is clearly signed lower right corner. This painting although in the catalog is titled: "Sunset Glow" on the back of the canvas is an alternate title: "The New Moon" The canvas measures 22X30 inches and comes in a fine custom gilt frame. This painting was originally sold through Anderson Galleries in Chicago. They promoted Smiths works in the late 1920's.
The original catalog is present. Heres a Chicago News paper article about this show: "Frank Vining Smith – The Chicago Evening Post, May 22, 1928
THE annually recurrent exhibition of paintings of ships and the sea by Frank Vining Smith at the Anderson Galleries always makes an agreeable event about this season. Some thirty of Mr. Smith’s new canvases have just been hung at Anderson’s, and the impression they give is possibly more favorable than it has been in the past.
Even granting the sea’s changeless, ever-changing character and the myriad sorts and conditions of ships that sail it, Mr. Smith’s fertility and inventiveness appear more remarkable than ever in this exhibition. His knowledge of his subject is profound, in the opinion of sailors, who are always harsh critics. His ability to paint workmanlike pictures has long been established. But the ease with which he continues to find variations on a now familiar theme remain surprising." This is a very fine study of a view of the sea right after sunset.

Portrait of Charlotte

$2850.00

This is an original oil on panel painting by Dublin/Boston artist Margarita Pumpelly Smyth (1873-1959) Known as Daisy, she studied under Abbott Thayer in Dublin N.H.
This painting was shown at the Worcester Art Museum in the 1902 Summer Exhibit , the label is on the back along with a brass plaque from a Boston framer. Included in the show that year was the work of Frank Benson ,Edmund Tarbell, Mary Cassatt, Edward Redfield and Childe Hassam. The painting measures 30X22 inches, it is signed lower left but only is visible with a direct light, a black light shows it well. The painting is titled "Charlotte", probably painted in 1901-02. Daisy was an American Bahá'í, painter and roommates with Juliet Hutchings Thompson .. Although Married Daisy was quite independent. She and Thompson traveled together extensively by them selves. While her works are quite rare this one does show some of the early influences of Thayer and of course many of the later French artists of this time period.

Winter Lac Ouimet, Mont Tremblant

$2850.00

This is an original oil on board painting by Canadian artist Albert Edward Cloutier ((1902-1965) Signed lower center, this painting has an image area of
29X35 inches. It came to us in what appears to be the original frame with the Walter Klinkhoff Gallery,Montreal, label on the back. The title of this work is:
"Winter Lac Ouimet, Mont Tremblant", it is a view of the Laurentian Mountains of Quebec. Albert Cloutier was a painter, commercial artist and muralist who grew up in Montreal. He also lived in Ottawa and during his time as a war artist was posted in several locations in eastern Canada. He was a member of the R.C.A. and also the CSGA. He moved to Saint-Hilaire, Quebec in 1959 where he lived the rest of his life. His mediums were primarily oils and graphics. His subjects were landscapes, commercial art and (during the war)the military. His style was expressionist and greatly influenced by the Group of Seven.
He studied art under A.Y.Jackson and Edwin Holgate. And from 1955 until 1965 he taught at the École des Beaux-Arts in Montreal.

Clipper Nearing Port

$2650.00

This is an original oil on canvas painting by American artist James Gale Tyler (1855-1931) Tyler is the well known marine painter of the age of sail. The title of this piece which appears hand written on the back is: "Clipper nearing Port", this painting was done circa 1900. It has a canvas size of 24X20 inches and is in a heavy modern hand carved frame. The overall frame size is: 32X28 inches. The painting is clearly signed lower left. The painting is in good shape, no tears or inpainting, not relined it could use a very light cleaning but it is quite presentable as it now appears. Ready to hang on your wall.

Sailing at Sunset

$2650.00

This is a dramatic Seascape at sunset by American Artist William Formby Halsall (1841-1919) This oil on canvas painting created circa 1870 has a canvas size of 14X24 inches and comes in a deep period gilt frame. The painting is signed in red lower left corner. Halsall was educated in Boston, Massachusetts and worked as a sailor for seven years from 1852 to 1859. In 1860, he had begun to study fresco painting but due to the outbreak of the American Civil War, he enlisted in the United States Navy. He resumed his fresco study after two years of service. In 1862, Halsall changed to marine painting and studied at the Lowell Institute in Boston until 1870.[1] Halsall was also a founding member of the Provincetown Art Association in 1914. This is a wonderful tonalist expression of the Sea at sunset with the sailboats coming into port.

The Road Home

$2450.00

Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe under Charles-François Daubigny, probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli in Naples, Italy. De Blois’s paintings were exhibited in the Paris Salon in 1878; and in the United States with the Boston Athenaeum 1867 – 1873, the Brooklyn Art Association in 1874, the Boston Art Club 1875 – 1882, and the National Academy of Design 1880 – 1882. More recently, a De Blois painting was included in the 2008 exhibition titled “The Grand Tour Art and Travel, 1740 – 1914” at the Indiana University Art Museum.

Pages