Etchings
1877-1942, Czech Quai d'Anjou, Paris Color etching, image size 11 3/4 x 15 1/2 inches (299 x 393 mm), 1924, ed. 91/300, Novak 408, Society of Graveurs Modernes, pencil signed. On the back is a label from the print shop of E. Hautecoeur, Paris.
1872-1941, French Le Salut Etching, image size 5 1/8 x 7 inches, blindstamp lower left, pencil signed and numbered 49/100
1864-1940, German On the Lake Etching, image size 15 1/8 x 11 inches, pencil signed and numbered 119/120
1832-1883, French Berthe Morisot Etching, image size 4 x 2 3/4 inches, later printing, framed
1834-1903, American Annie, Seated Etching on thin laid paper, image size 5 1/8 x 3 3/4 inches, cat. Kennedy-30, second and final state, plate signed.
1935- , Italian Three Figures Etching, image size 9 5/8 x 6 1/2 inches, 1961, pencil signed and dated, titled indistinctly, framed
1896-1969, American Grouse and Grapes Etching, image size 6 1/2 x 8 3/8 inches, signed in pencil. Considered one of America's greatest sporting artists, Ripley was especially adept at depicting birds. This is one of his finest etchings of wild grouse.
1846-1938, American Two Trees Etching, image size 3 3/8 x 5 3/4 inches, 1887, Schneider-129, pencil signed. According to the Schneider catalogue, very few impressions were apparently printed, making this a scarce etching.
1871-1951, American Bandit's Cave Etching, image size 7 x 5 inches, edition of up to 1,000, 1920, cat. Morse-195, published state VIII/VIII, pencil signed lower right, framed. A very popular image of a night out on the town.
1871-1951, American The Picture Buyer Etching, image size: 5 1/4 x 7 inches, 1911, edition of 100, cat. Morse-153, state V/V, titled lower left, pencil signed lower right. The image depicts a scene from William Macbeth's gallery as he entertains a prospective buyer.
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