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19th Century American

TitleLast NamePricesort icon
Landscape With Cows
1823-1894, Scottish American

plate signed, 5x7

Harbor Scene
19th C.

Etching, plate signed

Moonlight On The Androscoggin
1839-1922

etching, 1880, 5x7, plate signed

The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned

Windmill And Pond
19th C.

etching, 5 1/4x9, plate signed

The Duck's Paradise

Etching, 6 3/4 x 11 1/4 inches, plate signed

From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.

Alside
1818-1860, American

Etching, image size 10 3/8 x 8 inches, pencil signed

The Returning Herd

Etching after Voltz, image size 10 x 8 1/8 inches, 1885, pencil signed

Between Friends
19th c., American

Etching after O. Goldmann, image size 6 1/2 x 8 5/8 inches, copyright 1885 by Gebbie & Co., plate signed

Jack Falstaff and Doll Tearsheet
19th c., American

Etching after E. Grutzner, image size 8 7/8 x 11 7/8 inches, copyright 1885 by Gebbie & Co.

Albrecht Durer visiting Hans Sachs
1835-1915, American

Etching after Richard Gross, image size 10 1/4 x 7 1/2 inches, 1884, published by Gebbie & Co., plate signed and dated

Unterzeichnung des Todesurteils der Maria Stuart durch Elisabeth
1851-1910, American

"Signing of the death sentence of Mary Stuart by Elisabeth"
Etching after Alexander von Liezen-Mayer, image size: 8 3/8 x 5 7/8 inches, published by Jones Brother Publishing Co. 1887, plate signed lower right

December
1843-1903, American

etching, 4x7, plate signed

Painting

Debussy's Clouds
1924-, American

Watercolor on paper, image size 13 1/4 x 18 1/8 inches, 1950, signed and titled in pencil, l.r. This is a study for the painting, "Debussy's Clouds," which was featured on the program for the Kansas City Philharmonic Orchestra's concert in December 1950.

Print

Le Moulin de Baires
1861-1932, French

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.

Drawing

The Artist's Daughter
1893-1986, American

Silverpoint on gessoed board with black, white, and red chalk, 9 3/8 x 7 1/4 inches, c. 1960, unsigned.