19th Century European Prints

This is a fine drypoint and etching by French impressionist etcher, Alphonse Legros.  This image was created and printed in 1889, hand signed in pencil, printed on a medium  weight wove type paper.  The image measures 6 7/8X9 1/2 inches.  A fine rich impression. Catalog R.105.

Etching and drypoint,1st state,2X4 7/8",pencil signed

This is an original etching with drypoint by British artist Seymour Haden.  The title is Cowdray Castle with Geese.  It was created and printed in 1882, this is the forth state of five.  Hand signed in pencil , printed on a laid type paper.  Titled and dated lower left in the image.  The image measures 6X9 1/2 inches.  This image appears in the Schneiderman catalog as image number 208.

This is an original etching by French artist Berthe Morisot.  The title is: Femme Nu de Dos,  this etching was created in 1889.  This is a later printing after the plate had the cancellation holes at the upper and lower ends of the plate. These holes were later filled in the 20th century and the etching was re-editioned,  This state is less common.   The image measures 5 7/16X415/16 inches.  Unsigned as issued.  This is a rich impression, nicely framed with archival materials.

Lithograph, image size 7 1/2 x 12 1/4 inches, signed in pencil lower right border

This is an original etching by British artist Sir Francis Seymour Haden.  The title is: The Inn, Purfleet,  It was original composed and created in 1869.  This etching was done in 11 states, this was the published version and designated as X/XI before the plate was cut down.  This etching is pencil signed, the image measures 7X10 inches, printed on a medium weight laid type paper.  The image appears in the Schneiderman catalog as image number 127.  The scene was taken "from the left bank of the tidal waters of the lower Thames, some twelve miles east of London."

This is an original etching by French artist Alphonse Legros.  It is a portrait of British etcher Sir Charles Holroyd.  Created circa 1889.  This image has a plate size of 11X7 inches, printed on a medium weight laid type paper.  This etching is hand signed in pencil lower right corner of the border.  

"Sir Charles Holroyd was one of the most prolific etchers of his generation. He was taught by Alphonse Legros at the Slade School of Art and his work shows the considerable influence of his close friend William Strang. Sir Charles Holroyd was appointed first Keeper of the Tate Gallery and later Director of the National Gallery. These posts ensured that he did not need to depend upon printmaking for his livelihood; consequently, his etchings were not issued in formal editions. Impressions of his etchings were only taken when required and, as a result, many of his printed works are very scarce indeed.

Alphonse Legros was the single most influential European printmaker upon the development of the etching revival in England. Born in Dijon, Legros was persuaded to move to London by Whistler, whom he had met in Paris. Legros rapidly achieved recognition for his highly accomplished etchings and in 1875 was placed in charge of the etching class at the Royal College in South Kensington and the following year was made Professor of Fine Art at the influential Slade School. It was during his eighteen years in this post that Legros was to exert a formidable influence upon the direction of an entire generation of British printmakers." (  thank you, Mr. Campbell)

 

This etching by the British artist Seymour Haden measures 7 x 10 1/4 inches, pencil signed, plate dated 1874, I/V, Cat: Schneiderman-144. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

C. 1865. Original etching with drypoint. D-87. iii/v. Catalog: Schneiderman 88, Drake 87. Plate signed, titled, and dated in the lower left: "Calais, S. Haden, 1865, 3 a.m." Pencil signed in the lower right. Image measures 3 x 6 1/8 inches on 6 3/4 x 9 3/8 inch paper. Collector's seal in lower right. An atmospheric print that makes good use of white space.

This airy, impressionistic line etching depicts a man fishing in a forested landscape. Etched circa 1900, its measurements are 5 7/8 x 7 3/4 inches and it is signed "A. Legros" lower right. Provenance: Baldwin-Wallace College.

This framed lithograph by Engelmann after Vernet, measures 17 x 10 3/4 inches. It is plate signed and titled on the lower margin. Godefroy Engelmann was born in 1788 in Mühlhausen, France and trained in Switzerland and France at La Rochelle and Bordeaux. He studied painting and sketching in Jean-Baptiste Regnault’s atelier in Paris. In the summer of 1814 he traveled to Munich, Germany to study lithography and is largely credited with bringing lithography to France.

This is an original etching with aquatint by French impressionist Edward Manet .  The title is Theodore De Banville Facing Left, 1874.  This image was intended to be an illustration for his Les Ballades series.  This image measures 9 3/8X6 1/4 inches.  This impression was pulled from the cancelled plate in the early 20th century.  Printed on a Arches laid type paper.  This image appears in the Manet catalog as image number 64.  Théodore Faullain de Banville (14 March 1823 – 13 March 1891) was a French poet and writer. His work was influential on the Symbolist movement in French literature in the late 19th century.

This is an original pencil signed etching by British artist David Young Cameron.  It is titled: A Dutch Farm, art of his North Holland Set.  This etching was created and printed in 1892.  The image measures 4 5/16 X 8 15/16 inches.Printed on an early laid type sheet with collectors stamp lower corner of the border.  This etching came to us with 1/8 inch margins on three sides.

This is one of the most impressionistic mezzotint studies created by British artist Sir Francis Seymour Haden.  It is titled: "Grayling Fishing", it was created and printed in 1897.  It is state II/V.  This is a beautiful impression but does have a long touched up scratch on the right side of the composition.  Pencil signed,  by Haden and also signed by Golding, his printer.  There are printing instructions on the lower left of the border by Golding.  The image measures 7 1/2X11 3/4 inches.

Drypoint etching. Max Blach Wien collector's stamp on back. Pencil signed "A. Legros" in the lower right. Plate measures 3 7/8 x 6 3/4 inches on 7 x 9 1/4 inch watermarked laid paper. An atmospheric scene with a rich drypoint burr. Catalog: Bliss 364. A rare print.