This is an original oil on canvas painting by American Hudson River artist James McDougal Hart. The painting measures 30X23 inches, signed and dated 1881 in the lower left corner. This painting came to us in what appears to be the original period frame. The painting had been lined and is in excellent condition. A beautiful work, Hart at his best. "Born in Kilmarnock, Scotland, James Hart was a leading figure of the second generation Hudson River School painters and was known for idyllic landscapes, especially with cows. His family emigrated to Albany, New York in 1830 ". James McDougal Hart served as the Vice President for three years of the National Academy of Design. He became a member in 1859.
This is an original oil on canvas painting by American marine artist Harry Chase. The title is: Windy Day Coast of Holland. It is signed and dated , Scheveningen 1879 in the lower right corner and titled on the back of the canvas. The painting measures 20X36 inches and is in a fine carved gilt picture frame. This painting was created during his time studying in Holland under Mesdag and Gerdts. He was strongly influenced by the Hague School of Dutch Impressionism. He brought back to America many of his paintings done in those three years in Holland. These paintings were brought back to St. Louis where they were offered in a solo show at Pettes and Leathe Gallery in St. Louis in 1880. All of his paintings were sold at this show.He also illustrated the catalog with etchings of his paintings.. This one, A Windy Day, was purchased by Marc Holmes of St. Louis, later Chicago. A fine impressionistic view of the Coast of Holland. We have extensive information about the provenance of this work.
This is an original early William Preston Phelps painting titled: The Homestead, N.H. This oil painting from circa 1890 has a canvas size 18X30 inches. It is in a heavy Gold Leaf frame of the same period as the painting. There is a couple of old labels on the back. The painting is in good shape, no evidence of restoration. Signed lower left corner. The house in view is most likely Phelps own in Chesham New Hampshire.
This is a beautiful sundrenched scene by French artist Auguste Bonheur, oil on canvas, 23 1/2 x 31 1/4 inches, c. 1860, signed, in an ornate period frame. Auguste Bonheur was born into the Bonheur family of animal painters; his father, Raymond Bonheur was an art teacher as well as artist and taught painting to both Auguste and his older sister, the renowned animal painter Rosa Bonheur. The Bonheurs kept a small barnyard with sheep, chickens, and a cow, which they would often portray in their paintings. Auguste especially excelled at landscapes, which he depicted with a bright clarity of light and color, often including the farmyard animals in his scenes. Auguste was quite successful in his own time, he exhibited regularly at the Paris Salon as well as at galleries in London and Leeds. In 1861 Theophlie Gaultier wrote,"Auguste Bonheur has dared - and it is great audacity - to unvarnish nature, to take away the smoke and the dirt, to wash off the bitumen sauce with which art ordinarily covers it, and he has painted it as he sees it. His animals have the soft and satin-like skin of well-to-do animals; his foliage, the bright freshness of plants washed by the rain and dried by the sun."
This is an original oil on canvas by American Tonalist artist J. Francis Murphy.(1853-1921) This view of Twilight in Autumn was set most likely in the Catskill Mountains of New York. The image measures 18X30 inches. It is signed J.Francis Murphy and dated 90 in the lower left corner. This painting was previously sold through Christies in New York, January 1999. The painting is housed in a fine carved gilt frame. The painting has been professionally relined and is in very fine condition. "Murphy's simmering sunsets and autumn melancholy are deceptive, his best work embodies the radical experiments of his contemporaries (Ryder, Innes, Blakelock) tempered with a cool poise and exquisite indwelling depth of tone." (David Cleveland, A history of American Tonalism)
Oil on panel, 11 x 16 inches, cradle backing, signed lower right, in an ornate period gilt frame. A very well regarded artist of the French Realism movement, Emile Lambinet was born in Versailles and studied with Horace Vernet and John Baptiste Camille Corot. Both of these artists greatly influenced Lambinet's mature style of painting, as can be seen in this image, with the exacting details and bright atmosphere of Vernet and the subtle color palette with just a few accents of saturated color of Corot. Lambinet showed his work regularly at the Paris Salon, winning medals in 1843, 1853 and 1857, and in 1867 was made a Chevalier of the Legion de'Honnuer. Today Lambinet's paintings can be found in many museums worldwide, with the largest collection of his work at the Musee Lambinet in the artist's hometown of Versailles.
