Now Located in Peterborough, NH!

Our new showroom in Peterborough NH in the center of Depot Square is now open! Please stop by and visit us!

Recent Acquisitions


Jacob Wrestling with the Angel
1913-1996, Japanese

This is a stunning original print in the Japanese 'Mingei' or Folk Art style, by Sadao Watanabe. The image size is 21 x 17 1/2 inches, sheet size 26 1/2 x 22 1/2 inches, published in 1964 in a small edition of 50 impressions, signed, dated and numbered by the artist in white ink, framed. Watanabe grew up in Tokyo, Japan with a strong Christian influence, and was baptized at the age of 17. He became known for his images that combine Christian stories with Japanese imagery in the 'Mingei' style of Japanese Folk Art.


Main St, Marlboro, NH
$2400.00
1912-2005, Chinese/American

This is a beautiful summertime scene of Marlborough, NH by Chinese/American artist Chen Chi. Watercolor on paper, sight size 14 3/4 x 22 inches, outer frame dimension 25 x 33 inches, c. late 1940s, signed in English and Chinese with the artist's stamp in the lower right corner, in a very fine blonde oak frame and cream colored linen mat. Chen Chi was born and raised in China, and began his career as an art teacher first at a girl's high school, then at St John's University School of Architecture in Shanghai.


Summer Afternoon
1872- c.1950, American

This summer landscape by Dexter Dawes was created in 1932. It is signed by the artist in the lower left corner and the sight size is 14 1/4 x 19 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.


Surf, Monhegan
1869-1955, American

A brilliant seascape by the renowned artist, Sears Gallagher. Created c. 1920, sight size is 13 1/4 x 19 1/4 inches and is signed by the artist on the lower right. On the back of the sheet, written in the artist hand, is the title and the artists signature. Known for his etchings and watercolors of historic streets and landmarks in and around Boston, he also had a love of marine settings and created many scenes of coastal Maine, especially Monhegan Island.


A Village on the Somme
1876-1953, Scottish

This Muirhead Bone pencil and watercolor drawing of the countryside in France measures 7 3/8 x 11 inches. It is pencil signed "Bone" on the l.r. and it comes with its original label. Muirhead Bone was a Scottish artist and an important figure known for his atmospheric, finely detailed landscapes, cityscapes and images of WWI.


Cabin by the Lake
1854-1927, American

This is a luminous scene of a cabin by a still lake with the glowing colors of the setting sun lingering in the sky, casting blue shadows over summer landscape. Pastel on paper, sight size 12 3/4 x 17 inches, c. 1900, signed in the lower right corner. This pastel comes tastefully displayed in a period maple frame. Clarence Braley was a Massachusetts artist who specialized in pastel and watercolor landscapes. He was a member of the New Bedford Art Association and exhibited his work at the Boston Art Club and the Art Institute of Chicago.


Low Tide, Bay of Fundy
1846-1938, American

This is a very fine atmospheric etching of fishermen's houses along the Canadian coastline, with two small children playing on a boat in the foreground. The image size is 11 3/4 x 18 3/4 inches, published in 1881, cat: Schneiderman- 64, signed and titled in the plate. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching is one of Parrish's finest prints; in his 1886 book 'Etching in America', J.R.W. Hitchcock wrote, "Nothing that Mr.


Hamburg Harbor
1881-1962, Austrian

This is a remarkable original etching and aquatint of Hamburg Harbor in Germany. The image size is 15 5/8 x 22 3/4 inches, published in 1914 in an edition of 100 impressions, pencil signed and numbered, framed. This image is printed using two plates, one in black ink and one in gray ink to create a chiaroscuro effect with beautiful tonal range and rich contrast. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature.


Baldpate
1903-1985, American

This early etching by Churchill Ettinger measures 11 x 8 1/4 inches. It is pencil signed and titled with an attached AAA label with artist provenance.


Scissorbills
1903-1985, American

This etching by Churchill Ettinger measures 7 3/4 x 11 5/8 inches. It is pencil signed and titled on the lower margin and has an AAA label with artist provenance.


River View in Summer
1876-1960

This 1920 etching by Adolphe Beaufrere measures 5 1/2 x 7 3/4 inches. Plate signed and dated l.r.


Sur La Plage a Larmor
1876-1960

This 1929 etching and drypoint by Adolphe Beaufrere of a beach resort, measures 5 3/4 x 6 3/4 inches. It is pencil signed and numbered with a blindstamp of the publisher, Sagot, on the lower right.


Le Point Suspendu
1876-1960

Wonderful etching by Adolphe Beaufrere depicting everyday life on a river. Measuring 7 1/2 x 10 3/4 inches in an edition of 60, it is pencil signed with a blindstamp of the publisher, Sagot, on the lower right.


Orchard
1860-1929, American

"Orchard" by Edith Penman measures 6 3/4 x 6 7/8 inches. Created in 1890 in an edition of ~60 on japan vellum in brown ink with wide, full margins. Printed by the artist and published by Christian Klackner. Pencil signed on the lower right with publisher's address in the plate.


Moorings
1860-1929, American

This 1890 etching by Edith Penman measures 6 3/4 x 6 3/4 inches in an edition of 60. It is pencil signed by the artist on the lower margin with the address of the publisher, Christian Klackner, in the plate. This image was printed by the artist in black ink on cream wove paper.


Santa Cecilia, Guadelupe, Spain
1890-1983, American

This drypoint etching by Louis Conrad Rosenberg measures 8 1/4 x 6 7/8 inches. Created in 1925, it is pencil signed in the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


Carrera del Darro
1890-1983, American

This drypoint etching of the Carrera del Darro, one of the oldest streets in Granada, measures 6 5/8 x 7 3/4 inches. Created in 1935, it is pencil signed on the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


River Landscape
1860-1929, American

This 1888 etching by Edith Penman measures 5 1/8 x 9 inches in an edition of 60 or fewer. Signed by the artist in the lower right with the dated, copyright address of the publisher, Christian Klackner, lower center. This image was printed by the artist on light laid paper with full margins.


An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.


Shepherdess at Sunset
1859-1938, American

A beautiful, Barbizon inspired twilight scene, this etching measures 16 1/8 x 20 1/4 inches, published in 1888 by Klackner, New York, plate signed and dated, pencil signed, with two remarques in the lower margin. William Lathrop was the son of a midwest farmer and throughout his life worked as both an artist and a farmer. As a young man he moved to New York, and began creating etchings, many of which were published by Klackner. In the late 1880s he traveled to London and Paris, and inspired by the European countryside concentrated on painting in oils and watercolors.

Painting

Landscape with Sheep
1809-1889, Belgian

This is a beautiful painting of a ewe and her lambs in a summer meadow, with mallard ducks swimming nearby. It is painted with oils on panel and measures 5 1/2 x 7 5/8 inches, 1860, signed and dated lower right, in a period gilt frame. There is an inscription in French on the back of the board, written in the artist's hand, but we have been unable to decipher it. Van Severdonck was a Belgian artist known for his small scale landscapes and images of farm animals, especially sheep.

Print

Basket With Various Flowers
1877-1945, Japanese

Woodblock, image size 14 1/4 x 9 3/8 inches (oban), 1932, Hotei S43.1, Watanabe (W36-0.49), artist seal l.r.

Drawing

The Artist's Daughter
1893-1986, American

Silverpoint on gessoed board with black, white, and red chalk, 9 3/8 x 7 1/4 inches, c. 1960, unsigned.