This is an original Arthur Briscoe etching, titiled: "Heavy Canvas", this etching was created and printed in 1931 in an edition of 75. The image is hand signed in pen and ink and editioned in the lower border. The image measures 13 1/2X8 3/8 inches. The subject shows four men making fast the crossjack of a four masted barque. This etching is archivally framed.
This is an original drypoint by American Sporting etcher Frank Benson. The title is "Waders", this drypoint was created and printed in 1930 in an edition of 150 signed proofs on Whatman type paper. The image measures 7X12 inches. Excellent condition, pencil signed lower left by the artist.
This is an original etching and aquatint by American artist J. Jay McVicker. The title is: Tropical Wash Day, this was created and printed in 1946. Pencil signed by the artist and also signed and dated in the plate. The image measures 8 1/4X15 1/4 inches. Richly printed on a medium weight wove type paper. Very fine condition. A student of Ella Jack and Doel Reed at Oklahoma State University. he joined the faculty and remained in in Stillwater OK for the rest of his life..
Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
This is an original pencil signed etching by American artist Stephen Parrish. This etching titled: "Gloucester Harbor", also known as "Rainy Day Gloucester", was created and printed in 1882. It is a rare work, one of the few that Parrish did after another artists composition. This was after the painting by W.M. Hunt. Hunt's initials are etched into the plate lower left. The image measures 13 1/8X19 3/4 inches. Printed on a simulated parchment wove type paper, laid onto a thicker sheet. This is an early signed proof but done without the sailboat remarque . This etching appears in the Schneider catalog as image number 74. From the artists catalog, "June 1882, From the head of the harbor,looking south, In the right foreground, an old black hulk" beyond wharves and shipping and part of the town....In mid distance Five Pound Island."
Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.
This is an original Cliches Verre print by French artist Jean Baptiste Camille Corot. The title is "The Little Sister, La Petite Soeur. This image was first created in 1854, the image was done on a coated glass plate which was then printed onto a light sensitive sheet. This happened at a time when photography was only just invented. This plate was latter printed in a new edition by Le Garrec in 1921. This image has the Edmond Sagot's publishers stamp on the back and the edition number as: 129/150..The image measures 6 1/2X8 1/8 inches. Corots name appears in the lower left corner in reverse. This image appears in the Deteil catalog as image number 41....“From a portfolio of forty individually mounted cliché-verre prints by Corot, Daubigny, Delacroix, Millet and Rousseau, printed from plates held in the collection of M. Cuvelier (Paris: Maurice Le Garrec, 1921); with title page, list of plates and 'avertissement', each mount and title page stamped with the series number in blue ink; edition 8/150. The verso of each print also bears a stamp, possibly that of the Edmond Sagot studio (the title page states that Le Garrec was the successor to Sagot) (from the British Museum)
This is an original two color woodblock print by American artist Leonard Baskin. The title is: "Frightened Boy and His Dog". It was created and printed in 1954. This image is numbered as 16/210. The image measures 12 1/2X14 inches, printed on a hand made Japan type paper. Pencil signed and titled by the artist lower image. One of his most iconic early woodblock prints.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.
This is an original woodblock print by Latvian American artist Isac Friedlander. The title of this work is: "Under the Arch", it was created and printed in 1937. This image is editioned as 1/10, a very rare image. It is hand signed titiled and editioned in pencil in the lower margin. The image mesures 9X8 1/4 inches, printed on a handmade japan type paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
Portfolio of prints by Leonard Baskin, sheet size of each print is 22 x 16 inches, 1962, numbered 95/100, published by The Friends of Art, Boston University. This portfolio includes 15 reproductions, one original woodblock print as well as an original pencil signed woodblock; and a pencil signed and numbered colophon sheet. This portfolio is very rare, from the first 100 published before the edition of 500.
Drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed lower right
This is an original pencil signed and titled etching by Charleston artist Elizabeth O"Neill Verner. The title of this work is: "Ravenel Doorway,Charleston" The image measures 7 1/8X5 inches. A very rich impression with nice use of plate tone in the street and sky. This etching is inscribed as the 2nd state. This etching was created before 1933. This etching is nicely framed with archival materials.
This is a very fine etching by Stephen Parrish after a painting by Henry Ward Ranger. The image size is 18 x 23 3/4 inches, published by Klackner in 1887, cat: Schneider-124, with a remarque in the lower center margin, pencil signed by both Parrish and Ranger. In her description of this etching, Schneider writes that "there is a good match between the sensibilities of the painter, Henry Ward Ranger (1858-1916), and the printmaker, Parrish, so the result is a masterful etching."
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