Etchings
1864-1940, German On the Lake Etching, image size 15 1/8 x 11 inches, pencil signed and numbered 119/120
1832-1883, French Berthe Morisot Etching, image size 4 x 2 3/4 inches, later printing, framed
1834-1903, American Annie, Seated Etching on a thin laid paper, image size 5 1/8 x 3 3/4 inches, cat. Kennedy-30, second and final state, plate signed.
1876-1953, Scottish Avila, Spain Graphite and ink drawing on paper, probably a study for a print, image size 9 x 4 7/8 inches, signed lower left
1935- , Italian Three Figures Etching, image size 9 5/8 x 6 1/2 inches, 1961, pencil signed and dated, titled indistinctly, framed
1827-1886, French Mantes La Jolie Etching after Corot, image size 14 1/8 x 19 3/8 inches, 1881, Villet 137 (V/VI), signed in pen lower right and also signed "Max. Lalanne" in the plate. Published by Arnold & Tripp, Paris. Mantes-La-Jolie ("Mantes the Pretty") is a commune west of Paris which attracted painters in the 19th century, among them Corot.
1896-1969, American Grouse and Grapes Etching, image size 6 1/2 x 8 3/8 inches, signed in pencil. Considered one of America's greatest sporting artists, Ripley was especially adept at depicting birds. This is one of his finest etchings of wild grouse.
1846-1938, American Two Trees Etching, image size 3 3/8 x 5 3/4 inches, 1887, Schneider-129, pencil signed. According to the Schneider catalogue, very few impressions were apparently printed, making this a scarce etching.
1871-1951, American Bandit's Cave Etching, image size 7 x 5 inches, edition of up to 1,000, 1920, cat. Morse-195, published state VIII/VIII, pencil signed lower right, framed. A very popular image of a night out on the town.
1871-1951, American The Picture Buyer Etching, image size: 5 1/4 x 7 inches, 1911, edition of 100, cat. Morse-153, state V/V, titled lower left, pencil signed lower right. The image depicts a scene from William Macbeth's gallery as he entertains a prospective buyer.
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