This is a very fine line engraving by British artist Robert Austin, The subject is: Woman Tethering a Goat, this image was created and printed in 1928. It is pencil signed and numbered 66/75 lower border. The image measures 5 1/2X4 15/16 inches. Printed on a medium weight laid type paper. "Robert Sargent Austin was a highly respected illustrator and engraver, sometimes regarded as the last great English engraver. He taught at the Royal College of Art and was eventually elected president of the Royal Society of Painter-Etchers."
This is an original etching by British artist Edmund Blampied. The title is: "The Vraic Season (No 1)" , it was created and printed in 1936 in an edition of 125 for the American College Society of Print Collectors. The image measures 12X14 1/4 inches. Very fine condition, hand signed in ink. Vraic is seaweed that was harvested on the Channel Islands and used for potato fields. The usual method was gathering it up with horse drawn carts. A rich impression.
This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.
Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.
This is a very fine etching with drypoint by French artist Edgar Chahine (1874-1947) The title of this work is: "Mademoiselle Delvair de la Comedie Francaise,", it was created and printed in 1901, pencil signed lower left border. The image measures 18X11 1/2 inches. Printed on a medium weight wove type paper. This image appears in the Tabanelli catalog as image no. 73. It also appeared in the Holme's book, Modern Etching and Engraving, published 1902.
This 1930 etching of "Anais", the artist's first wife, measures 8 3/4 x 6 3/4 inches and is pencil signed on the l.r., framed, Fletcher cat: 67, in an edition of 111. Born in England and found to be artistically talented at an early age, he was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the great masters, Botticelli and da Vinci, had a lasting influenced on him. A self-taught etcher who became one of the best portrait etchers in art history being elected into the Royal Society of Painter - Etchers and Engravers in 1921.
A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.
This is an original drypoint etching by British artist Sir William Russell Flint. The title is: Amazons on a Breton Beach, it was created and printed in 1931 in an edition of 76. This one is editioned as number XXVII from that edition. The image measures 8X13 1/4inches, printed in an sepia toned ink, hand signed with pen and ink in the lower border. Nice use of plate tone in the sky and sand. Illustrated: Salaman, Modern Masters of Etching.
This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon. It is titled: Les Halles Et L' Eglise Saint Eustache, Paris. A fine view of Notre Dame and the street life of Paris. This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3. The image measures 13 1/4X15 inches. Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.
"Brixham Trawlers" by Arthur Briscoe measures 5 3/8 x 13 7/8 inches, published in 1929 in an edition of 75. Printed in sepia toned ink on Whatman laid paper, it is ink signed and numbered and also plate signed, dated and titled. Briscoe is known as the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris. His name became internationally renowned when his works sold to the New York market.
This is a fine original etching by British artist Robert S. Austin. The title is: The Stone Breaker, created and printed in 1925. The image measures 4 1/8X5 5/16 inches. This impression printed on a tan laid paper with a rams head watermark. Very fine condition, hand signed in pencil. Illustrated in the Modern Masters quarterly 1929 published by Salaman.
This is an original drypoint etching by British artist Edmund Blampied. The work is titled: "Night Time in Dieppe, created and printed in 1926, editioned as 62/100. The image measures 7 3/4X10 3/4 inches. Fine use of plate tone on the street and background. A rich feathered Burr. A very fine and atmospheric image.
Etching, image size 6 3/8 x 14 3/4 inches, pencil signed
This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.
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