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19th Century European


Two Figures with Butter Churn
1849-1893, American

Etchings, 5 1/2 x 8 3/4 inches, pencil signed.


Au Coin du Pont-aux-Doubles
1849-1918, French

This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Portrait de Petit Garcon, Marcel Bing
1849-1934, French

This is a very richly inked original etching by French artist Albert Besnard. The image size is 11 3/8 x 7 5/8 inches, published in 1887 in an edition of fewer than 100 impressions, cat: Coppier- 63, pencil signed. Besnard studied at the Ecole des Beaux Arts in Paris and for the beginning of his artistic career concentrated on a very academic style of painting and composition, before adopting a more impressionistic approach of portraying light and color; later he went to England to study portraiture with Thomas Gainesborough and Joshua Reynolds.


Cowdray Castle with Cows
1818-1910, British

A fine etching in sepia ink by Sir Francis Seymour Haden, one of the most important British etchers of the 19th century. This image measures 6 x 8 7/8 inches, 1892, state III/III, cat: Schneiderman-207, pencil signed. A richly inked impression with very nice plate tone.


Logging Camp
1876-1947, Austrian

Lithograph in colors, image size 16 3/4 x 24 1/4 inches, 1917, monogrammed within the image, pencil signed. Publisher's information lettered below the image.


Shields on the River Tyne
1774-1857, English

This mezzotint by Charles Turner, after a drawing by J.M.W. Turner, measures 6 x 8 1/2 inches. This is from J.M.W. Turners' "Rivers of England" series, Plate J, and published in London, 1823, by W.B. Cooke. Engraver, title, publisher and date are located on lower margin.


Le Galant
1661-1721, European

This engraving by Benoit Audran II measures 14 1/2 x 11 inches after a painting by A. Watteau.


Le Sommeil (Sleep)
1864-1901, French

This color lithograph in red ink by the renowned French Post-Impressionist artist Henri de Toulouse-Lautrec was created in 1896, originally printed in a very small edition of 12 impressions on a thin laid paper, cat: Adhemar-211. This impression is a later restrike printed on a cream colored wove type paper, with a monogram in the plate lower left, framed.


La Veulette en Veules-en-Caux
1833-1887, French

This fine atmospheric etching by Alphone Aufray de Roc 'Bhian was done in 1882 by this French landscape artist. It measures 11 7/8 x 19 inches and is plate signed and dated and pencil signed in the lower right corner. Known for his fine command of atmosphere and mood in his etched lines, Alphone Aufray de Roc 'Bhian exhibited at the Paris Salon from 1864 - 1882.


A Water Meadow
1818-1910, British

An atmospheric early proof by Sir Francis Seymour Haden, this scene is of the river Test outside the town of Romsey, near Southampton Bay. The image size is 5 7/8 x 8 7/8 inches, published in 1859, state II/IV, cat: Schneiderman-23. This original etching features a very rich impression with beautiful plate tone, printed on a laid type paper.

Painting

Abstract
b.1910, American

Oil on board, visible size 14 1/4 x 22 1/2 inches, signed lower right, framed

Print

Portrait of a Man
1896-1984, American

Etching, image size 9 1/4 x 7 inches, pencil signed

Drawing

Grove of Trees
1872- c.1950, American

A fine pencil sketch of a grove of trees with a landscape in the background by Dexter Dawes, measuring 7 1/2 x 11 inches on a medium weight drawing paper. Dawes summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs, drawings and paintings. He belonged to a number of associations including the National Arts Club.