Recent Acquisitions


Two Seated Figures
1885-1917, German

5 1/4 x 5 1/4 inch woodcut on 10 3/4 x 6 1/2 inch wove-type paper. Pencil signed in the lower right.


Nude Woman
1885-1917, German

10 1/2 x 8 inch lithograph on wove-type paper. Initialed in the lower right corner.


Expressionist Seated Nude
1885-1917, German

13 1/2 x 9 1/4 inch drawing in pen and ink on wove-type paper. Pencil signed.


Stoking the Stove
1885-1917, German

10 5/8 x 7 3/4 inch lithograph on thin wove-type paper. Unsigned, inscription in German on back.


The Witches Fire
1879-1946

Framed color woodblock printed in 1925, 8 1/4 x 10 1/2 inches on 9 x 11 1/4 Japan-type paper. Pencil titled and signed.


Springtime at Loyang #3
1900-1971, British

This 13 3/4 x 10 1/4 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Schwartz Galleries, New York.


Blue Beads
1900-1971, British

This 6 3/4 x 9 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York. Framed in original handpainted Asian frame.


Lighting Lanterns
1900-1971, British

This 9 1/2 x 7 1/8 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York.


Windy Sleeves
1900-1971, British

This 14 3/8 x 11 5/8 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York.


The Family
1879-1963, Latvian/American

10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.


The Early Ploughman
1805-1881, British

Framed 5 1/4 x 7 3/4 etching from 1861. State iv/viii. Catalog no. VIII.


Job Wanted
1879-1963, Latvian/American

This pencil titled and signed linocut depicts the bleakness of New York City in the Depression Era. 8 1/2 x 10 1/4 inches on 10 x 12 1/2 wove-type paper. "1932 N.Y" in pencil on the lower right.


Village Life On the Canal
1756-1815, Dutch

Watercolor signed and dated 1794. Signature on back with inscription "ad vivum fesit vigli", meaning "made to live." 4 1/2 x 7 1/4 inches on wove-type paper.


Cows and Sheep at Rest
1803-1902, British

7 1/2 x 11 inch watercolor laid onto matboard. C. 1863.


Winter Solitude
$375.00
1895-1968, American

Pencil signed lithograph. 9 x 13 1/2 inches on 11 1/2 x 16 inch wove-type paper. C. 1936.


Portrait of Isabelle Tozzer
1882-1970, Italian

Oil on canvas mounted to pressed paperboard. Signed on the left. 16 x 12 3/8 inches.


Three Sheep Resting in a Forest Glade
active 1897-1914, American

Framed oil on canvas, 13 x 16 inches. Signed N. M. Pairpoint in the lower left.
Nellie Pairpoint was a well-known animal illustrator in the 1930's.


The Homestead
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 24 x 36 inches. Signed in the lower left. The subject is likely his family homestead in Chesham, New Hampshire.


Cattle Crossing
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.


Silent Night
1898-1977, American

Drypoint and aquatint etching on wove-type paper. Pencil signed and titled. Image size is 8 5/8 x 11 3/4 inches on 11 x 14 paper.

Painting

Mountain View
1872- c.1950, American

This landscape by Dexter Dawes measures 15 x 20 7/8 inches, is signed and dated, 1937. There are some indications that it was painted on a rainy day. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Print

Caulkins
1873-1943, British

This 1928 etching by the British printmaker Arthur Briscoe measures 7 x 11 3/8 inches, hand signed in ink and editioned as 32/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them.

Drawing

Giant Pine
1872- c.1950, American

This fine pencil drawing of a giant pine tree with its wooded surroundings, by local Marlboro, NH artist, Dexter Dawes measures 15 x 11 inches and is sketched on a medium weight, gray paper. Dawes summered in southern NH, with its' majestic views of Mt. Monadnock where many of his inspirations for his drawings, paintings and lithographs came from.