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19th Century American

TitleLast NamePricesort icon
Lucile
1851-1910, American

Etching, image size: 6 x 9 1/16 inches, published 1888, Frederick A. Stokes and Brother

Portrait of Mrs. J Coleman Dayton
1835-1915, American

Etching, image size: 7 1/4 x 5 7/8 inches,

Portrait Of Bocaccio
1860-1947, American

etching,3 1/2X4 3/4",pencil signed

Portrait Of Thomas Carlyle
1860-1947, American

etching,3 1/2X4",pencil signed,1898

Durham England
1832-1920, American

Etching, image size 4 x 7 3/4inches, plate signed, n

Coal Pockets
1840-1905, American

Etching, 6x9 image size, plate signed

Landscape With Cows
1823-1894, Scottish American

plate signed, 5x7

Harbor Scene
19th C.

Etching, plate signed

Moonlight On The Androscoggin
1839-1922

etching, 1880, 5x7, plate signed

The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned

Windmill And Pond
19th C.

etching, 5 1/4x9, plate signed

The Duck's Paradise

Etching, 6 3/4 x 11 1/4 inches, plate signed

From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.

Alside
1818-1860, American

Etching, image size 10 3/8 x 8 inches, pencil signed

Painting

Low Lands -- Korten Hof, Holland
1846-1929, American

Oil on panel, 13 1/2 x 19 inches, signed "Howe" lower right

Print

Last Chance
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Drawing

Giant Pine
1872- c.1950, American

This fine pencil drawing of a giant pine tree with its wooded surroundings, by local Marlboro, NH artist, Dexter Dawes measures 15 x 11 inches and is sketched on a medium weight, gray paper. Dawes summered in southern NH, with its' majestic views of Mt. Monadnock where many of his inspirations for his drawings, paintings and lithographs came from.