Samuel Chamberlain 1895-1975, American
1895-1975, American Amalfi Etching, image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right.
1895-1975, American Mediterranean Village, Villefranche - sur - Mer Drypoint etching, image size: 8 7/16 x 11 3/4 inches, 1938, cat. Chamberlain and Kingsland-272, about 300 proofs and one working proof, pencil signed lower right. This print is also known as "The Harbor, Villefranche-sur-Mer."
1895-1975, American Verneuil Drypoint etching, image size: 13 5/8 x 8 1/4 inches, 1929, edition 1/100, cat. Chamberlain and Kingsland-88, pencil signed lower right. A beautiful print that combines Chamberlain's fine detailing with a dramatic compostition.
1895-1975, American The Battered Boat, Villefranche-sur-Mer Drypoint etching, image size: 4 3/8 x 6 5/16 inches, numbered 30/75, 1927, cat. Chamberlain and Kingsland-49, printed on laid paper with ample margins, pencil signed.
1895-1975, American Quimper Drypoint etching, image size: 14 5/8 x 8 3/4 inches, numbered 90/100, 1935, cat. Chamberlain and Kingsland-118, pencil signed with inscription "To June and Norman, with esteem and affection - SC"
1895-1975, American Bend in the Road Drypoint etching, image size: 7 1/2 x 13 3/8 inches, numbered 70/100, 1940, cat. Chamberlain and Kingsland-131, pencil signed lower right. This image of New Castle, New Hampshire exhibits Chamberlain's characteristic use of mottled shadows which have a dynamic effect on this otherwise tranquil scene.
1895-1975, American The Public Gaol Drypoint etching, image size 7 3/4 x 10 7/8 inches, 1938, numbered 18/100, cat. Chamberlain and Kingsland-138, pencil signed and titled. The use of subtle gradations in plate tone create a luminous quality suggestive of a sunset.
1895-1975, American The Printing Office - Williamsburg Drypoint etching, image size 9 3/8 x 7 1/2 inches, numbered 1/200, 1951, cat. Chamberlain and Kingsland-133, pencil signed and titled. This is a reworking of an earlier print titled "The Apothecary's Shop, Williamsburg," done in 1938. It was printed again in 1973 with the title "The Duke of Gloucester Street, Williamsburg," in an edition of 100.
1895-1975, American The Verdant Village Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.
1895-1975, American Lower Manhattan - Old and New Drypoint etching, image size 9 x 7 1/8 inches, ed. 100, 1929, cat. Chamberlain and Kingsland 81, inscribed "Epreme d'artiste 3rd state 1/2" lower left, rare artist's proof with annotations to the printer, pencil signed lower right.
1895-1975, American Valley of the Var Etching, image size 10 5/8 x 12 7/8 inches, c. 1940, inscribed "second state II/II," pencil signed lower right.
1895-1975, American A Chateau Farm Near Siena Etching, image size: 5 5/8 x 8 7/8 inches, c. 1925, pencil signed lower right.
1895-1975, American The Giant Oak Drypoint, November 1935, 32/100, image size 8 7/16 x 10 inches, BPL-119, inscribed "To Rosamond Tudor with much appreciation--SLC" and pencil signed. The subject is a scene near Fairfield, Connecticut.
1895-1975, American The Quais, St. Tropez Drypoint, image size: 4 1/4 x 5 3/4 inches, ed. 6/75, Febuary 1927, Cat. Chamberlain - 46, pencil signed
1895-1975, American The Market Place at Bourges Etching, image size 6 3/4 x 5 3/8 inches, 1928, cat. Chamberlain and Kingsland 253, pencil signed, framed
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