American


The Bathers
1858-1911, American

This is a richly colored original painting by American artist Charles W. Stetson. Oil on canvas, 9 x 14 inches, 1893, signed and dated in the lower left corner, in what appears to be the original gilt frame. Charles Stetson was a self taught artist and founding member of the Providence Art Club. He was known as a 'colorist' for his richly hued landscapes and figure studies, many of which have a dreamlike, allegorical quality. Memorial exhibits of his work were shown at the Museum of Fine Arts, Boston, the Detroit Museum of Art, and the Metropolitan Museum, New York.


River View at Sunset
1841-1914, American

This is a luminous sunset scene by American artist Charles Volkmar. Oil on canvas, 7 x 13 3/4 inches, c. 1870s, signed in the lower left corner, in the original frame. Born in Baltimore, Charles Volkmar studied at the Maryland Institute before moving to Paris where he studied with Barbizon artist Henri Harpignes. He traveled often between the United States and Europe, exhibiting his work at the National Academy of Design, the Pennsylvania Academy of Fine Arts, the Boston Art Club , the Brooklyn Art Association and regularly at the Paris Salon.


Mt Desert from Bar Island
$3650.00
1848-1914, American

This is a beautiful sundrenched scene of Mt Desert Island, Maine, by American Impressionist Frank Rehn. Oil on canvas, 17 x 27 inches, 1874, signed and dated lower left, with a label from the Gallery of Chas F Haseltine, Philadelphia on the back, in an ornate period gilt frame. Born and raised in Philadelphia, Frank Rehn studied at the Pennsylvania Academy of Fine Arts and went on to become a successful painter, primarily known for his land and seascapes.


St. John's Spire, Hartford, Connecticut
1822-1909, American

This is a very rare early view of Hartford, Connecticut. Oil on tin, 6 1/4 x 8 inches, c. 1860s, in a period 19th. C. gilt frame. An inscription in pencil on the back reads, "St John's Spire, Hartford, Conn". Although this is unsigned, we attribute this landscape to Charles DeWolf Brownell, whose style is very similar. It is well painted with very fine brushwork and details.


The Neighbor's House, Peconic, Long Island
1861-1948, American

This is a beautiful landscape of the artist's winter view from his Long Island studio. Oil on canvas, 14 x 20 inches, c. 1935, signed in the lower left corner, in the original frame. This painting was given to the current family by the artist, their neighbor in Peconic, Long Island. Irving Wiles studied at the Art Students League in New York with William Merrit Chase who became a close friend and colleague, then spent some time in Paris studying at the Academy Julien.


Evening Shadows
1844-1942, American

A beautiful summer landscape by the American artist, Horace Burdick. It measures 5 3/4 x 10 1/2 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Cloudy Skies
1844-1942, American

A lovely watercolor by the American artist, Horace Burdick. It measures 6 3/4 x 8 3/4 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Morning Sail
1844-1942, American

A beautiful landscape by Horace Burdick measuring 6 5/8 x 8 3/4 inches, matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Mountain Landscape
1844-1942, American

This watercolor landscape by Horace Burdick measures 4 7/8 x 6 3/4 inches and is signed on the lower left and matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists estate.


Narragansett Bay
1835-1910, American

A lovely 1884 marine scene, by the American Luminist landscape painter, Edmund Darch Lewis. Sight size is 14 1/4 x 27 1/4 inches and is signed and dated on the lower right, watercolor with gouache, framed. A recognizable talent at an early age, Lewis studied under the German born, Hudson River School artist, Paul Weber. The Philadelphia Public Ledger described Lewis as "a tremendous talent, great freedom from tradition." His art was in high demand from the beginning and he developed a national following.

Painting

The Rocky Cove
1877-1967, American

Watercolor on paper, sight size 11 x 14 3/8 inches, c. 1930s, signed lower left, framed. Carroll Bill was an artist and architect, studying at Harvard Architectural School. He was a member of many artist's associations, including the Boston Architectural Club, the Boston Society of Architects, the Boston Society of Watercolor Painters, the New York Society of Watercolor Painters, the New York Watercolor Club and the Springfield Art League. (M)

Print

Holy Family
1626-1696, French

Engraving after Le Brun, image size 17 3/4 x 15 15/16 in, sheet size 19 3/16 x 16 1/16 in, Fogg Museum provenance, losses to the border area, framed

Drawing

Waterside Study
1848 - 1921, American

Watercolor, image size 6 x 8 1/2 inches. McAuliffe was active in the late 19th century and produced public works especially in Everett, Mass: Roman Catholic Cathedral, St John's; Parlin Library. His specialties were maritime and religious subjects.