Philip Kappel
1901-1981, American

Powder Snow, New Milford, Conn.
1901-1981, American

This wonderful New England scene by Phillip Kappel measures 9 x 7 1/2 inches. Published in 1953 by the AAA in an edition of 250, this image is signed and titled with an inscription by the artist on the lower margin. Framed.


Mender of Shoes - Rabat, Morocco
1901-1981, American

This etching by Philip Kappel measures 8 7/8 x 7 7/8 inches. A 1st proof, created in 1945, is pencil signed and titled on the lower margin. Kappel was born in Hartford, CT, and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."


Slack Water, East River, N.Y.
1901-1981, American

This early proof by Philip Kappel, c. 1930, measures 7 7/8 x 11 7/8 inches. It is pencil signed and titled on the lower margin. Kappel was born in Hartford, CT, and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."


The Holystoners-Bound for Haiti
1901-1981, American

Etching, drypoint, image size 9 7/8 x 11 7/8 inches, 1935, pencil signed l.r. "Philip Kappel". Selected for "Fine Prints of the Year", 1936, pl.74. The image was made on the Columbia Line's Bogota or Columbia. The Haitian crew used soft volcanic tufa to scrub down the wooden decks. The bulldog, center, was the vessel's mascot.


Off El Morro
1901-1981, American

Etching, image size 9 3/4 x 7 7/8 inches, c. 1935, artist's proof, pencil signed.


In Tow
1901-1981, American

Etching, image size 7 3/8 x 5 7/8 inches, c. 1935, artist's proof, pencil signed.


Topsail Schooners in a Match
1901-1981, American

Etching, image size 6 x 6 7/8 inches, c. 1935, artist's proof, pencil signed.


A Marine Pathway
1901-1981, American

Etching, image size 9 3/8 x 7 3/8 inches, 1934, plate signed and pencil signed.


Sail and Steam
1901-1981, American

Etching, image size 8 7/8 x 6 1/2 inches, c. 1935, plate signed and pencil signed.


Chatham Bar
1901-1981, American

Etching, image size 3 1/8 x 4 inches, c. 1942, pencil signed. A small landscape overlooking the ocean on Cape Cod, Massachusetts.


The Mill at the Falls
1901-1981, American

Etching, image size 9 3/4 x 7 7/8, plate signed and pencil signed.


Sailboat
1901-1981, American

Etching, image size 6 1/2 x 5 3/4 inches, pencil signed


Street in Morocco
1901-1981, American

Etching, image size 9 3/8 x 7 3/8 inches, pencil signed


Old Love
1901-1981, American

Etching, image size: 6 7/8 x 8 13/16 inches, inscribed "Artist Proof"


The Windjammer "Curiosity"
1901-1981, American

Etching, image size: 10 x 7 inches, inscribed "Artist Proof", pencil signed lower right


Off El Morro
1901-1981, American

Etching, image size: 9 3/4 x 7 7/8 inches, printed on "J Whatman" watermarked paper, pencil signed


Flies versus worms
1901-1981, American

Drypoint etching, 1954 AAA edition of 250, image size 7 7/8 x 10 inches, pencil signed


Cartegana Harbor
1901-1981, American

Etching, 1937 AAA edition of 250, image size 10 x 8 incvhes, pencil signed

Painting

A Country Road at Twilight
1833-1927, American

This is a fine Barbizon inspired landscape by American artist William Parsons Winchester Dana. Oil on canvas, 11 x 17 inches, 1909, signed and dated in the lower right corner, in a period gilt frame. Dana was born in Boston and as a young man spent some time at sea before traveling to Paris to study at the Ecole de Beaux Artes. He became known for his seascapes and images of the French landscape, which he often painted in a luminous softly lit style, greatly influenced by the French Barbizon school of painting.

Print

Mother Love
1904 - 1991, American

Lithograph, image size 12 3/4 x 19 3/4 inches. Signed, titled and inscribed "To Edna-with Love, Renee & Chaim Gross 72" l.r., numbered "9/10" l.l. One of the first generations of direct carvers, Gross came to the US in 1921 and worked for the WPA in the late 1930's. He was an illustrator, sculptor and instructor teaching at the Education Alliance School in NYC.

Drawing

Christmas Card 1940
1872- c.1950, American

Pencil drawing, 1940, image size 9 1/8 x 5 3/4 inches.