19th Century American

TitleLast NamePricesort icon
Coal Pockets
1840-1905, American

Etching, 6x9 image size, plate signed

Landscape With Cows
1823-1894, Scottish American

plate signed, 5x7

Harbor Scene
19th C.

Etching, plate signed

Moonlight On The Androscoggin
1839-1922

etching, 1880, 5x7, plate signed

The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned

Windmill And Pond
19th C.

etching, 5 1/4x9, plate signed

The Duck's Paradise

Etching, 6 3/4 x 11 1/4 inches, plate signed

From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.

Alside
1818-1860, American

Etching, image size 10 3/8 x 8 inches, pencil signed

The Returning Herd

Etching after Voltz, image size 10 x 8 1/8 inches, 1885, pencil signed

Between Friends
19th c., American

Etching after O. Goldmann, image size 6 1/2 x 8 5/8 inches, copyright 1885 by Gebbie & Co., plate signed

Jack Falstaff and Doll Tearsheet
19th c., American

Etching after E. Grutzner, image size 8 7/8 x 11 7/8 inches, copyright 1885 by Gebbie & Co.

Albrecht Durer visiting Hans Sachs
1835-1915, American

Etching after Richard Gross, image size 10 1/4 x 7 1/2 inches, 1884, published by Gebbie & Co., plate signed and dated

Unterzeichnung des Todesurteils der Maria Stuart durch Elisabeth
1851-1910, American

"Signing of the death sentence of Mary Stuart by Elisabeth"
Etching after Alexander von Liezen-Mayer, image size: 8 3/8 x 5 7/8 inches, published by Jones Brother Publishing Co. 1887, plate signed lower right

Painting

View Near High Tor
1812-1879, American

Watercolor, image size 9 1/2 x 9 3/4 inches, 1855. Hill started his career as an aquatint engraver in his father's studio before moving on to watercolors and landscape painting. At the age of 21 he was entered into the National Academy of Design. In this beautiful landscape notice his use of stippling and tiny brushstroke work that create the layers of color, shadow and light. Later in life he was one of the founding members of the Society for the Advancement of Truth in Art. His work is found in the Brooklyn Museum, the Hood Museum of Art and the Metropolitan Museum of Art.

Print

Gloucester Harbor - Morning,  1880
1846-1938, American

Etching, image size 4 1/4 x 7 1/4 inches, 1880, Schneider #31, plate signed l.l. "S. Parrish" and "31" l.r.

Drawing

Christmas Card
1872- c.1950, American

Ink drawing, image size 7 1/2 x 4 3/4 inches.