19th Century American
Vibrant woodland landscape by the American artist, Henry Allen Gay, signed and dated l.r., 1897, in a period gilt frame measuring 28 1/2 x 32 1/2 inches, canvas size measures 16 x 20.
This is a beautiful luminist style seascape by Mauritz Frederik Hendrik De Haas, one of the preeminent marine and landscape painters of the 19th century. Oil on canvas, 24 x 40 inches, c. 1880, signed on the lower left, in an ornate period gilt frame. Born in Holland, De Haas studied at the Academy of Fine Arts and at The Hague. At 27 years old he immigrated to the US and opened a studio in NYC. He painted exquisite marine and landscape views, and was known for his masterful ability to capture the full range of light reflecting off a stormy surf or the moon reflecting off a calm sea.
A great scene of fishing boats on the North Shore of Massachusetts by American artist John Hare. Watercolor on paper, sight size 13 1/2 x 16 1/2 inches, c. 1940s, signed lower right, framed. Provenance: Associated American Artists, with a partial label. John Hare was born in New York and studied art at the Pratt Institute and the Art Students League, before moving to Massachusetts. He was known for his vibrant watercolors of the Massachusetts and Florida coasts, and was active in the artist communities of both states.
This late 18th. century American School portrait is an unsigned, oil on canvas. Frame size is 28 x 25 inches, sight size is 19 3/4 x 16 3/4 inches. A very pleasing image but needs restoration.
A lovely 19th century American School still life. Painting size measures 10 x 14 inches with the overall frame size 18 x 21 1/2 inches, period gilt frame, unsigned, oil on canvas.
This is a very fine Hudson River School landscape, oil on academy board, 9 3/4 x 18 3/4 inches, c. 1880s, unsigned, in an ornate period gilt frame. Although this painting is unsigned it is quite well painted, evidently by a very competent artist.
A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.
This is a sweetly intimate portrait of a young woman, oil on board, 6 5/8 x 4 5/8 inches, c. 1920, signed lower right, framed. John Califano grew up in Italy and began showing his work as a young man, winning a gold medal in Naples, Italy. In 1881 he emigrated to the United States where he lived for several years in Chicago before settling in California. He was known for his California landscapes as well as portraits and genre scenes and showed his work at the National Academy of Design, New York, and the Art Institute of Chicago.
This landscape measures 12 5/8 x 9 1/8 inches and is signed on the reverse in pencil as "E. A. King", housed in a period frame. We are attributing this painting to Elizabeth A.(Bessie) King who studied at the Chandler School of Art in Detroit and was a member of the Atlanta Artists Association.
This is a richly painted, atmospheric woodland scene by the New England artist Joseph H. Greenwood. Oil on board, 6 x 8 inches, 1898, signed and dated on the lower right. Greenwood started out as a factory worker and then a teacher and eventually became Worcester's most noted landscape painter who preferred to paint the natural beauty of rural New England's four seasons. He was influenced by his contemporaries, George Inness and Willard Metcalf and studied in the Boston area with R. Swain Gifford and John Appleton Brown.