This is a fine original oil on canvas painting by American artist Charles Paul Gruppe (1860-1940) This study of a Farmwife at work was created circa 1880 prior to his moving to the USA in 1914. It is signed "Gruppe" lower right corner. The canvas measures 10X14 inches and came to us in what appears to be the original frame with the gallery label on the back: "Goupils" This well known New York painting dealer opened his gallery in 1848 and was later bought out by Knoedler. This was one of the earliest galleries in the USA to promote American as well as european paintings. The over all frame size measrues 18 1/2X22 1/2 inches. The painting came to us under glass which weve since removed. The painting is in extremely fine condition, no repairs,tears or staining. The frame has a few minor losses and scrapes, over all the painting is quite presentable just as it now appears.
This is an original oil on canvas painting signed "F. Yoshida", lower left. This artist is Fujio Yoshida (1887-1987)
Fujio was the wife of the well known woodblock artist Hiroshi Yoshida and the Mother of Toshi. She was the first female in the Yoshida family to become a well known artist. Fujio was known for her western style paintings. This painting measures 20X24 inches. It is housed in a hand carved wooden frame. We assume the painting to be from the late 1930's to possibly 1940.
THis is an original color aquatint etching by French artist Manuel Robbe. This etching titiled: "Les Liseuses", The readers, also known as The Picture Book was created and printed in 1903, It is editioned as 45/65 in pencil lower left and hand signed by the artist in pencil lower right. The image measures 19 1/8X14 7/8 inches. This etching is nicely framed with archival materials.
Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design. He exhibited his work at the Paris Salon, The Boston Art Club, The Carnegie Institute, and the Art Institute of Chicago, as well as in exhibitions with the Society of American Artists and the National Academy of Design.
This is an original etching by American artist James Abbott McNeil Whistler. The title of this image is "Soupe A Trois Sous", It was created and printed in 1859 and according to the Glascow catalog this image was never published. The etching measures 5 7/8X8 7/8 inches, printed on a thin Japan laid paper, very fine condition, nice use of plate tone in the foreground. Soupe à trois sous ' is French for 'Soup for three sous', which was very cheap soup, and implies that the restaurant was a very basic café/bar. Whistler's first title, 'Café des Pieds Monilles' implies a particular café. 'Café des Pieds Monilles' is almost certainly a garbled reference to the Parisian Café des Pieds-Humides ('Café of the Wet Feet'). However, this title seems to have been immediately rejected in favour of the more familiar ' Soupe à trois sous '.(glascow)
This is an original oil on canvas painting by Boston artist A.C. Goodwin. The title of this work appeared on the stretcher as Autumn Landscape, circa 1925. The painting measures 25X29 inches. Signed
"A.C. Goodwin" lower left, This painting is framed in a modern gold frame. "Goodwin was born in Portsmouth, New Hampshire, and was raised in Chelsea Massachusetts. He did not begin painting until the age of thirty and became a self-taught Impressionist and also a follower of the Ashcan School led by Robert Henri. After painting in Boston in both oil and pastel for a twenty-year period, Goodwin gained the recognition of famous art figures including John Singer Sargent, Mrs. Jack Gardner, and John T. Spaulding. Childe Hassam was quoted as describing Goodwin as "the greatest painter in Boston. In 1921, he left Boston for New York City and had a studio on Washington Square where he "developed a reputation as one of the few American Impressionists to prefer urban subjects" (Spanierman) including bridges, parks and avenues. He and his wife then lived in Chatham, New York where he painted many landscapes. In 1929, he returned to Boston and resumed his Bohemian lifestyle. "
This is an original pencil signed color etching by French master Manuel Robbe. This color etching is titled: "Examen Intime" it was created and printed in 1901 in an edition of 100 signed proofs. This etching has an image size of 12 3/4X9 3/4 inches. This color etching was published by Editions Sagot in Paris with their blind stamp in the lower border. This image was last sold by Merrill Chase Gallery in Chicago. It is beautifully framed and has all of their gallery information on the back of the frame. This etching is in flawless condition, the colors are bright.
This is an original oil on canvas painting by American Tonalist ,Charles P. Appel. This painting measures 12X16 inches, signed lower right. This painting came with a partial Salmagundi Club label on the back. Appel is known for romantic landscapes and marine paintings in Tonalist and Impressionistic styles. He studied at the New York School of Art with Francis Luis Mora and William Merritt Chase and later with Frank Vincent DuMond at The Art Students League. He became a member of the Salmagundi Club in New York City in 1906.
This is an impressionistic original color etching and aquatint by French master of the Belle Epoch, Manuel Robbe (French 1872-1936) The title of this work is:
"Le Bouquet de Violettes", it was created and printed in 1903 in the first edition of only 65 signed proofs. A larger edition was published after the signature was added to the plate. This etching is hand signed in pencil lower right. The image measures 17 1/2X11 3/4 inches. A fine impression, previously sold by Merrill Chase galleries, it appears in the Chase catalog as image number 105. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
This is an original etching and engraving by American artist Peter Milton. This image was created and printed in 1977, pencil signed, titled, and editioned as 9 /160. The image measures 19 5/8X35 5/8 inches, printed on a medium weight wove type paper. P.M. catalog as image number 98. Excellent condition.
An early etching by Gene Kloss, this is a very richly inked scene of boats moored on the quiet harbor waters of San Francisco Bay. The image size is 9 x 10 inches, published in 1935 in a small edition of 75, pencil signed, titled and numbered. Gene Kloss was born in California as Alice Geneva Glasier, changing her name when she married the poet, Phillip Kloss in 1925. On their honeymoon, the Kloss's traveled to and fell in love with Taos, New Mexico. For over a decade they split their time between Taos and Berkely, CA; Gene Kloss becoming a central figure in the artistic communities of both states. This etching is in pristine condition and features a richly inked impression with superb plate tone on a heavy weight wove type paper.
Etching with drypoint, image size 15 1/2 x 9 1/2 inches, c. 1890, edition of 20, pencil signed. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. The young girl in this portrait is Helleu's daughter Ellen.
This is an incredible drypoing etching by American artist Gerald Geerlings. The title is: "Grand Canal, America. (Electrical Building at Night.) " It was created and printed in 1933, it is inscribed as "Prize etching of the Chicago Fair, 1933" in pencil lower left border and also, signed and gifted to Tom Caitheart with Best wishes" in pencil. The image measures 11 7/8X8 7/8 inches. In excellent condition. Printed on a medium weight wove type paper. The subject is from "Chicago Century of Progress World’s Fair " in 1933. "Born In Milwaukee Wis. Lithographer illustrator architect writer industrial designer Studied at Milwaukee State Teachers College;University Of Pennsylvania; Royal College Of Art London with Malcom Osborne; St. John's College Cambridge University."
Engraving by Alfred Jones after the painting by William Sidney Mount, image size 12 1/2 x 16 inches, sheet size 17 7/8 x 19 7/8 inches, published in 1843 by the Apollo Association, printed by J. Dalton.
Lithograph, image size 15 3/8 x 18 inches, 1932, pencil signed. Born in Poland, Max Weber emigrated to Brooklyn, New York with his family at the age of 10. He went on to study art at the Pratt Institute in Boston, then traveled to Europe where he was influenced by the groundbreaking work of Henri Matisse, Pablo Picasso and Henri Rousseau. Weber returned to America, bringing with him the cubist and modernist ideas and techniques that he learned in Europe, and is considered by many to be one of the forefathers of American modernism.
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