John Taylor Arms 1887-1953, American
1887-1953, American Gerona Etching, image size 12 1/4 x 7 3/4 inches, 1925, edition of 150, cat: Fletcher- 164, pencil signed and dated. Spanish Church Series #5.
1887-1953, American Puerta Del Obispo, Zamora Etching, image size 12 1/2 x 7 1/8 inches, 1933, edition of 100, cat: Fletcher- 266, pencil signed, dated and editioned. Spanish Church Series #9.
1887-1953, American The Rose, Beauvais Etching, image size 11 7/8 x 7 1/4 inches, 1925, edition of 156, cat: Fletcher- 161, pencil signed and dated. Small repaired tear at lower right within the image, just above the signature.
1887-1953, American Chapiteau Gothique, Dorothy et John Taylor Arms, A.D. MCMXXVI Etching, image size 4 7/8 x 3 1/2 inches, 1926, 1st State, cat. Fletcher-185A, pencil signed and inscribed "To my friend Samuel Chamberlain / John Taylor Arms."
1887-1953, American Limoges Etching, image size 10 x 13 1/2 inches, 1932, ed. 100, cat. Fletcher-244, French Church Series #32, pencil signed and dated, framed.
1887-1953, American Old Rouen Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed
1887-1953, American Normandy Noon Etching, image size 3 1/4 x 7 1/8 inches, 1936, 2nd state, edition of 250, cat. Fletcher-304, pencil signed, framed
1887-1953, American Loop the Loop Color aquatint etching, image size 6 x 4 inches, pencil signed, titled and dated 1921
1887-1953, American U.S.S. Columbia Under Construction at the New York Shipbuilding Corporation, Camden, NJ--1942 Etching and drypoint, image size 12 1/4 x 17 1/4 inches, 1945, Fletcher 390, Navy Series #3, pencil signed and dated, inscribed "II" in pencil lower left, monogram "4JTL5" in plate lower left.
1887-1953, American Lace Place Victor Hugo, Lisieux Etching, image size: 7 x 9 1/2 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 21/50, cat. Fletcher-20, pencil signed lower right. Also titled "Lacet, Place Victor Hugo, Lisieux." An unusually abstract street scene for an artist known for exacting accuracy.
1887-1953, American Red Mill Etching and aquatint, 11 1/8 x 7 1/4 inches, 1922, printed by Frederick Reynolds, 2nd state, edition of 25, cat. Fletcher-127, pencil signed lower right. A rare black and white version of the print also known as "The Red Barn, Southport."
1887-1953, American Apple Tree Etching, image size: 7 1/16 x 7 7/8 inches, 1920, cat. Fletcher-67, Trial Proof, edition of 75, printed by Frederick Reynolds, pencil signed with inscription "To Frederick Reynolds." Alternate titles include "The Blighted Tree, Fairfield" and "La Pommier."
1887-1953, American The Herbert Lowell Dillon Gymnasium, Princeton, N.J. Etching, image size: 8 x 9 1/4 inches, edition of 356, 1947, cat. Fletcher-406, JTA monogram lower left, pencil signed and dated lower right. This print was commissioned by The Princeton Print Club. This is a highly detailed sharp impression.
1887-1953, American The Birdman, or Fuselage - World War I Color aquatint etching, 7 5/8 x 5 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 20/50, cat. Fletcher-25, pencil signed and dated lower right
1887-1953, American Reflections at Finchingfield, England Etching, image size: 7 1/16 x 17 1/8 inches, 1938, second state, trial proof, printed by David Strang, inscribed in the plate "John Taylor Arms 1938" lower right, cat. Fletcher-311, pencil signed lower right
1887-1953, American Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company, South Kearney, N.J. U.S.S. Radford, Quick, Mervine -- 1942 Etching, image size 10 x 17 1/2 inches, 1943, 3rd state, Cat. Fletcher-377, pencil signed lower right
1887-1953, American Aspiration, La Madeleine, Verneuil-Sur-Avre Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.
1887-1953, American Chartres the Magnificent Etching, image size: 3 1/2 x 4 1/4 inches, 1948, # 49 of the French Church Series, cat. Fletcher-411, pencil signed
1887-1953, American Mont Saint Michel Etching, image size: 15 x 11 3/4 inches, 1926, ed. 100, printed by Frederick Reynolds, French Church Series #9, cat. Fletcher-182, pencil signed
1887-1953, American Vermont (God's Mirror) Etching, image size: 1 5/16 x 2 3/8 inches, 1944, 3rd state, inscribed in plate "God's Mirror" lower left, pencil signed lower right
1887-1953, American Shadows in Mexico Etching, image size: 5 x 7 inches, 1940, first state, demonstration plate 93: N.B.C. Studios, Rockerfeller Center, New York, N.Y. July 26, 1940, "The Making of an Etching", printed by Charles White, cat. Fletcher 340, pencil signed and dated
1887-1953, American Somewhere in France Etching, 1919, signed, dated and titled in pencil, image size: 12 1/8 x 6 "
1887-1953, American Loop the Loop Etching aquatint, 1920, frontispiece for the Print Connoisseur, image size 6 x 4 inches, unsigned
1887-1953, American Segovia Etching,1929,edition of 150 Spanish Church Series, Image size 13 5/8 X 17 5/16",pencil signed
1887-1953, American Place Plumereau Tours Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.
1887-1953, American Stockholm Etching,Aquatint,1940,From Scandinavian Series,edition of 395,7 9/16X13 9/16",pencil signed,
1887-1953, American Angouleme Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited, Angouleme" and "The Cathedral of St. Pierre"
1887-1953, American Stokesay Castle Etching,1942,image size 2 1/4X2 15/16",edition of 365,Miniature print society of Kansas,pencil signed, on blueish tinted paper
1887-1953, American St Paul Alpes Maritimes Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed
1887-1953, American Chateau Stockalper Brique Etching,1927,ed.100,f.202,10 1/4X4 7/8",pencil signed
1887-1953, American Cavendish Common Etching, 1942, 2nd state, Charles White printer, 6 3/8 X 14 9/16", ed. 150, pencil signed, framed (M)
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