Etchings


Tintoret's House
1865-1945, British

This is a great architectural etching by Scottish artist D Y Cameron, from his 'North Italian Set'. The image size is 9 3/8 x 4 inches, 1894, no. 6 in the 'North Italian Set', cat: Rinder- 209, pencil signed. According to Rinder, this is a corner of the Palazzo Camello, Fondamenta dei Mori, Venice.


Pap of Glencoe
1865-1945, British

A very fine original etching of the mountain near Glencoe, in the Scottish Highlands by Scottish artist D Y Cameron. The image size is 3 3/8 x 4 3/8 inches, published in 1915 in an edition of about 50 impressions, pencil signed. Cameron was born in Scotland and studied at the Glasgow School of Art and at the Edinburgh School of Art, becoming one of the great artist of the British etching revival of the early 20th century.


Against the Rocks
1875-1961, American

This is a very fine original etching, image size 7 x 9 7/8 inches, pencil signed, with the WPA stamp lower left, some condition issues.


Bluebills
1887-1975, American

A very fine original etching by American sporting artist Richard E. Bishop, image size 9 3/4 x 7 7/8 inches, pencil signed and titled. Primarily a self taught artist, Bishop was known for his etchings of wildfowl; in 1936 his image of Canada geese was selected for the third Federal Duck Stamp.


Geese Pitching
1887-1975, American

This is a richly inked original sporting etching by American artist Richard E. Bishop. The image size is 8 x 11 inches, 1938, pencil signed and titled. Primarily a self taught artist, Bishop was known for his etchings of wildfowl; in 1936 his image of Canada geese was selected for the third Federal Duck Stamp.


Sunrise- The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Refuge
1887-1953, American

This is a beautiful original drypoint etching of a flock of sheep taking shelter from a blustery winter day by American artist R. W. Woiceske. The image size is 9 3/8 x 14 1/8 inches, published c. 1940 in an edition of 50, pencil signed and titled. Woiceske was born in Bloomington Indiana and studied at the St Louis School of Fine Arts and at the Artist Colony in Woodstock, NY with Birge Harrison and John Carlson. He was involved in the WPA, and became known for his atmospheric etchings of snowy winter scenes.


The Pool, 1884
1842-1914, American

This richly inked and finely detailed Moran etching measures 7 7/8 x 11 5/8 inches. Pencil signed with frog remarque on lower right margin. Cat: Wright-70, fourth state. Part of the "Twenty Original American Etchings" series published by the Cassell Publishing Co. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


Barnhart's Pool, Beaverkill, New York
1896-1982, American

This is a great image of a lone angler fishing in a quiet river pool in rural New York state. Etching, image size 8 3/4 x 11 3/4 inches, published in 1929 in an edition of 50, pencil signed, titled in the lower margin. A richly inked impression on a medium weight wove type paper with ample margins. Schaldach followed his lifelong passion for hunting, fishing and the outdoors in his many etchings, aquatints and drypoints.


Black Bass Breaking
1896-1982, American

A very fine etching with aquatint by American sporting artist William Joseph Schaldach, image size 5 7/8 x 6 7/8 inches, published in 1937 in an edition of 50, pencil signed and titled. Schaldach followed his lifelong passion for hunting, fishing and the outdoors in his many etchings, aquatints and drypoints. Moving from his home state of Indiana to NYC, he sold fishing tackle during the day and attended the Art Students League during the evening where he learned his craft under the watchful eye of John Sloan and George Bridgman.

Painting

A View in Scotland

Watercolor, 18th century, image size 10 1/2 x 18 inches, titled in ink on reverse

Print

Number 33 - Impression Number 5
1896-1977, American

Lithograph, image size 9 3/16 x 13 3/8 inches, 1929, plate signed, framed

Drawing

Edge of the Field
1872- c.1950, American

This landscape drawing by Dexter Dawes measures 18 1/2 x 24 1/2 inches and is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club.