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19th Century American

TitleLast NamePricesort icon
Landscape With Cows
1823-1894, Scottish American

plate signed, 5x7

Harbor Scene
19th C.

Etching, plate signed

Moonlight On The Androscoggin
1839-1922

etching, 1880, 5x7, plate signed

The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned

Windmill And Pond
19th C.

etching, 5 1/4x9, plate signed

The Duck's Paradise

Etching, 6 3/4 x 11 1/4 inches, plate signed

From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.

Alside
1818-1860, American

Etching, image size 10 3/8 x 8 inches, pencil signed

The Returning Herd

Etching after Voltz, image size 10 x 8 1/8 inches, 1885, pencil signed

Between Friends
19th c., American

Etching after O. Goldmann, image size 6 1/2 x 8 5/8 inches, copyright 1885 by Gebbie & Co., plate signed

Jack Falstaff and Doll Tearsheet
19th c., American

Etching after E. Grutzner, image size 8 7/8 x 11 7/8 inches, copyright 1885 by Gebbie & Co.

Albrecht Durer visiting Hans Sachs
1835-1915, American

Etching after Richard Gross, image size 10 1/4 x 7 1/2 inches, 1884, published by Gebbie & Co., plate signed and dated

Unterzeichnung des Todesurteils der Maria Stuart durch Elisabeth
1851-1910, American

"Signing of the death sentence of Mary Stuart by Elisabeth"
Etching after Alexander von Liezen-Mayer, image size: 8 3/8 x 5 7/8 inches, published by Jones Brother Publishing Co. 1887, plate signed lower right

December
1843-1903, American

etching, 4x7, plate signed

Painting

Morning on the Cape
1858-1926, American

This is an atmospheric early morning seaside scene by American artist William Worcester Churchill. Pastel on paper, sight size 12 x 18 inches, c. 1900, signed lower left, in a very fine period gilt frame. William Churchill was born and raised in Massachusetts, and attended the Boston Museum School before traveling to Paris to study with Leon Bonnat. When he returned to Boston he opened a studio on Irvington St. and began a very successful artistic career, becoming well known for his indoor scenes and portraits as well as his landscapes in oils and pastels.

Print

Capt. Jackson's Cottage On Bath Road
1840-1905, American

etching, 1883, plate signed, 6x4 1/4

Drawing

Strand End - Topshum
1898-, British

Pencil Drawing, image size 6 1/2 x 9 1/4 inches, pencil signed and titled.