This original lithograph was created by American artist Stow Wengenroth. The title is "Memory", it was taken from a scene in Greenport, New York in 1971. The image measures 14 3/8 X10 3/4 inches. The edition was only 60 signed impressions. It is pencil signed lower border, printed on a medium weight wove type paper. This lithograph was done as a special tribute to the artist's wife who died the year before.
This is an original etching by British artist James McBey. It is titled: Manhattan, a view of the Bridges of New York. Hand signed in ink lower right and editioned as XXVI in the lower left border. This etching was created and printed in March 1930. Printed on a medium weight laid type paper.
A very rare original woodblock print by Latvian- American artist Isac Friedlander The title of this work is "Mother", it was created and printed in 1939, editioned as 5/15. The woodblock print is hand signed, titled and editioned in pencil by the artist. The image measures 10 1/8X8 inches on a 15 1/2X12 1/2 inch wove type medium weight paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This is an original hand signed color aquatint etching by French artist Manuel Robbe (1872-1936) The title of this etching is: "Le Pont de L'Isle Adam" it was created and printed in 1927 in an edition of 100. The etching is pencil signed in the lower right. This etching was formally sold by Merrill Chase galleries in Chicago. The image mesures 13 1/2X21 inches. It is in a fine 24X30 inch gold frame with the Merrill Chase labels on the back.A fine impression, Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
Drypoint etching, image size 14 x 12 7/8 inches, 1939, pencil signed and numbered 22/100
This is an original pencil signed wood engraving by Latvian American artist Isac Friedlander. This image is titled Self Portrait, New York and dated 1935. The image measures 10 3/4X8 3/4 inches. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This is an original etching and aquatint by French artist Louis Legrand. This etching is titled: "La Fille a sa tante", the girl with her aunt....This etching was created and printed in 1893 in an edition of 100. It came from his series "Les Petites du Ballet", (the Little ones of Ballet). The image measures 14 1/4X8 3/4 inches. Printed on a medium weight wove type paper, pencil signed lower right border. This image appears in the Arwas catalog as image number 77.
This is an original etching by American artist Kerr Eby. The title is Driftway, which was Eby's home in Westport, Connecticut. This etching has an image size of 8 3/8X14 inches. It was created and printed in 1928 in an edition of 90. Eby left a skim coat of ink to create tone in the sky. This etching is pencil signed lower right with the "imp" after his name meaning that he printed this impression himself. This was the first depiction that he did of this subject. He later in 1931 created Driftway, Moonlight,1933, Driftway, Evening and Days End, Driftway in 1939. This image appears in the Giardina catalog as image number 132.
Etching, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York
An original etching by Piranesi from his 'Vedute di Roma' series, this image measures 17 7/8 x 27 1/4 inches, state V/V, 1766, cat: Hind-78. From the 'Regia Calcographia' edition c. 1870s, with the blindstamp in the lower right corner. Piranesi was an Italian artist and designer, best known for his series of etchings of Ancient Roman ruins, the "Vedute di Roma". These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries.
This is an original etching and aquatint by American artist J. Jay McVicker. The title is: Tropical Wash Day, this was created and printed in 1946. Pencil signed by the artist and also signed and dated in the plate. The image measures 8 1/4X15 1/4 inches. Richly printed on a medium weight wove type paper. Very fine condition. A student of Ella Jack and Doel Reed at Oklahoma State University. he joined the faculty and remained in in Stillwater OK for the rest of his life..
Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.
This is an original etching and aquatint by French artist Louis Legrand. The title is: "Devant la Fenetre" (by the window) It was created and printed in 1908 from his series: "Le Petite Classe", published by G. Pellet, Paris. This etching measures 15 1/2X11 1/4 inches. This image was printed in an edition of 100 of which this is 40/100, printed on a simi-parchment, hand signed in pencil.
Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
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