Etching and drypoint, image size 12 1/4 x 17 1/4 inches, 1945, Fletcher 390, Navy Series #3, pencil signed and dated, inscribed "II" in pencil lower left, monogram "4JTL5" in plate lower left.

Etching, image size: 7 x 9 1/2 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 21/50, cat. Fletcher-20, pencil signed lower right. Also titled "Lacet, Place Victor Hugo, Lisieux." An unusually abstract street scene for an artist known for exacting accuracy.

Etching and aquatint, 11 1/8 x 7 1/4 inches, 1922, printed by Frederick Reynolds, 2nd state, edition of 25, cat. Fletcher-127, pencil signed lower right. A rare black and white version of the print also known as "The Red Barn, Southport."

Etching, image size: 7 1/16 x 7 7/8 inches, 1920, cat. Fletcher-67, Trial Proof, edition of 75, printed by Frederick Reynolds, pencil signed with inscription "To Frederick Reynolds." Alternate titles include "The Blighted Tree, Fairfield" and "La Pommier."

Etching, image size: 8 x 9 1/4 inches, edition of 356, 1947, cat. Fletcher-406, JTA monogram lower left, pencil signed and dated lower right. This print was commissioned by The Princeton Print Club. This is a highly detailed sharp impression.

Color aquatint etching, 7 5/8 x 5 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 20/50, cat. Fletcher-25, pencil signed and dated lower right

Etching, image size: 7 1/16 x 17 1/8 inches, 1938, second state, trial proof, printed by David Strang, inscribed in the plate "John Taylor Arms 1938" lower right, cat. Fletcher-311, pencil signed lower right

Etching, image size 10 x 17 1/2 inches, 1943, 3rd state, Cat. Fletcher-377, pencil signed lower right

Etching, also called "The North Transcept of Notre Dame Cathedral, Evreux, France", image size: 13 1/2 x 7 1/8 inches, 1947, French Church Series no. 47, cat. Fletcher 407, second state, pencil signed lower right

Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Etching, image size: 3 1/2 x 4 1/4 inches, 1948, # 49 of the French Church Series, cat. Fletcher-411, pencil signed

Etching, image size: 15 x 11 3/4 inches, 1926, ed. 100, printed by Frederick Reynolds, French Church Series #9, cat. Fletcher-182, pencil signed

Etching, image size: 1 5/16 x 2 3/8 inches, 1944, 3rd state, inscribed in plate "God's Mirror" lower left, pencil signed lower right

Etching, image size: 5 x 7 inches, 1940, first state, demonstration plate 93: N.B.C. Studios, Rockerfeller Center, New York, N.Y. July 26, 1940, "The Making of an Etching", printed by Charles White, cat. Fletcher 340, pencil signed and dated

Etching, 1919, signed, dated and titled in pencil, image size: 12 1/8 x 6 "

Etching aquatint,1920,Frontispiece for the Print Connoisseur,image size 6X4",unsigned

Etching,1929,edition of 150 Spanish Church Series, Image size 13 5/8 X 17 5/16",pencil signed

Etching, 1930, also known as "La Porta Della Carta, Venezia," 12 3/8 x 6 9/16 inches, edition of 100, Fletcher cat. image 227, Italian Series, pencil signed.

Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.

Etching,Aquatint,1940,From Scandinavian Series,edition of 395,7 9/16X13 9/16",pencil signed,

Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited, Angouleme" and "The Cathedral of St. Pierre"

Etching,1942,image size 2 1/4X2 15/16",edition of 365,Miniature print society of Kansas,pencil signed, on blueish tinted paper

Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed

Etching,1927,ed.100,f.202,10 1/4X4 7/8",pencil signed

Etching, 1942, 2nd state, Charles White printer, 6 3/8 X 14 9/16", ed. 150, pencil signed, framed (M)