Frank Benson 1862 - 1951, American
1862 - 1951, American Summer Yellowlegs Drypoint etching, image size 5 x 3 3/4 inches, 1920, Paff 186, pencil signed, matted. According to the original Knoedler & Co. label, this is one of only 3 impressions of trial proof B of this print. The published state had an edition of 150.
1862 - 1951, American Black Ducks at Dusk An original line etching of an expressive view of marshes at twilight, "Black Ducks at Dusk" is 4 7/8 x 6 7/8 inches. Done in 1924, there were 150 proofs printed on Whatman paper. Pencil signed along the lower left, this print came from the Baldwin-Wallace College collection. Cat. Ordeman-239.
1862 - 1951, American Rendezvous An original drypoint etching, "Rendezvous" was executed with a rich burr to the drypoint line. This expressive marsh scene is an early proof, numbered "1" in the lower right corner. Printed in 1920, the image measures 3 3/4 x 4 7/8 inches. Pencil signed along the lower left, this print's authenticity is further validated by Baldwin-Wallace College provenance. Cat. Ordeman-171.
1862 - 1951, American Geese Over a Marsh Etching, image size 7 3/4 x 9 3/4 inches, 1924, Ordeman 233, pencil signed
1862 - 1951, American In Dropping Flight Drypoint etching, image size 10 3/4 x 13 3/4 inches, 1926, edition of 134, Ordeman 255, pencil signed
1862 - 1951, American Marshes at Evening Etching, image size: 9 x 11 inches, 1918, edition 6/150, cat. Ordeman-131, pencil signed lower left.
1862 - 1951, American The Passing Flock Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
1862 - 1951, American Red Heads No. 2 Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226
1862 - 1951, American Rainbow Cove Etching, 1927, image size 7 3/4 x 9 3/4 inches, pencil signed, Ordeman 263
1862 - 1951, American Ducks Alighting Etching, 1921, image size 5 7/8 x 4 1/2 inches, pencil signed, Ordeman 207, published state, framed
1862 - 1951, American Waders Drypoint etching, from cancelled plate, 1937, Ordman 298, edition of 150, dedicated to Reynolds Beale, inscribed lower right
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