19th Century American

TitleLast NamePricesort icon
The Mill on the Riverbank
1839-1922

Etching, image size 18 x 29 1/4 inches, c. 1880, remarque l.l, pencil signed.

A Showery Day
1842-1914, American

This is an early etching by Peter Moran, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, pencil signed. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest. According to Wright, this image was most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.

The Prayer at Valley Forge
$395.00
19th C.

Engraving after a painting by H. Brueckner. Image size 15 1/4 x 21 1/2, Published by John McRae, New York, 1866.

Inner Harbor Gloucester
1846-1938, American

Etching, image size 9 5/8 x 13 1/2 inches, plate signed and dated l.l. "Stephen Parrish 1883".

Fishing For Blues
1840-1922, American

Etching, image size 19 x 11 7/8 inches, copyright 1892, pencil signed l.r. "William Mc.Cary", bluefish remarque l.l., "Copyright, 1892 by Max Jacoby, N.Y." u.l.

Annisquam
1846-1938, American

This rare, 1881, pencil signed etching by Stephen Parrish measures 6 1/4 x 11 5/8 inches and is plate signed, titled and numbered. It is #54 in the Schneider catalogue. In the 1880's, Parrish was one of the leading etchers in America known for his depictions of the rugged New England coastline and the working-class people who lived in it.

The Gooseboy
1824-1879, American

Lithograph, image size 6 x 7 1/4 inches, 1858, plate signed and dated. William Morris Hunt was one of the earliest American lithographers. He was also a painter, and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.

The Shoeshine Boy
1831-1913, American

etching,1887,etching by H.Pruet Share,17X12 1/2",pencil signed

Bellisima
1855-1932, American

etching 7x7, pencil signed

London Bridge
1846-1938, American

Small version, etching, image size: 6x3 1/2, plate signed

London bridge, On the Thames
1853- , American

Etching, 1882, 9 1/2 x 15 inches, plate signed. Published by Fishel, Adler and Schwartz, London.

The Olive Trees on the Riviera
1832-1920, American

Etching, image size 10 3/4 x 14 1/2 inches, 1884, artist's monogram within the plate, pencil signed, l.r, printed on Japan paper.

The Violinist
1855-1932, American

Etching on thin Japan,1900,image size 6 7/8X4 1/2",pencil signed

Point Isabel, Coast of Florida
1842-1899, American

Etching, 1887, plate size 3 x 5 7/8 inches, plate signed

Summer Morning
1829-1904, American

Etching, Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY,
plate signed 1886

Painting

Landscape with Sheep and Chickens
1849-1931, Belgian

This is a beautiful dusky farmyard scene by Belgian artist Eugene Remy Maes, painted in oil on canvas, 15 3/4 x 23 3/4 inches, c. 1890, signed "Th van Sluys"(a pseudonym of Maes') in the lower right corner. An inscription on the back reads "Je soussigné declare aroir pacint le tableau ci contre -Th van Sluys". This painting comes in a remarkable period frame that has been recently regilded. Maes was born in the small village of Puurs, Belgium and moved to Antwerp as a young man. He specialized in images of farm animals, such as this twilight pastoral scene.

Print

To Pike's Peak
1940-, American

This wood engraving by Barry Moser is one of 25 images from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. These images all portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.

Drawing

Waterside Study
1848 - 1921, American

Watercolor, image size 6 x 8 1/2 inches. McAuliffe was active in the late 19th century and produced public works especially in Everett, Mass: Roman Catholic Cathedral, St John's; Parlin Library. His specialties were maritime and religious subjects.