Recent Acquisitions


An All American Cityscape #4
1944-, American

A very richly inked original etching, this image measures 15 3/4 x 23 7/8 inches, edition of 60, pencil signed, titled and numbered.


An Obscure Poet
1949-, American

A cool portrait by Joel Beckwith, this etching measures 8 1/2 x 6 3/4 inches, edition of 75, pencil signed, titled and numbered, framed.


Mountain Landscape

This is a lovely impressionistic landscape painted in oil on canvas board, 8 x 10 1/4 inches, c. 1920, unsigned, "W. Dow" inscribed on the back, which appears to have been done at about the same time as the painting. This name, along with the style and palette lead us to believe this painting may be by Arthur W. Dow, but we cannot be certain. Regardless of the artist this is a beautiful landscape, painted by a very competent hand.


Spring
1842-1914, American

This is a beautiful original etching of a farmer plowing a field with a team of oxen. The image size is 3 1/2 x 5 5/8 inches, 1875, unsigned. A rich impression on a medium weight laid type paper.


Shanties on the Harlem
1861-1933, American

A delicately rendered original etching, image size 4 x 7 5/8 inches, 1881, cat: Rice-15, plate signed, dated and titled.


Dordrecht Holland
19th Century, American

This is a very fine original etching, image size 3 x 8 inches, published in 1880, unsigned.


Sunset Gloucester Harbor
1846-1938, American

This is a an atmospheric original etching, image size 4 3/4 x 8 3/4 inches, 1880, cat: Schneider-40, plate signed. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.


Solitude
1842-1899, American

A beautiful original etching, this image measures 5 3/4 x 7 1/2 inches, 1880, plate signed and dated. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Judy
20th Century American

This artist proof by Bill Braver measures 4 3/8 x 2 1/4 inches. Pencil signed and dated on the lower margin.


Frederick Chopin
1940-, American

This exquisite illustration of Frederick Chopin by Barry Moser has a diameter of 17 1/2 inches on a sheet measuring 29 x 22 inches. It is pencil signed, numbered and titled. Print comes with paper label with artist provenance.


The Great Wave
$100.00
1760-1849, Japanese

"The Great Wave" by Hokusai measures 9 3/4 x 14 1/2 inches. An early restrike, it has some worm damage and water stain. This is the first print in his series "Thirty-six Views of Mount Fuji" and his most famous work, one of the most recognized works of Japanese art in the world.


Plum Tree and Blue Magpie
1911-1995, Japanese

This vibrant woodblock print by Toshi Yoshida measures 9 3/4 x 14 3/4 inches, pencil signed and titled in English and Japanese, blindstamp, 1951. Toshi Yoshida was the son of the great Hiroshi Yoshida, one of the most famous woodblock print artist of the 20th. century, his father having a tremendous influence on him. They traveled together throughout the world creating landscapes, portraits and animal scenes.


A Grassy Riverbank

A very fine 19th Century American landscape, watercolor on paper, sight size 5 3/4 x 8 3/4 inches, c. 1890s. Although this painting is unsigned, it is a lovely composition painted by a very competent hand. This painting was recently matted with archival materials and housed in a period carved wood frame.


Scottish Landscape

This is a very atmospheric original etching in the style of Scottish artist D. Y. Cameron(1865-1945). The image size is 5 1/4 x 6 1/2 inches, c. 1910s, unsigned.


Provincetown Dune
1903-1992, American

Lithograph, image size 9 1/4 x 13 3/8 inches, 1941, pencil signed, dated and titled. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Cape End Dune
1903-1992, American

Lithograph, image size 8 x 13 inches, 1940, edition of 25, pencil signed, dated, titled and numbered. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Large Dunes, Provincetown
1903-1992, American

Lithograph, image size 7 3/8 x 11 1/4 inches, 1938, pencil signed, dated and titled. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Cape Cod Dunes
1903-1992, American

Lithograph, image size 9 1/2 x 13 3/4, c. 1940, pencil signed and titled. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Teeming Ingots
$1650.00
1894-1964, American

This is a dramatic original etching by American artist James E. Allen. The image size is 11 7/8x 9 7/8 inches, published in 1935 in an edition of 100, commissioned by the Society of American Etchers, pencil signed. James Allen was born in Louisiana and as a young man studied at the Art Institute of Chicago before moving to New York to study at the Art Students League and the Grand Central School of Art. He was known for his powerful images of American building and industry of the early 20th century, his work portraying the strength and heroism of the American blue collar worker.

Painting

A Rocky Coast
1921-, Canadian

Oil on board, 7 3/4 x 9 3/8 inches, c. 1950, signed l.r.

Print

The Love Letter
French

Etching after G.D. Leslie, image size 9 7/8 x 6 5/8 in

Drawing

A Young Man
1940-, American

Crayon and watercolor on paper, 11 3/4 x 8 7/8 inches, signed "K. Bokov", l.l.