Recent Acquisitions
British United States Stand at the Great Exhibition, Crystal Palace, London 1851 Original period, hand colored lithograph, From the paintings by Nash, Haghe and Roberts R.A., published in Dickinson's Comprehensive Pictures of the Great Exhibition of 1851, by Dickinson Bros, London, 1854, signed J. Nash in the plate, lower left, 13 3/4 x 19 1/4 inches.
British The Transcept Original period, hand-colored lithograph, From the paintings done by Nash, Haghe and Roberts R.A., published in Dickinson's Comprehensive Pictures of the Great Exhibition of 1851, by Dickinson Bros, London, 1854, 13 3/8 x 19 inches.
1868-1945, German Village scene Etching, 10 x 8 1/8 inches, pencil signed lower right
1879-1961, American Notre Dame de Paris Etching,,plate signed, image measures 15 1/4 x 16 1/2 inches, 1924, cat. Kennedy-23, 3rd state, published by the Louvre, partial blindstamp lower center. repaired tear along the upper border, extending into the image.
1889-1946, American Early Morning, Brittany Etching, 8 7/8 x 12 5/8 inches, ed. 90, 1930, pencil signed lower right. This print was inspired by Eby's visit to France and Great Britain in 1924 and '25.
1887-1953, American The Herbert Lowell Dillon Gymnasium, Princeton, N.J. Etching, image size: 8 x 9 1/4 inches, edition of 356, 1947, cat. Fletcher-406, JTA monogram lower left, pencil signed and dated lower right.
1889-1946, American The Storm Etching, image size 9 5/8 x 15 3/4 inches, Trial Proof, pencil signed
1888-1959, German Market Etching, image size 8 x 9 3/4 inches, ed. 16/50, pencil signed lower right
1888-1959, German Gathering Water Etching, image size 7 x 8 3/4 inches, ed. 10/50, pencil signed lower right
1806-1889, American Off Newport Oil on board, 8 1/2 x 18 1/2 inches, 1880, signed, titled and dated on reverse. A Boston painter known for his coastal scenes of New England, Drew is also remembered as an active abolitionist.
1873-1943, British On The Mainyard Etching, image size: 9 3/16 x 6 15/16 inches, numbered 33/75, pencil signed lower right.
1828-1905, British Portrait of a Girl Oil on canvas, 21 x 17 inches, 1851, signed "J.A. Vinter" lower left. A painter and lithographer, Vinter’s work was exhibited at the Royal Academy from 1847-1902. He was, on multiple occasions, commissioned by Queen Victoria. Today examples of his work are included in the collections of the National Portrait Gallery of London and the British Museum.
1882-1971, American And Now Where Lithograph, image size: 13 x 9 3/8 inches, 1936, ed. 200, cat. Jones-110, published unsigned, exclusively by the American Artists Group, illustrated in Fine Prints of the Year 1936.
1891-1951, Polish/French Adam and Eve Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.
1900 - 1971, British The White Goat Color etching, image size: 10 x 8 inches, numbered 35/100, provenance: Arthur Ackermann & Son, Inc., pencil signed lower right.
1900 - 1971, British Alice In Wonderland Color etching, image size: 4 1/8 x 3 1/4 inches, numbered 42/100, provenance: Arthur Ackermann & Son, Inc., pencil signed lower right.
1910-, American Brucie Drypoint etching, 2 x 2 inches, pencil signed lower right
1886-1978, American The Windjammer Rockport - Maine Coast Wood Engraving, 10 x 12 inches, approx. 350-400 impressions, c. 1946, cat. Dearborn-124, pencil signed and titled.
1821-1877, Belgian Rendezvous on the Hill Watercolor on paper, 9 1/2 x 13 5/8 inches, signed lower right. Dillens was a well-known painter of genre scenes. He and his brother Albert were students of their father, Hendrik, who was an accomplished watercolorist. Adolphe's work can be seen in the collections of the museums in Bruges and Brussels.
1887-1953, American The Birdman, or Fuselage - World War I Color aquatint etching, 7 5/8 x 5 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 20/50, cat. Fletcher-25, pencil signed and dated lower right
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