Etching,on olive toned laid paper,image size:8 3/4X3 1/2 inches,pencil signed
This is an original drypoint etching by Scottish artist David .Y. Cameron. It is titled: " Monzie" with a view of Monzie castle. This image measures 9 3/4X13 3/4 inches. Printed on a medium weight laid type paper with a unicorn watermark. Hand signed in pencil lower right border. Very rich impression. Fine use of drypoint in the foreground shadow area.
This is an original drypoint etching by British artist Edmund Blampied. The work is titled: "Night Time in Dieppe, created and printed in 1926, editioned as 62/100. The image measures 7 3/4X10 3/4 inches. Fine use of plate tone on the street and background. A rich feathered Burr. A very fine and atmospheric image.
This is an original drypoint etching by British artist Edmund Blampied. The title of this work is "The Tumble", it was created and printed in 1921 in an edition of 100. The image measures 7 5/8X11 5/8 inches. Rich burr on the Horses. Pencil signed lower border, center. A very expressive image by this well known artist of Jersey. This image appears in the Appleby catalog as image number 148.
Drypoint Etching,1918,edition 75, Hardie 154, Etched from studies made at Berneval, image size 6 3/8 x 8 1/4 inches, blindstamp, pencil signed.
This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.
Etching, image size 8 1/2 x 7 inches, subsequent to Hardie, artist's blindstamp, pencil signed.
This 14 3/8 x 11 5/8 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York.
Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality. She was a member of the Society of Graver-Printers in Colour and the Royal Institute of Painters in Water Colours and showed her work in many exhibitions including at the Royal Academy, Royal Institute of Painters in Water Colours, Royal Scottish Academy, Walker Art Gallery, Liverpool, and the Paris Salon.
This wood engraving by John Buckland Wright measures 5 1/4 x 7 inches, published in 1917 in an edition of 30. It is pencil signed, dated and numbered on the lower margin. Wright help to found "Atelier 17" in Paris, an experimental workshop for the graphic arts in 1927.
This is an original hand signed drypoint etching by British artist Sir William Russell Flint. The title of this work is "A Rendez-Vous,Vincenzia". It was created and printed in 1929 in an edition of 75. The image measures 9 1/2X6 5/8 inches, printed on a watermarked laid type paper, signed in brown in and editioned as "VI " in the lower left border.
This image appears in the Wright catalog as image number 19.
This is a very fine original etching of a hardworking woman carrying water by German artist Lesser Ury. The image size is 5 1/2 x 3 5/8 inches, 1923, pencil signed. Ury was a German Jewish artist known for his impressionistic paintings and etchings. He was best known for his scenes of Paris as well as a series of etching depicting the Dutch countryside and people.
This beautiful 1907 etching with drypoint of "Inventory Day" by August-Louis Lepere measures 13 1/2 x 9 1/2 inches, in an edition of about 166, Saunier cat: 344, illlustrated in "Etchers and Etchings", Joseph Pennell, 1929, p. 199. Dated and signed in the plate and pencil signed, l.r., framed. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.
Etching, image size 6 7/8 X 4 7/8 inches, 1919, edition of 100, Hardie 169, artist's blindstamp, pencil signed.
William Russell Flint etching titled: "Celinda's Precaution", this etching was created and printed in 1930 and is editioned as 60/75. The etching is hand signed in pen and ink lower border, and printed on an antique wove type paper, identifuied as "Weatherley, 1829" The image mesasures 7 1/4X4 3/4 inches.
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