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Gustave Lehuetre
1861-1932, French

Le Bassin Neuf a La Rochelle
1861-1932, French

This finely done scene of a boat bassin in France's seaport city of La Rochelle measures 7 3/4 x 12 1/4 inches. Created in 1904, it is plate signed and titled and also pencil signed, titled and numbered. The paper is a heavy weight Arches with the publishers seal on the lower right corner, margins are wide with the total sheet size measuring 12 x 17 1/8 inches. Leheutre studied to be a painter but after seeing an exhibit of Whistler etchings exhibited in 1892 by Georges Petit, he switched from painting to printmaking concentrating primarily on landscapes or city scenes.


Le Moulin de Baires
1861-1932, French

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


En Rade de Re
1861-1932, French

Etching, image size 6 1/4 x 8 1/4 inches, 1928. editioned as 8, pencil signed l.r. "G Leheutre", publishers stamp l.r. "Sagot". Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Matin au Lazaret - La Rochelle
1861-1932, French

Etching, image size 7 3/8 x 10 7/8 inches, 1920, editioned as 42, plate and pencil signed l.r. "G Leheutre", publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Pont de Bonnemort a La Rochelle
1861-1932, French

Drypoint etching, image size 7 5/8 x 10 7/8 inches, c. 1910, 1st state of 3, inscribed "8 imp/no 8" and "1v etat" in pencil, pencil signed with Sagot blind stamp lower right, framed

Painting

Summer Light
1872- c.1950, American

This watercolor of two crab apple trees by Dexter Dawes measures 12 x 16 inches and is pencil signed and dated 1948. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Print

Sheepfold at Night
$145.00
19th Century , European

Etching after Millet, image size 6 5/8 x 9 1/8 inches, plate signed.

Drawing

Hollyhocks
1872- c.1950, American

This pencil/pastel drawing by Dexter Dawes measures 24 1/4 x 18 1/2 inches and is dated "July 30, 1927" on the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for much of his subject matter in his drawings. He belonged to a number of associations including the National Arts Club