Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London, becoming known for his landscapes and remarkable interior architectural views, such as this finely detailed image of the Albert Hall. Unwin died at the age of 40, after suffering from tuberculosis for much of his adult life.
This is an original etching and aquatint by French artist Louis Legrand. The title is: "Devant la Fenetre" (by the window) It was created and printed in 1908 from his series: "Le Petite Classe", published by G. Pellet, Paris. This etching measures 15 1/2X11 1/4 inches. This image was printed in an edition of 100 of which this is 40/100, printed on a simi-parchment, hand signed in pencil.
This is an original pencil signed etching by American artist Stephen Parrish. This etching titled: "Gloucester Harbor", also known as "Rainy Day Gloucester", was created and printed in 1882. It is a rare work, one of the few that Parrish did after another artists composition. This was after the painting by W.M. Hunt. Hunt's initials are etched into the plate lower left. The image measures 13 1/8X19 3/4 inches. Printed on a simulated parchment wove type paper, laid onto a thicker sheet. This is an early signed proof but done without the sailboat remarque . This etching appears in the Schneider catalog as image number 74. From the artists catalog, "June 1882, From the head of the harbor,looking south, In the right foreground, an old black hulk" beyond wharves and shipping and part of the town....In mid distance Five Pound Island."
This is an original drypoint by American Sporting etcher Frank Benson. The title is "Waders", this drypoint was created and printed in 1930 in an edition of 150 signed proofs on Whatman type paper. The image measures 7X12 inches. Excellent condition, pencil signed lower left by the artist.
This is a very fine original lithograph by American artist Stow Wengnenroth. It is titiled: Little Fellers, Port Clyde Maine. It was created and printed in 1959 in an editiion of 50. The image measures 11 1/2X15 7/8 inches. This lithograph is pencil signed and editioned in the bottom border. An impressive use of highlight and shadow in this composition, a striking image.
This is a fine hand signed etching by American Artist Stephen Parrish. The title of this work is "Evening, Gloucester, 1883". The image measures 8 5/8X14 inches. This image appears in the Schneider catalog as image number 77. "To the right of the mast is the tower of the 1869 City Hall, still standing, Next to the right is the sharply pointed spire of the Baptist church, now gone. At the far right are the buildings of the Rocky Neck Marine Railways." Fine use of plate tone in the sky and sea.
This is an original Arthur Briscoe etching, titiled: "Heavy Canvas", this etching was created and printed in 1931 in an edition of 75. The image is hand signed in pen and ink and editioned in the lower border. The image measures 13 1/2X8 3/8 inches. The subject shows four men making fast the crossjack of a four masted barque. This etching is archivally framed.
This is an original two color woodblock print by American artist Leonard Baskin. The title is: "Frightened Boy and His Dog". It was created and printed in 1954. This image is numbered as 16/210. The image measures 12 1/2X14 inches, printed on a hand made Japan type paper. Pencil signed and titled by the artist lower image. One of his most iconic early woodblock prints.
This is an original Cliches Verre print by French artist Jean Baptiste Camille Corot. The title is "The Little Sister, La Petite Soeur. This image was first created in 1854, the image was done on a coated glass plate which was then printed onto a light sensitive sheet. This happened at a time when photography was only just invented. This plate was latter printed in a new edition by Le Garrec in 1921. This image has the Edmond Sagot's publishers stamp on the back and the edition number as: 129/150..The image measures 6 1/2X8 1/8 inches. Corots name appears in the lower left corner in reverse. This image appears in the Deteil catalog as image number 41....“From a portfolio of forty individually mounted cliché-verre prints by Corot, Daubigny, Delacroix, Millet and Rousseau, printed from plates held in the collection of M. Cuvelier (Paris: Maurice Le Garrec, 1921); with title page, list of plates and 'avertissement', each mount and title page stamped with the series number in blue ink; edition 8/150. The verso of each print also bears a stamp, possibly that of the Edmond Sagot studio (the title page states that Le Garrec was the successor to Sagot) (from the British Museum)
Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.
This is a beautiful original landscape by American artist Roi Partridge. Etching, image size is 8 3/4 x 11 5/8 inches, published in 1950 in an edition of 154 for the Society of Print Connoisseurs, pencil signed. This etching appears to be an early proof apart from the published edition, as there is no blindstamp from the Society of Print Connoisseurs. Partridge grew up in Seattle and was a member of "The Triad", along with John Butler and Claire Shepard Shisler; before traveling to study art in New York at the National Academy of Design, and then to Paris, where he studied etching with Bertha Jacques. In 1915 he settled in California where he married photographer Imogen Cunningham.
This is an original woodblock print by Latvian American artist Isac Friedlander. The title of this work is: "Under the Arch", it was created and printed in 1937. This image is editioned as 1/10, a very rare image. It is hand signed titiled and editioned in pencil in the lower margin. The image mesures 9X8 1/4 inches, printed on a handmade japan type paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
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