This is a very fine original lithograph depicting the cedar shaked buildings, boats and fishing gear of the Rockport, Massachusetts harbor. The image size is 7 7/8 x 12 3/4 inches, published in 1936 in an edition of 40, cat: Stuckey-58, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline.
An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.
This is a very cool lithograph on zinc, image size 12 5/8 x 17 7/8 inches, 1919-1920, from a very small edition of 27 or fewer impressions, cat: Czestochowski-134, printed by Bolton Brown, pencil signed. Provenance: The Cleveland Museum of Art. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs.
This lithograph on stone by Rockwell Kent measures 11 1/2 x 8 5/8 inches. Created in 1933 in an edition of 125, and printed on medium weight Rives paper. It's variant title is "Greenland Travelers" and was used as a frontispiece for the 1933 edition of "Harper's Magazine". It is pencil signed on the lower right corner and is #99 in the Jones catalogue.
Lithograph in colors, image size 16 3/4 x 24 1/4 inches, 1917, monogrammed within the image, pencil signed. Publisher's information lettered below the image.
This transfer lithograph by Arthur Davies measures 16 5/8 x 11 9/16 inches in an edition of 25 or less. Created in 1921, it is signed by the artist on the lower margin. Printed on medium weight paper, it is #189 in the Czestochowski catalog. Davies was known for his unique decorative style, often visualized in a fantasy world of female figures. One of the most respected and successful American artists, he was a member of the "Eight" and was the principal organizer of the 1913 Armory Show.
This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever.
A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos.
20th Century European, French
This color lithograph by Henri Dangon measures 10 1/4 x 17 1/4 inches. From the April, 1914 issue of "Le Sourire", it depicts many of the artists of the day including Boutigny, Laurens, Paul Chabas and Henri Martin, all of which are printed on the bottom margin. Le Sourire or "the Similie" was a French satirical journal that featured top notch artistic talent published at the turn of the century in Paris.
An evocative original lithograph by Leonard Baskin, image size approximately 25 x 22 inches, 1969, cat: Fern & O'Sullivan- 554, plate signed and dated. This piece came to us with collectors notes indicating that there is some question as to whether an edition was published of this image, with the possibility of only a few proofs ever printed.