This is an original etching by American artist Kerr Eby. The title is: "Light in the Woods", it was created and printed in 1931. This etching was printed in an edition of 100, printed by the artist himself. There is the "imp" written after the artists pencil signature. The image14 1/2X9 1/2 inches. Very richly printed. This image appears as image number 161 in the Giardina catalog. The scene is thought to be either Connecticut or Maine. Fine condition.
Lithograph, image size 10 1/4 x 13 7/8 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and was a member of the WPA.
C. 1935. Catalog: Fletcher 284. Edition of 153. #12 in the Spanish Church Series. Plate measures 9 1/2 x 12 1/4 inches on 10 5/8 x 14 7/8 inch watermarked laid paper. Pencil signed in the lower right and dated 1935. In the lower left: "To my dear friends Charlotte and Richard Perry, John Taylor Arms 1935." This print has a wide tonal range, with a variety of different intricate line patterns to convey shading and texture. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is an original lithograph by American artist John S. deMartelly.(1903-1980) This image is titled: "Two Old Toms", it was created and printed in 1939 in an edition of 250. The image measures 11 1/4X8 inches. It appears in the deMartelly as Zink 64. This was originally sold through Associated American artists in New York.
This is a rare trial proof etching and sandpaper ground by American artist Kerr Eby. The title is: Island Winter, this was created and printed in 1941. This is the rare first state of the later published etching, the image measures 9 9/16X15 3/16. This scene was most likely Connecticut or Maine. It appears in the Giardina Catalog as image number 204. The later published edition numbered 100. This is a unique proof.
9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself.
Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms. Eby was known for his atmospheric renderings of the New England landscape as well as his dramatic images of WWI.
This is an original hand signed and titled lithograph by American artist John A Noble. The title of this image is: "Oncoming Night", from his series "Mast and Man", this is image number 1.
This lithograph was created and printed in 1966. The image measures 11 7/8X15 3/4 inches. "From 1928 until 1945, Noble worked as a seaman on schooners and in marine salvage. In 1928, while on a schooner that was towing out down the Kill van Kull, the waterway that separates Staten Island from New Jersey, he saw the old Port Johnston coal docks for the first time. It was a sight, he later asserted, which affected him for life. Port Johnston was "the largest graveyard of wooden sailing vessels in the world." Filled with new but obsolete ships, the great coalport had become a great boneyard. In 1941, Noble began to build his floating studio there, out of parts of vessels he salvaged and from 1946 on, he worked as a full-time artist, setting off from his studio in a rowboat to explore the Harbor. "information from The Noble Maritime Collection.
Lithograph printed in 1939. Edition of 25. Pencil titled in the lower left, signed and dated in pencil in the lower right. Plate measures 13 1/4 x 9 7/8 inches on 18 x 12 3/8. A delightful print full of light and movement.
Lithograph from 1963. Edition of 25. Plate measures 13 1/4 x 19 13/16 inches on 17 1/8 x 23 1/8 inch medium weight wove type paper. Catalog: Stuckey 284. The scene is along Marginal Way near Perkins Cove in Ogunquit, Maine. Pencil signed in the lower right.
This is an original etching by American artist Isac Friedlander. The title of this work is: "Blessed be thy name", it was created and printed in 1942. The image measures 12 3/4X8 1/4 inches. The artist's view of the aftermath of war in Europe. It is hand signed, titled, dated and inscribed as "Trial Proof No3" in the lower margin by the artist in pencil.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Hear Oh' Israel", it was created and printed in 1944. One of the artists War aftermath motifs . This etching is inscribed as Trial Proof #2, from the later published edition of 50. The image measures 14X9 1/2 inches.Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is a vibrant original lithograph in colors by American artist Leonard Baskin. The image size is 24 1/2 x 36 1/2 inches oval, 1974, cat: Fern & O'Sullivan- 655, artist's proof apart from the published edition, pencil signed and notated "AP", printed on a full sheet of Arches paper with deckle edges. Leonard Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence especially in his sense of composition and structure. In the 1970s Baskin created a series of striking large scale portraits of Native Americans to honor and highlight their role in the history of our country.
This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London. He was close friends with Thomas Hart Benton, with whom he taught at the Kansas City Art Institute for several years, before becoming the artist in residence at Michigan State University. DeMartelly was known for his regionalist style, most often depicting scenes of rural American farm life. He owned a home in rural NH, and was known to have portrayed his neighbors in many of his images.
Copyright 2020· All rights reserved