20th Century European
1864-1940, German On the Lake Etching, image size 15 1/8 x 11 inches, pencil signed and numbered 119/120
1876-1953, Scottish Avila, Spain Graphite and ink drawing on paper, probably a study for a print, image size 9 x 4 7/8 inches, signed lower left
1935- , Italian Three Figures Etching, image size 9 5/8 x 6 1/2 inches, 1961, pencil signed and dated, titled indistinctly, framed
1902-1960, French Daikoku the God of Wealth, Personified by a Courtesan of Shimabara. Kyoto, Japan Color woodblock with gold, silver and bronze metallics, powdered pink and green pearl. Image size 15 1/2 x 11 3/4 inches, 1952, fewer than 300 impressions, Miles 123, pencil signed. Published as a pair, or diptych, with "Ebisu, the God of Good Luck" (Miles 122). This pair became one of the most sought-after diptychs ever produced by Jacoulet. Seal: Coin. Carver: Maeda. Printer: Onodera.
1902-1960, French Ebisu, the God of Good Luck, Personified by a Courtesan of Shimabara. Kyoto, Japan Color woodblock with gold, silver and bronze metallics, powdered pink and green pearl. Image size 15 1/2 x 11 3/4 inches, 1952, fewer than 300 impressions, Miles 122, pencil signed. Published as a pair, or diptych, with "Daikoku the God of Wealth" (Miles 123). This pair became one of the most sought-after diptychs ever produced by Jacoulet. Seal: Coin. Carver: Maeda. Printer: Onodera.
1874-1954, French La Route de Bray Sur Seine Etching, 7 5/8 x 10 1/2 inches, ca. 1925, titled and numbered 25/60 in pencil, published by Sagot, Paris, with Sagot blindstamp lower right, signed in the plate lower right.
1851-1931, British Barges, Thames Estuary Etching, image size 12 7/8 x 17 1/4 inches, pencil signed. Wyllie spent a great deal of time on and around the port and waterways of London. It is this intimate knowledge that allowed him to produce such lively and detailed marine scenes.
1851-1931, British Waterloo Bridge Etching, image size 7 7/8 x 15 7/8 inches, 1924, pencil signed. Provenance: Walker's Galleries, London. Wyllie spent a great deal of time on and around the port and waterways of London. It is this intimate knowledge that allowed him to produce such lively and detailed marine scenes.
1869-1952, British In the Garden Etching, image size 8 3/4 x 7 inches, pencil signed
1877-1942, Czech The Bourse, Paris Softground and aquatint in colors, image size 13 3/4 x 17 1/8 inches, 1913, numbered 33 lower left, pencil signed lower right. The Palais de la Bourse was designed by the French architect Alexandre-Theodore Brongniart (1739-1813). There are some repaired tears in the borders, well away from the image.
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