John Taylor Arms 1887-1953, American
1887-1953, American The Birdman, or Fuselage - World War I Color aquatint etching, 7 5/8 x 5 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 20/50, cat. Fletcher-25, pencil signed and dated lower right
1887-1953, American Reflections at Finchingfield, England Etching, image size: 7 1/16 x 17 1/8 inches, 1938, second state, trial proof, printed by David Strang, inscribed in the plate "John Taylor Arms 1938" lower right, cat. Fletcher-311, pencil signed lower right
1887-1953, American Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company, South Kearney, N.J. U.S.S. Radford, Quick, Mervine -- 1942 Etching, image size 10 x 17 1/2 inches, 1943, 3rd state, Cat. Fletcher-377, pencil signed lower right
1887-1953, American The Grolier Club Library Etching, image size: 3 7/8 x 5 7/8 inches, ed. 119, 1941, plate inscription: "Library of the Grolier Club Demonstration Plate, Drawn, Etched and Printed, in a little over two hours, at the Grolier Club, New York City, on the evening of March 9, 1941 John Taylor Arms," cat. Fletcher-353, pencil signed and inscribed "Sketch, Grolier Club Library. Demonstration Print"
1887-1953, American Momento Vivere, Notre Dame, Evreux Etching, also called "The North Transcept of Notre Dame Cathedral, Evreux, France", image size: 13 1/2 x 7 1/8 inches, 1947, French Church Series no. 47, cat. Fletcher 407, second state, pencil signed lower right
1887-1953, American Aspiration, La Madeleine, Verneuil-Sur-Avre Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.
1887-1953, American Chartres the Magnificent Etching, image size: 3 1/2 x 4 1/4 inches, 1948, # 49 of the French Church Series, cat. Fletcher-411, pencil signed
1887-1953, American Mont Saint Michel Etching, image size: 15 x 11 3/4 inches, 1926, ed. 100, printed by Frederick Reynolds, French Church Series #9, cat. Fletcher-182, pencil signed
1887-1953, American Vermont (God's Mirror) Etching, image size: 1 5/16 x 2 3/8 inches, 1944, 3rd state, inscribed in plate "God's Mirror" lower left, pencil signed lower right
1887-1953, American Shadows in Mexico Etching, image size: 5 x 7 inches, 1940, first state, demonstration plate 93: N.B.C. Studios, Rockerfeller Center, New York, N.Y. July 26, 1940, "The Making of an Etching", printed by Charles White, cat. Fletcher 340, pencil signed and dated
1887-1953, American Somewhere in France Etching, 1919, signed, dated and titled in pencil, image size: 12 1/8 x 6 "
1887-1953, American Loop the Loop Etching aquatint,1920,Frontispiece for the Print Connoisseur,image size 6X4",unsigned
1887-1953, American Segovia Etching,1929,edition of 150 Spanish Church Series, Image size 13 5/8 X 17 5/16",pencil signed
1887-1953, American The Enchanted Doorway, Venezia Etching, 1930, also known as "La Porta Della Carta, Venezia," 12 3/8 x 6 9/16 inches, edition of 100, Fletcher cat. image 227, Italian Series, pencil signed.
1887-1953, American Place Plumereau Tours Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.
1887-1953, American Stockholm Etching,Aquatint,1940,From Scandinavian Series,edition of 395,7 9/16X13 9/16",pencil signed,
1887-1953, American Angouleme Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited, Angouleme" and "The Cathedral of St. Pierre"
1887-1953, American Stokesay Castle Etching,1942,image size 2 1/4X2 15/16",edition of 365,Miniature print society of Kansas,pencil signed, on blueish tinted paper
1887-1953, American St Paul Alpes Maritimes Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed
1887-1953, American Chateau Stockalper Brique Etching,1927,ed.100,f.202,10 1/4X4 7/8",pencil signed
1887-1953, American Cavendish Common Etching, 1942, 2nd state, Charles White printer, 6 3/8 X 14 9/16", ed. 150, pencil signed, framed (M)
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