This is an original drypoint etching by British artist David Muirhead Bone. The subject of this work is: Canal and Bridge of SS Apostoli, Venice. THis etching was created and printed in 1916 in an edition of 129. This etching printed in sepia toned ink measures 12 7/8X8 7/8 inches. The image appears in the Dodgson catalog as image number 351.
This is an original prize winning etching by American artist John Taylor Arms. The title is Sunlight on Stone, Caudebec-en-Caux. The image created in 1931 measures 14 1/2X7 5/8 inches. Printed on an antique laid type paper, hand signed in pencil, and inscribed "Ed 100 II" lower left, also with a collectors seal "HOW" in red, lower right corner of the sheet. This image appears in the Arms catalog as number 241. This image was part of his French Church series no.31. This image won numerous awards including best print in the Arts and Crafts Association in Connecticut in 1952.
A remarkable etching by James McBey of the New York City skyline from Weehawken, NJ, this etching measures 8 x 14 7/8 inches, 1940, cat: Hardie-277, plate signed and dated, hand signed and numbered "XXVII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. McBey lived in New York for several years, and his images of the city are considered some of his finest work.
This is an original rare etching and aquatint by German artist Heinrich Vogeler (1872-1942) The title: Weihnachten translates: Christmas, was created and printed in 1912 in an edition of only 30 impressions. This etching printed in blue toned ink has an image size of: 14 7/8X11 1/8 inches. The platemark measures 15 5/8X 11 5/8 inches. Printed on a soft wove type paper. Pencil signed lower right, published by Otto Felsing,Berlin, in pencil lower left, titled lower center border. Very fine condition, a rich impression. A fine example of German expressionism. This image is cataloged as Rief 48a.
Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He then returned to Germany and became a member and then president of the Berlin "Sezession".
Drypoint etching C. 1900. Pencil signed in the lower right. A rare print. Repaired tear in the top edge of the paper, not in the image. An intense and brooding portrait with a rich drypoint burr. Plate measures 21 x 13 inches on 26 x 18 inch wove type paper. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. He traveled between France and America, and in 1912 was commissioned to create the astrological ceiling decoration in New York's Grand Central Station.
This is a fine example of the important etching by Jean Baptiste Corot. This etching is titled: Enviorns De Rome, it was created in 1866, this proof is the second state A. of three. Printed on Holland Paper, This printing had the addresses of:" Cadart and Luquet Editeurs, 79 Rue St Jacques 303 Paris" A rich impression, Catalog Delteil 6 II/III. Framed, previously sold by Kennedy Galleries in New York.
This is a fine original etching by American impressionist artist Frank Benson. The title is Elisabeth, a portrait of the artist's oldest daughter. This image was created and printed in 1918 in an edition of 150 signed impressions. The image measures 10X8 inches. A fine impression with plate tone, there is some old glue residue on the back of the sheet where it was held down to a backing board. Not into the image area. Clearly signed in pencil. A scarce image, This image appears in the Ordeman catalog as image number 150. This etching is housed in a period Foster Brothers,Boston, Gilt Frame.
This is a fine Modernist lithograph by Russian born artist Alexander Archipenko. The title is: Coquette. This lithograph, printed in blue is hand signed lower right in blue pencil. The image measures 14X10 inches. It was published by Associated American Artists in New York, in 1950. It was printed in an edition of 150, it appears in the Karshan catalog as image number 31. Archipenko was active in the Cubist Movement while living in Paris, he later moved to the USA. This lithograph is framed and in very fine condition, the original AAA Label is on the back.
This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.
This is an original etching by Well known Belle Epoch artist Manuel Robbe (1872-1936) The title of this work is: "Parisienne", it was created and printed in 1906 in an edition of 200, published by Georges Petit. The image measures 19 1/2X13 1/2 inches. It is signed in pencil lower left within the image. A fine impression, previously sold by Merrill Chase galleries. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
This is an original mezzotint by British artist Sir Frank Short. The title is: "Moonrise on the Bure" This mezzotint was printed in 1922, the image measures 11X15 7/8 inches, printed on a medium weight wove type paper, pencil signed lower right and monogrammed in the plate lower left corner. A beautiful rich impression, very subtle tonal range throughout. Beautiful condition.
A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.
This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original etching by American artist James MacNeill Whistler. The title is Drouet, Sculptor, it was created in 1859, plate signed,dated and titled. The image measures 8 7/8X6 inches. This etching is according to the Glascow catalog is image 2 a. This etching appears in the Kennedy catalog as image number 55. A rich impression printed on a medium weight laid type paper. The subject is: M. Drouet, the French sculptor.' This etching came with the original label from print dealer Frederick Keppel.
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