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Gustave Lehuetre
1861-1932, French

Le Bassin Neuf a La Rochelle
1861-1932, French

This finely done scene of a boat bassin in France's seaport city of La Rochelle measures 7 3/4 x 12 1/4 inches. Created in 1904, it is plate signed and titled and also pencil signed, titled and numbered. The paper is a heavy weight Arches with the publishers seal on the lower right corner, margins are wide with the total sheet size measuring 12 x 17 1/8 inches. Leheutre studied to be a painter but after seeing an exhibit of Whistler etchings exhibited in 1892 by Georges Petit, he switched from painting to printmaking concentrating primarily on landscapes or city scenes.


Le Moulin de Baires
1861-1932, French

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


En Rade de Re
1861-1932, French

Etching, image size 6 1/4 x 8 1/4 inches, 1928. editioned as 8, pencil signed l.r. "G Leheutre", publishers stamp l.r. "Sagot". Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Matin au Lazaret - La Rochelle
1861-1932, French

Etching, image size 7 3/8 x 10 7/8 inches, 1920, editioned as 42, plate and pencil signed l.r. "G Leheutre", publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Pont de Bonnemort a La Rochelle
1861-1932, French

Drypoint etching, image size 7 5/8 x 10 7/8 inches, c. 1910, 1st state of 3, inscribed "8 imp/no 8" and "1v etat" in pencil, pencil signed with Sagot blind stamp lower right, framed

Painting

Still Life with Roses
1864-1940, American

Watercolor on paper, visible size 18 5/8 x 13 1/4 inches, 1892, signed "W.F.Stecher.92" upper left, period frame. Stecher was a Boston painter and book illustrator. (on loan)

Print

Village by the Water
1833-1914, French

Etching, image size: 6 x 9 1/4 inches, plate signed

Drawing

Calais

Watercolor on paper, 5 3/4 x 7 5/8 inches, circa 1863, monogram lower left