This is a large drypoint etching by British artist James McBey. It is titled: "A Regatta on the Grand Canal". This etching was created and printed in 1930 in an edition of 89, this one is impression number 42. The image measures 8 7/8X15 3/8 inches, printed on a wove type buff toned sheet.It is hand signed in ink in the lower right border. A fine impression, well inked. This image appears in the Hardie catalog as image number 248.
Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.
This is an original color woodblock print by French artist Paul Jacoulet (1902-1960) The title is: "Chagrins D'Amour, Kusaie Est Carolines", it was created and printed in October 1940, pencil signed with the Butterfly seal. The edition is 330 impressions. The image measures 15 5/8X11 7/8 inches. Jacoulet moved to Tokyo Japan and was influenced both by the Asian subjects that he encountered and the modern Japanese woodblock printing of the 20th century.
This is an original hand signed color aquatint etching by French artist Manuel Robbe (1872-1936) The title of this etching is: "Le Pont de L'Isle Adam" it was created and printed in 1927 in an edition of 100. The etching is pencil signed in the lower right. This etching was formally sold by Merrill Chase galleries in Chicago. The image mesures 13 1/2X21 inches. It is in a fine 24X30 inch gold frame with the Merrill Chase labels on the back.A fine impression, Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
Etching, image size: 9 7/8 x 12 1/2 inches, c. 1930, pencil signed lower right
A very rare original woodblock print by Latvian- American artist Isac Friedlander The title of this work is "Mother", it was created and printed in 1939, editioned as 5/15. The woodblock print is hand signed, titled and editioned in pencil by the artist. The image measures 10 1/8X8 inches on a 15 1/2X12 1/2 inch wove type medium weight paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This is an original etching and aquatint by French artist Louis Legrand. This etching is titled: "La Fille a sa tante", the girl with her aunt....This etching was created and printed in 1893 in an edition of 100. It came from his series "Les Petites du Ballet", (the Little ones of Ballet). The image measures 14 1/4X8 3/4 inches. Printed on a medium weight wove type paper, pencil signed lower right border. This image appears in the Arwas catalog as image number 77.
This is an original pencil signed wood engraving by Latvian American artist Isac Friedlander. This image is titled Self Portrait, New York and dated 1935. The image measures 10 3/4X8 3/4 inches. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
Etching, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York
An original etching by Piranesi from his 'Vedute di Roma' series, this image measures 17 7/8 x 27 1/4 inches, state V/V, 1766, cat: Hind-78. From the 'Regia Calcographia' edition c. 1870s, with the blindstamp in the lower right corner. Piranesi was an Italian artist and designer, best known for his series of etchings of Ancient Roman ruins, the "Vedute di Roma". These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries.
This is an original etching by American artist Kerr Eby. The title is Driftway, which was Eby's home in Westport, Connecticut. This etching has an image size of 8 3/8X14 inches. It was created and printed in 1928 in an edition of 90. Eby left a skim coat of ink to create tone in the sky. This etching is pencil signed lower right with the "imp" after his name meaning that he printed this impression himself. This was the first depiction that he did of this subject. He later in 1931 created Driftway, Moonlight,1933, Driftway, Evening and Days End, Driftway in 1939. This image appears in the Giardina catalog as image number 132.
This is an original pencil signed etching by American artist Stephen Parrish. This etching titled: "Gloucester Harbor", also known as "Rainy Day Gloucester", was created and printed in 1882. It is a rare work, one of the few that Parrish did after another artists composition. This was after the painting by W.M. Hunt. Hunt's initials are etched into the plate lower left. The image measures 13 1/8X19 3/4 inches. Printed on a simulated parchment wove type paper, laid onto a thicker sheet. This is an early signed proof but done without the sailboat remarque . This etching appears in the Schneider catalog as image number 74. From the artists catalog, "June 1882, From the head of the harbor,looking south, In the right foreground, an old black hulk" beyond wharves and shipping and part of the town....In mid distance Five Pound Island."
This is an original drypoint by American Sporting etcher Frank Benson. The title is "Waders", this drypoint was created and printed in 1930 in an edition of 150 signed proofs on Whatman type paper. The image measures 7X12 inches. Excellent condition, pencil signed lower left by the artist.
Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
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