19th Century American

TitleLast NamePricesort icon
Church of San Miguel, Santa Fe
1842-1914, American

Etching, image size 4 15/16 x 6 3/4 inches, plate signed lower left

The Marriage of Pocahontas
$325.00
19th C.

Engraving,1855, proof, image size 24 1/4 x 35 1/4 inches, after the painting by Henry Bruckner

The Gristmill
1840-1922, American

Etching, image size 12 1/2 x 17 7/8 inches

Portrait of J.Q.A. Ward, Sculptor
1831-1916, American

Etching, image size 8 x 6 1/2 in, pencil signed

Sunlit Pond
$325.00
1851-1903, American

Etching, image size: 9 5/8 x 6 1/2 inches, copyright 1889 by Klackner, pencil signed lower left.

Thinking it Over
1823 - 1903, American

Etching, 13 1/4 x 9 1/2 inches, 1884, plate signed and dated

Nydia
1835-1915, American

Etching after a painting by George Fuller, image size 20 3/4 x 13 1/4 inches, signed in plate "S.J. Ferris Etch 1883" and "G Fuller Pinxt 1882", remarque lower center, copyright 1884 by Klackner, NY.

In Newport Harbor
1864-1919, American

Etching, image size 4 3/4 x 7 inches, pencil signed, framed

Twilight
1850-1917, American

Etching, image size 7 x 10 1/2 inches, 1883, cat: Tyler-67, plate signed and dated.

Washington's First Interview with Mrs. Custis
1827-1889, American

Engraving by G. R. Hall after the painting by John W. Ehninger, image size 17 x 21 3/4 inches, c. 1860, titled, with both artist's names printed below the image.

In Port
1846-1938, American

Etching, image size 3 3/4 x 9 3/8 inches, 1881, cat: Schneider-61, plate signed.

Low Tide, Honfleur
1861-1933, American

This is an atmospheric etching in sepia ink, image size 4 3/8 x 6 inches, 1887, cat: Rice-84, signed and dated in the plate. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.

Fishing Smacks, Newport Rhode Island
1864-1919, American

An atmospheric etching by Charles Mielatz of a quiet New England harbor, image size 7 1/2 x 22 3/4 inches, published in 1890 by Fiskel, Adler and Schwartz, New York, signed and dated in the plate, with a starfish remarque in the lower margin.

Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

On the Shoreline
1860-1929, American

Etching with Remarque,image size 4 7/8X7 3/4 inches,pencil signed

Painting

The Old Mill
1833-1894, American

This is a lush, finely detailed landscape by Henry W. Kemper, painted in 1865, signed and dated on the lower left corner. Oil on canvas, 16 x 14 inches, in the original period gilt frame. Kemper paints a very peaceful image of this long forgotten mill. In this verdant summer scene, a traveler approaches the mill from the darkness of the forest just as the sun peeks through passing storm clouds.

Print

The Great Wave
1760-1845, Japanese

"The Great Wave" by Hokusai measures 9 3/4 x 14 1/2 inches. An early restrike, it has some worm damage and water stain. This is the first print in his series "Thirty-six Views of Mount Fuji" and his most famous work, one of the most recognized works of Japanese art in the world.

Drawing

Giant Pine
1872- c.1950, American

This fine pencil drawing of a giant pine tree with its wooded surroundings, by local Marlboro, NH artist, Dexter Dawes measures 15 x 11 inches and is sketched on a medium weight, gray paper. Dawes summered in southern NH, with its' majestic views of Mt. Monadnock where many of his inspirations for his drawings, paintings and lithographs came from.