A great sporting etching by Frank Benson, this image measures 14 x 10 7/8 inches, 1922, cat: Ordeman-213, pencil signed. A very rich impression on a medium weight laid type paper. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
A superb portrait of Brockhurst's first wife Anais, this etching measures 8 3/4 x 6 1/4 inches, published in 1927 in an edition of 111, pencil signed. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture.
This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street.
The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
This is an original drypoint etching by British artist Edmund Blampied. The title is: "The Butterfly", it was created and printed in 1928 and is editioned as 25/100. The image measures 9 5/8X7 7/8 inches, pencil signed lower right and printed on a cream laid type paper with the F.J. Head watermark. Very fine condition, this is one of Blampied's most impressive images. It appears in the Appleby catalog as image number 133.
This is an original pencil signed etching by French artist Jacques Villon. The title of this work is: "Maternite", it was created and printed in 1952, it is editioned as 15/75. The image measures 11X7 1/2 inches.
Framed, in very fine condition.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "To see the mayor". This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist. This image is pencil signed, the image measures 12 1/8X9 inches. According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally. Freeman drew a group of constituents making appointments with the mayor's secretary" This lithograph is framed.
This is a very rare early proof etching by Jacques Villon titled "La Pedicure". The image size is 9 1/4 x 6 1/2 inches; this print was published in 1907 in an edition of 50, although this is an early state before the published edition. It is pencil signed and notated "Essai" which translates as "test" or "trial". This image is very richly inked with beautiful plate tone and has several of the artist's fingerprints in black ink around the edges of the sheet, all away from the image. This is a truly remarkable early state etching by a very important 20th century artist and would make an excellent addition to any serious collection.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "Astor Lobby, Show Time" or "Under the Astor Clock". This lithograph was created and printed in 1932 in an edition of 30, far less were hand colored by the artist. The image measures 8 7/8X11 1/8 inches. Hand signed and titled in pencil in the lower border. Framed.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed
This is an original tempra painting on artist board by German artist Max Feldbauer. This painting, At the Train Station, is identified on the back of the board with labels from both "Karl Schneider in Munchen" and also "Original der Munchner Jugend, Munchen"..The painting appears to be unsigned, but possibly appears to have a faded signature in the lower left. The painting has an image size of 12X18 inches. Nicely Framed.. Very rich colors and in good condition. An interesting post impressionist style circa 1890-1900.
Etching, image size 12 3/4 x 9 1/4 inches, titled and signed in pencil
This is an original color woodblock print by French artist Auguste Lepere (1849-1918) The title of this work is: Bucolique Moderne, Modern Arcadia. It was created and printed in 1882. Printed on a medium weight wove type paper. This printing is the first state of V. The image measures 10X15 inches. Pencil signed and dated in the lower right border.
This is an original drypoint etching by British artist William Russell Flint. The title is Aragonese String Makers, it was created and printed in 1930. It is editioned as impression number XXVII... The image measures 9 1/2X14 3/4 inches. Printed on an early laid type paper, R.G. 1820. The image is signed in sepia ink lower right border. A very rich inking with extensive use of plate tone in the sky and land. A beautiful impression. This image was reproduced for the book "Fine Prints of the Year, 1931, published by Malcolm Salaman
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