This is a very fine painting of a man and his dog fishing in Lake Geneva, Switzerland. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner, in an ornate period gilt frame, most likely the original. Another very similar painting by Vuagnat of the same location is in the collection of the Victoria Museum, Melbourne, Australia.
This is a very fine original hand colored etching by British artist Elyse Ashe Lord. The title is Blue Birds, created and printed circa 1930. This image came to us in the original Arthur Ackermann orientalist frame. (label on the back) This etching is pencil signed and numbered as 8/50. The image measures 9 X 7 1/4 inches, the overall frame measures 18X15 inches. The frame has birds and other scenes colored and embossed on the molding, a beautiful package overall.
This is an oriignal oil on canvas painting by American artist William Lester Stevens. The scene is an old Farm in Summer located in Conway Mass where the artist lived. The painting measures 25X30 inches, clearly signed lower right, "W. Lester Stevens N.A." This painting circa 1940 is done with some areas of heavy impasto and bright colors. "Born in Rockport, Massachusetts, impressionist painter William Stevens lived and worked in the area for many years. In the later part of his life, he moved to Conway, Massachusetts.
His first art study was with Parker Perkins, and then he attended the Boston Museum School as a student of Edmund Tarbell, Frank Benson, Philip Hale and William Paxton. He taught at Princeton and Boston Universities, and by 1964 had won more awards than any other living artist."
This is an early still Life of Flowers, oil on chamfered panel by American artist Abbott Fuller Graves. Created circa 1900 this painting is signed lower left corner and has an image size of 8 5/8 X 6 5/8 inches. Good condition with a few minor cracks in the panel, unobtrusive. This painting is housed in a period gilt frame. Graves worked with both Edmund Tarbell and Childe Hassam who he met while studying in Paris at the Academie Julian. The former owner purchased this painting at Christies Auction House, N.Y. at their American Painting sale of March 1992.
This is an impressive large seascape by American Marine painter Franklin Dullin Briscoe. This view of fishing boats at sunset, oil on canvas with an image size of 28X50 inches. It is signed and dated lower right corner, 1873. This painting came to us in a fine modern cove style gilt frame. The overall size of the frame is: 34X56 inches. One of the best Briscoes weve seen.
Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame. John Fullwood exhibited at the 1877 Royal Birmingham Society of Artists Show. The Royal Birmingham Society of Artists, established in 1821, was highly influential during the Pre-Raphaelite and Arts and Crafts periods. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais, Frank Brangwyn, and Lord Leighton.
This is a very fine Marine painting, an original oil on canvas , unsigned, very much in the style and technique of Edward Moran. We are offering this painting as attributed to Moran only. A fine view of coastal shipping, circa 1870's. The canvas measures 24X36 inches. Housed in what appears to be the original gilt frame. This painting came from the impressive collection of the Reading Public Museum, in Reading PA. , the museum label is on the back. A very fine and detailed work of art.
This is an original etching by French Barbizon artist Jean-Francois Millet (1814-1875) The title of this work is: The Large Shepherdess, it was created and printed in 1862. I/I....The only state created. The plate measures 12 1/2X9 1/4 inches. Signed in the plate lower left, edition is unknown. Printed on a medium weight wove type paper. Catalog: Delteil 18. This is one of his best known etchings.light toning to the sheet, wide borders all around, some repair tape in the lower left corner of the border, well away from the image area.. A strong rich impression of this important image.
This is an original oil on canvas marine painting by well known American artist Gordon Grant. The scene shows a Clipper Ship being greeted by a Pilot Boat as it Rounds the Headlands and into Port. This painting measures 28X36 inches, signed lower left "Gordon Grant", very nice condition it had been cleaned and lined in the recent past. Housed in a fine gold frame of the Period, circa 1930's.
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