20th Century American
1895-1975, American The Battered Boat, Villefranche-sur-Mer Drypoint etching, image size: 4 3/8 x 6 5/16 inches, numbered 30/75, 1927, cat. Chamberlain and Kingsland-49, printed on laid paper with ample margins, pencil signed.
1895-1975, American Quimper Drypoint etching, image size: 14 5/8 x 8 3/4 inches, numbered 90/100, 1935, cat. Chamberlain and Kingsland-118, pencil signed with inscription "To June and Norman, with esteem and affection - SC"
1900-1988, Italian-American Birch Processional Etching, image size 9 1/8 x 13 7/8 inches, pencil signed
1888-1952, Danish-American Man Power and Steam Etching, image size 10 3/4 x 8 3/8 inches, unsigned. Andersen was an important member of the Buffalo Print Club.
1888-1952, Danish-American Hoisting Ropes Etching, image size 11 3/4 x 8 3/8 inches, unsigned. Andersen was an important member of the Buffalo Print Club.
1888-1952, Danish-American Call to the Cat Walk Etching, image size 11 1/2 x 8 3/8 inches, unsigned. Andersen was an important member of the Buffalo Print Club.
1869-1949, American Lowell Mountain Farm Etching, image size: 8 x 10 inches, pencil signed and titled. This richly inked etching is printed on crown watermarked laid paper with ample margins.
1895-1975, American Bend in the Road Drypoint etching, image size: 7 1/2 x 13 3/8 inches, numbered 70/100, 1940, cat. Chamberlain and Kingsland-131, pencil signed lower right. This image of New Castle, New Hampshire exhibits Chamberlain's characteristic use of mottled shadows which have a dynamic effect on this otherwise tranquil scene.
1895-1975, American The Public Gaol Drypoint etching, image size 7 3/4 x 10 7/8 inches, 1938, numbered 18/100, cat. Chamberlain and Kingsland-138, pencil signed and titled. The use of subtle gradations in plate tone create a luminous quality suggestive of a sunset.
1895-1975, American The Printing Office - Williamsburg Drypoint etching, image size 9 3/8 x 7 1/2 inches, numbered 1/200, 1951, cat. Chamberlain and Kingsland-133, pencil signed and titled. This is a reworking of an earlier print titled "The Apothecary's Shop, Williamsburg," done in 1938. It was printed again in 1973 with the title "The Duke of Gloucester Street, Williamsburg," in an edition of 100.
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