This is a vibrant lithograph in colors by French Modernist artist Maurice de Vlaminck. The image size is 18 1/2 x 25 inches, published in 1921 in an edition of 100, cat: Walterskirchen-164, pencil signed and numbered. Along with Henri Matisse and Andre Derain, Vlaminck was a central figure in the Fauvist movement of the early 20th century. Heavily influenced by Impressionism, Vlaminck was known for his expressive use of color and form, creating very lively, energetic images.
From Pennells' "Panama Canal Series", this lithograph measures 17 1/2 x 22 inches. Cat: Weurth 233. Pencil signed. From January, 1912 to March of that year, Pennell spent sketching in the depths of the final construction of this massive undertaking. At times he wondered if its' vastness was possible to capture on paper. He was allowed to venture wherever he wanted and the men working around him were just as much interested in his work as they were in their own. He treasured his time spent there.
This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London. He was close friends with Thomas Hart Benton, with whom he taught at the Kansas City Art institute for several years, before becoming the artist in residence at Michigan State University. DeMartelly was known for his regionalist style, most often depicting scenes of rural American farm life.
A beautiful lithograph of the coastline of Gloucester, MA by Stow Wengenroth measuring 8 3/8 x 13 7/8 inches. Published in 1976 on heavy weight laid paper, pencil signed, numbered and titled. Cat: Stucky-364. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.
This original lithograph by Alexander Brook measures 8 x 6 inches and is pencil signed on the l.r. Brook was mainly a landscape, still life and studio nude artist. He painted in the Realist tradition. In 1930 one of his oils won him 2nd prize to Picasso's 1st prize at the Carnegie International exhibition. At the early age of 17 he enrolled in the Art Students League and became friends with many of his fellow art students, including Raphael Soyer and eventually married the well known artist, Peggy Bacon.
This 1938 lithograph by Doris Lee measures 8 1/2 x 14 1/4 inches. It is pencil signed and titled. Published by Associated American Artists in an edition of 250. Doris Lee was a successful Depression era artist. Born in Illinois, she studied at the Kansas City Art Institute and then in Paris with cubist painter Andre Lhote. Moving to Woodstock, NY to be near the ever growing artist colony, she became known for depicting life in rural America. In her later years she concentrated more on abstract images, concerned with pure form and color.
This is a great original color lithograph, pencil signed, dated, and inscribed 'epreuve d'artiste' (artist's proof), but we have been unable to decipher the signature. The image size is 12 x 21 1/4 inches, 1979, with a stamp from the "Ministerio de Cultura Y Educacion" of Spain on the back of the sheet. This is a very cool, abstract composition with vibrant colors; the style looks quite familiar to us, but we have been unable to confidently attribute this print to a specific artist.
This is a beautifully vibrant original lithograph in colors by Russian born artist Nicolai Cikovsky. The image size is 21 3/4 x 16 inches, sheet size 26 x 20 inches, published in 1965 in an edition of 100, pencil signed and numbered. Cikovsky studied at the Vilna Art School, the Penza Royal Art School and the Moscow High Tech Art Insititute before emigrating to the United States in 1923. He settled in New York City where he met fellow Russian born artist Raphael Soyer, whose Social Realism greatly influenced his style of painting.
This lithograph by Victoria Huntley measures 8 1/4 x 11 7/8 inches. It is pencil signed, numbered and dated on the l.r. on medium weight paper with wide margins. Huntley grew up in the NYC area and attended the Arts Student League of NY studying under John Sloan and Max Weber.
This is a great portrait of the 18th century Romantic painter Henry Fuseli by American artist Leonard Baskin. The sight size is 26 x 18 inches, published in 1969 in an edition of 100, cat: Fern & O'Sullivan-534, pencil signed, titled and numbered, framed. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired.