19th Century American

TitleLast NamePricesort icon
The Mill on the Riverbank
1839-1922

Etching, image size 18 x 29 1/4 inches, c. 1880, remarque l.l, pencil signed.

A Showery Day
1842-1914, American

This is an early etching by Peter Moran, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, pencil signed. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest. According to Wright, this image was most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.

The Prayer at Valley Forge
$395.00
19th C.

Engraving after a painting by H. Brueckner. Image size 15 1/4 x 21 1/2, Published by John McRae, New York, 1866.

Inner Harbor Gloucester
1846-1938, American

Etching, image size 9 5/8 x 13 1/2 inches, plate signed and dated l.l. "Stephen Parrish 1883".

Fishing For Blues
1840-1922, American

Etching, image size 19 x 11 7/8 inches, copyright 1892, pencil signed l.r. "William Mc.Cary", bluefish remarque l.l., "Copyright, 1892 by Max Jacoby, N.Y." u.l.

Annisquam
1846-1938, American

This rare, 1881, pencil signed etching by Stephen Parrish measures 6 1/4 x 11 5/8 inches and is plate signed, titled and numbered. It is #54 in the Schneider catalogue. In the 1880's, Parrish was one of the leading etchers in America known for his depictions of the rugged New England coastline and the working-class people who lived in it.

Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

The Gooseboy
1824-1879, American

Lithograph, image size 6 x 7 1/4 inches, 1858, plate signed and dated. William Morris Hunt was one of the earliest American lithographers. He was also a painter, and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.

The Shoeshine Boy
1831-1913, American

etching,1887,etching by H.Pruet Share,17X12 1/2",pencil signed

Bellisima
1855-1932, American

etching 7x7, pencil signed

London Bridge
1846-1938, American

Small version, etching, image size: 6x3 1/2, plate signed

London bridge, On the Thames
1853- , American

Etching, 1882, 9 1/2 x 15 inches, plate signed. Published by Fishel, Adler and Schwartz, London.

The Olive Trees on the Riviera
1832-1920, American

Etching, image size 10 3/4 x 14 1/2 inches, 1884, artist's monogram within the plate, pencil signed, l.r, printed on Japan paper.

The Violinist
1855-1932, American

Etching on thin Japan,1900,image size 6 7/8X4 1/2",pencil signed

Summer Morning
1829-1904, American

Etching, Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY,
plate signed 1886

Painting

Winter Landscape
1872- c.1950, American

A fine image of the Monadnock Region in mid winter, watercolor on paper, 12 x 16 inches, 1933, pencil signed and dated.

Print

Mill Town
1878-1970, American

Etching, image size 6 7/8 x 9 1/4 inches, c. 1925, pencil signed and titled, with an inscription by the artist in the lower margin.

Drawing

Christmas Card 1941
1872- c.1950, American

Ink and pencil drawing, 1941, image size 10 7/8 x 7 inches.