19th Century European


The Gleaner
1857-1926, French

This original etching, after Jules Breton, by Lucien Dautrey measures 9 5/8 x 5 1/8 inches. Created in 1885, this image was Dautrey's first important plate exhibiting it at the Salon of 1885 for which he received an Honorable Mention. Dautrey was a distinguished pupil of Courtry and Felix Bracquemond and a member of the Society of French Artists. Remarque at bottom right of woman putting on coat.


Veduta dell'Intero dell'Anfiteatro Flavio detto il Colosseo
1720-1778, Italian

An original etching by Piranesi from his 'Vedute di Roma' series, this image measures 17 7/8 x 27 1/4 inches, state V/V, 1766, cat: Hind-78. From the 'Regia Calcographia' edition c. 1870s, with the blindstamp in the lower right corner. Piranesi was an Italian artist and designer, best known for his series of etchings of Ancient Roman ruins, the "Vedute di Roma". These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries.


The Artist's Studio (After Vermeer)
1837-1931, German

A beautiful etching by William Unger created c. 1880. It measures 7 7/8 x 6 1/2 inches and is framed and matted.


At the Well
1831-1858, English

Etching, 1876, image size 5 3/4 x 9 15/16 inches, plate signed


Two Figures with Butter Churn
1849-1893, American

Etchings, 5 1/2 x 8 3/4 inches, pencil signed.


Au Coin du Pont-aux-Doubles
1849-1918, French

This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Portrait de Petit Garcon, Marcel Bing
1849-1934, French

This is a very richly inked original etching by French artist Albert Besnard. The image size is 11 3/8 x 7 5/8 inches, published in 1887 in an edition of fewer than 100 impressions, cat: Coppier- 63, pencil signed. Besnard studied at the Ecole des Beaux Arts in Paris and for the beginning of his artistic career concentrated on a very academic style of painting and composition, before adopting a more impressionistic approach of portraying light and color; later he went to England to study portraiture with Thomas Gainesborough and Joshua Reynolds.


Cowdray Castle with Cows
1818-1910, British

A fine etching in sepia ink by Sir Francis Seymour Haden, one of the most important British etchers of the 19th century. This image measures 6 x 8 7/8 inches, 1892, state III/III, cat: Schneiderman-207, pencil signed. A richly inked impression with very nice plate tone.


Logging Camp
1876-1947, Austrian

Lithograph in colors, image size 16 3/4 x 24 1/4 inches, 1917, monogrammed within the image, pencil signed. Publisher's information lettered below the image.


Shields on the River Tyne
1774-1857, English

This mezzotint by Charles Turner, after a drawing by J.M.W. Turner, measures 6 x 8 1/2 inches. This is from J.M.W. Turners' "Rivers of England" series, Plate J, and published in London, 1823, by W.B. Cooke. Engraver, title, publisher and date are located on lower margin.

Painting

End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

The Summer Breeze
20th Century, American

Etching with aquatint, image size 7 x 5 7/8 inches, c. 1925, pencil signed.

Drawing

Christmas Card 1940
1872- c.1950, American

Pencil drawing, 1940, image size 9 1/8 x 5 3/4 inches.