19th Century European


At the Well
1831-1858, English

Etching, 1876, image size 5 3/4 x 9 15/16 inches, plate signed


Hands Etching- O Laborum
1818-1910, British

This is a very cool original etching of the artist's hands and etching tools working an etching plate. The image size is 5 1/2 x 8 7/16 inches, published in 1865, state V/VII, cat: Schneiderman- 84, plate signed. A very rich impression on BFK watermarked laid type paper. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler.


Two Figures with Butter Churn
1849-1893, American

Etchings, 5 1/2 x 8 3/4 inches, pencil signed.


Au Coin du Pont-aux-Doubles
1849-1918, French

This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Portrait de Petit Garcon, Marcel Bing
1849-1934, French

This is a very richly inked original etching by French artist Albert Besnard. The image size is 11 3/8 x 7 5/8 inches, published in 1887 in an edition of fewer than 100 impressions, cat: Coppier- 63, pencil signed. Besnard studied at the Ecole des Beaux Arts in Paris and for the beginning of his artistic career concentrated on a very academic style of painting and composition, before adopting a more impressionistic approach of portraying light and color; later he went to England to study portraiture with Thomas Gainesborough and Joshua Reynolds.


Cowdray Castle with Cows
1818-1910, British

A fine etching in sepia ink by Sir Francis Seymour Haden, one of the most important British etchers of the 19th century. This image measures 6 x 8 7/8 inches, 1892, state III/III, cat: Schneiderman-207, pencil signed. A richly inked impression with very nice plate tone.


Logging Camp
1876-1947, Austrian

Lithograph in colors, image size 16 3/4 x 24 1/4 inches, 1917, monogrammed within the image, pencil signed. Publisher's information lettered below the image.


Shields on the River Tyne
1774-1857, English

This mezzotint by Charles Turner, after a drawing by J.M.W. Turner, measures 6 x 8 1/2 inches. This is from J.M.W. Turners' "Rivers of England" series, Plate J, and published in London, 1823, by W.B. Cooke. Engraver, title, publisher and date are located on lower margin.


Le Galant
1661-1721, European

This engraving by Benoit Audran II measures 14 1/2 x 11 inches after a painting by A. Watteau.


Le Sommeil (Sleep)
1864-1901, French

This color lithograph in red ink by the renowned French Post-Impressionist artist Henri de Toulouse-Lautrec was created in 1896, originally printed in a very small edition of 12 impressions on a thin laid paper, cat: Adhemar-211. This impression is a later restrike printed on a cream colored wove type paper, with a monogram in the plate lower left, framed.

Painting

Landscape with House by a Duck Pond
1848-1927, American

Oil on canvas, 16 x 20 inches, signed "MHLOWELL" lower left. A primarily self-taught artist, Lowell preferred landscapes and worked mainly in the Adirondacks and Hudson River Valley.

Print

The Windmill
1852 - 1931, American

Wood Engraving, image size 6 1/4 x 5 1/8 inches, after a painting by John Crome, Edition of 150 printed by Bauer, NY 1902, pencil signed

Drawing

Harlem Revival
1905-1963, American

Pencil and graphite on drawing board, image size 13 1/4 x 15 1/2 inches, c. 1940, pencil signed. Tanzer was active in New York during the depression, and was a member of the WPA.