Lithographs


Duet
20th C.

Pencil signed and titled, edition of 250. C. 1940. Print measures 8 3/4 x 12 inches on 11 1/8 x 14 1/8 inch medium wove type paper. An intimate portrait with soft edges and a wonderful tonal range.


Fall Day
1914-2001, American

Plate signed in the lower left. From a small edition of 20. C. 1939. Plate measures 11 7/8 x 16 inches on 15 1/2 x 21 inch medium weight wove type paper. An atmospheric print with strong contrast.


Upland
1907-1980, American

Pencil signed in the lower right. 9 3/4 x 12 3/4 inches on 12 1/4 x 17 1/4 inch medium weight wove type paper. A well-illuminated lithograph with soft lines and good tonal value. An Associated American Artists print.


Landscape with Tree
1907-2006, American

Pencil signed in the lower right. Plate measures 11 1/4 x 15 inches on 16 x 20 1/4 inch wove type paper. This is a very dramatic lithograph with strong contrast and good plate toning.


Fioretti Ste Claire
1892-1970, French

This modernist lithograph is both emotive and striking. Pencil signed in the lower right. "XXV" in the plate on the lower right. "Fioretti Ste. Claire" inscribed in pencil in the lower left. Plate measures 10 x 7 3/4 on 13 x 10 inch medium weight wove type paper.


A Small Ranch
$600.00
1897-1995, American

Pencil signed in the lower right. Plate measures 9 7/8 x 14 inches on 12 3/8 x 16 7/8 inch wove type paper. McAfee was an artist from Taos, New Mexico, best known for her depictions of ranch scenes and animals. She moved to Taos in 1928 and built the White Horse studio there, and was the Taos artist of the year in 1981.


Summer Shadows
1906-1978, American

Lithograph of a house in Wiscasset, Maine. C. 1947. Catalog: Stuckey 171. Pencil signed in the lower right, editioned in the lower left. Edition of 85. Plate measures 8 1/4 x 15 1/4 on 12 1/2 x 19 inch wove type paper. This print showcases his love of New England architecture, as well as his mastery of light and shadow.


Two Birds on a Branch
1897-1955, Danish

Plate signed in the lower right. Plate measures 12 x 11 on 15 x 19 wove-type paper. This is a charming lithograph of two bullfinches with stark contrast. Ca. 1940.


Evening Landscape in Winter
1887 - 1978, American

Plate initialed in the lower right, pencil signed in the lower right. Print 13 in an edition of 50. Plate measures 8 x 6 1/4 inches on 12 1/2 x 9 1/2 inch wove type paper. C. 1942. This is a finely detailed lithograph, with subtle use of shadows that convey moonlight in this quintessential New England scene.


Indian Laurels
$375.00
1901-1969, American

C. 1948. Pencil signed in the lower left, titled in the lower right. Edition of 50. Plate measures 8 3/4 x 13 3/4 inches on 12 x 16 inch medium weight cream wove type paper. This lithograph shows a mastery of extended tonal range depicting highlights and shadows.

Painting

A Cool Quiet Rook
1855-?, American

This landscape measures 12 5/8 x 9 1/8 inches and is signed on the reverse in pencil as "E. A. King", housed in a period frame. We are attributing this painting to Elizabeth A.(Bessie) King who studied at the Chandler School of Art in Detroit and was a member of the Atlanta Artists Association.

Print

The Necklace
1860-1943, American

This is a very fine original etching by American expatriate artist Walter MacEwen. Image size 6 x 4 inches, c. 1910, pencil signed. Born in Chicago, MacEwen traveled to Europe to study art, first in Munich with Frank Duveneck, then in Paris with Corman and Robert-Fleury. He stayed in Europe for many years with studios in both Paris and Holland, where he was also a founding member of the Egmond Artist Colony. Primarily a painter, MacEwen was known for his impressionistic portraits and genre scenes which were quite well received in both Europe and America.

Drawing

Harlem Revival
1905-1963, American

Pencil and graphite on drawing board, image size 13 1/4 x 15 1/2 inches, c. 1940, pencil signed. Tanzer was active in New York during the depression, and was a member of the WPA.