19th Century European

Etching, image size 4 x 2 3/4 inches, later printing, framed

Etching after Corot, image size 14 1/8 x 19 3/8 inches, 1881, Villet 137 (V/VI), signed in pen lower right and also signed "Max. Lalanne" in the plate. Published by Arnold & Tripp, Paris. Mantes-La-Jolie ("Mantes the Pretty") is a commune west of Paris which attracted painters in the 19th century, among them Corot.

Etching after Rembrandt, image size 7 3/16 x 6 1/2 inches, signed in the plate "De Claussin / 1800" lower left.

Etching with aquatint, image size 8 3/8 x 12 inches, "La Tauromaquia" blindstamp, sheet size 13 7/8 x 17 3/4 inches. From the 5th edition, printed in 1921 in an edition of 200. From Goya's series of 33 etchings depicting various elements of bullfighting, first published in 1816. Seven more etchings were added posthumously by a later publisher, using images found on the backs of plates. A total of eight editions have been printed, the last by the Real Academia de San Fernando in 1984.

Etching after Anton Mauve, image size: 6 1/8 x 8 1/2 inches, signature "A Mauve" in the plate lower right. Painting in the Hague School, Mauve is known for his scenes of youthful shepherds and sheep. He also briefly taught Vincent van Gogh.

Lithograph, image size: 8 1/2 x 11 7/8 inches, cat. Walterskirchen-182, 1st state of 2, printed by Landelle, Masison Duchatel, Paris, published by Galerie des Peintres-Graveurs, E. Frapier 32 rue Victor-Masse, Paris., framed, signed in pencil lower right.

Mezzotint, image size 7 1/8 x 11 3/8 inches, 1897, Schneiderman 227.II, pencil signed

Etching, image size 5 3/8 x 8 1/2 inches, 1863, Schneiderman 47.XIII, pencil signed. A view of the Dundrum or Multeen River in Tipperary as it flows through the estate of the Viscount of Hawarden. A very richly inked impression.

Etching, image size: 12 1/8 x 9 11/16 inches, artist's proof, signed in plate lower right, pencil signed lower right. Provenance: Frederick Keppel & Co.

Etching fragment, 5 1/2 x 8 1/4 inches, cat. Bliss-274.