19th Century American

TitleLast NamePricesort icon
In Newport Harbor
1864-1919, American

Etching, image size 4 3/4 x 7 inches, pencil signed, framed

Twilight
1850-1917, American

Etching, image size 7 x 10 1/2 inches, 1883, cat: Tyler-67, plate signed and dated.

Washington's First Interview with Mrs. Custis
1827-1889, American

Engraving by G. R. Hall after the painting by John W. Ehninger, image size 17 x 21 3/4 inches, c. 1860, titled, with both artist's names printed below the image.

In Port
1846-1938, American

Etching, image size 3 3/4 x 9 3/8 inches, 1881, cat: Schneider-61, plate signed.

Low Tide, Honfleur
1861-1933, American

This is an atmospheric etching in sepia ink, image size 4 3/8 x 6 inches, 1887, cat: Rice-84, signed and dated in the plate. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.

Fishing Smacks, Newport Rhode Island
1864-1919, American

An atmospheric etching by Charles Mielatz of a quiet New England harbor, image size 7 1/2 x 22 3/4 inches, published in 1890 by Fiskel, Adler and Schwartz, New York, signed and dated in the plate, with a starfish remarque in the lower margin.

Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

On the Shoreline
1860-1929, American

Etching with Remarque,image size 4 7/8X7 3/4 inches,pencil signed

My Colored Neighbor's Hen Yard   (Small Image)
1833-1909, American

Etching, image size 3 1/8 x 5 inches, pencil signed, framed

The Hay Barge
1855- 1919, American

Etching, image size: 12 1/8 x 18 3/4 inches, published by Klackner, 1889, pencil signed lower right

Provincial Fishing Village
1861-1933, American

Etching, image size 2 6/8 x 4 7/8 inches, cat. Platt 40 1/2 or 40a, a trial proof sketch of Platt 40, plate signed.

Washing-Morning "Down South"
1820-1903, American

Etching, image size 7 1/4 x 12 3/4 inches, pub. 1882, plate signed "J. M. Falconer 1882", printed on medium weight laid paper.

Fishing Boats on the Beach at Scheveningen
1832-1895, American

Etching in sepia ink, image size 6 1/8 x 8 3/4 inches, 1883, cat: Tyler- 26, printed on Japan paper, plate signed in reverse, l.l, pencil signed l.r.

The Mill on the Riverbank
1839-1922

Etching, image size 18 x 29 1/4 inches, c. 1880, remarque l.l, pencil signed.

Rye, Sussex
1861-1933, American

This rare, pencil signed etching by the American artist, Charles A. Platt measures 6 x 9 inches, edition of 250, part of a portfolio created by the NY Etching Club in 1884. Platt was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes. He was also a talented architect and a member of the Saint-Gaudens Art Colony in Cornish, NH.

Painting

Pont Marie
$495.00
20th Century, French

This 1913, impressionistic style landscape with impasto, by the French artist, F. Jegou, signed and dated, l.r., oil on board, painted on two sides. Frame size measures 17 3/8 x 12 inches, sight size measures 10 x 15 1/4 inches.

Print

Mud Boats on the Thames
1861-1933, American

Etching in sepia ink, image size 6 x 10 7/8 inches, 1883, cat: Rice-44, plate signed and dated, l.r.

Drawing

Study of Hooded Figures
1890 - 1951, Vienna

Ink wash drawing, image size 14 x 16 inches, pencil signed and dated '43. Tischler studied at L'Academy de Vienne under Franz Rumpler, and exhibited his work throughout Europe in the 1920s and 1930s, at museums in Rotterdam, Amsterdam, and Vienna.