Lithographs


Deep Water
1906-1978, American

A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.


Low Tide
1900-1982, American

This is a very fine original lithograph, image size 8 1/2 x 11 inches, c. 1940s, pencil signed. Julian Levi was a Federal Arts Project painter and printmaker, and taught at the Art Students League in New York and the Pennsylvania Academy of Fine Arts.


Student and Master
1904-1971, American

This 1934 lithograph is an example of the famous satirical art of Russell Theodore Limbach, measuring 8 7/8 x 11 1/8 inches, pencil signed, commissioned by the Cleveland Print Makers, in an edition of 250. Limbach was the director of the Cleveland Print Makers in 1934 and it is most likely he printed the edition for "Student and Master" himself.


Winter Silence
1887-1973, American

Beautiful lithograph of a quiet moment in winter by Ella Fillmore Lillie measuring 11 3/4 x 9 7/8 inches, pencil signed and titled, c. 1940, ed. c. 25-50.


By the Arks
1914-1971, Spanish-American

This 1941 lithograph by the Spanish American artist, Federico Castellon, measures 9 x 11 7/8 inches, pencil signed, edition of 250, published by Associated American Artists, NY. Primarily a self-taught artist who was heavily influenced by Dali, Picasso and Rouault. At 18, Castellon had his first solo show with the help of his mentor, Diego Rivera, who recognized the young man's talent. Throughout his career he was awarded two Guggenheim fellowships and participated in the Paris Exhibition of Spanish Artists that included Pablo Picasso, Juan Gris, and Joan Miró.


Provincetown Dune
1903-1992, American

Lithograph, image size 9 1/4 x 13 3/8 inches, 1941, pencil signed, dated and titled. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Cape End Dune
1903-1992, American

Lithograph, image size 8 x 13 inches, 1940, edition of 25, pencil signed, dated, titled and numbered. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Large Dunes, Provincetown
1903-1992, American

Lithograph, image size 7 3/8 x 11 1/4 inches, 1938, pencil signed, dated and titled. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Cape Cod Dunes
1903-1992, American

Lithograph, image size 9 1/2 x 13 3/4, c. 1940, pencil signed and titled. John Gregory was a Provincetown artist, specializing in images of the Cape Cod landscape.


Foggy Weather
1903-1992, American

"Foggy Weather" measures 9 3/8 x 13 7/8 inches and is pencil signed, titled and numbered. Gregory was born in Brooklyn, NY and studied at the Art Students League with John Sloan.

Painting

Hog Island, Maine
1881-1942, American

Oil on canvas, sight size 17 x 12 inches, 1918,unsigned, attributed to Joseph Elliot Enneking, an American Impressionist painter known for his New England landscapes. There is a hand written title "Hog Island, Maine" and date "June 27 1918" on the bottom edge of the canvas and on the back but no clear signature. Period Gilt Frame

Print

Youth And Old Age
1891-1965, American

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed

Drawing

Dover Market
1915-2010, Lithuanian-American

This pencil drawing by Jack Levine measures 5 1/2 x 5 inches. It is pencil signed on the lower right. Levine was best known for his satires on modern life and political corruption. Born in South Boston into a large family, his drawing abilities were apparent at an young age. At 14 he entered a painting program at Harvard and a few years later was employed in the Works Progress Administration. His lower class childhood was often a subject of his paintings and he became known for "telling it like it is".