This is an original etching by French artist Edgar Chahine. The title is: "Maree Basse,1930" A great depiction of a day at the beach. The image measures 8 5/8X12 1/2 inches. Pencil signed lower left border.printed on a medium weight wove type paper. Fine use of plate tone in the sky and water.
A vibrant scene of a bustling Prague street, this etching and aquatint in colors measures 13 3/4 x 16 1/4 inches, published in 1910 in an edition of 200, cat: Novak-124, pencil signed with the artist's stamp in red ink in the lower margin. T. F. Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional painter and printmaker, and is best known for his atmospheric color etchings and aquatints.
A distinctive original etching and aquatint in colors, image size 19 x 18 inches, 1922, cat: Lorenz- 40, pencil signed. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene. Kasimir developed his own technique, which was much more suited to the particular clarity of his compositions. This technique allowed Kasimir to create extraordinarily rich tones and values with clear, crisp lines; he could masterfully bring a scene to life using subtle hues of grays and earth tones accentuated by bright splashes of saturated color.
Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.
Etching printed on May 6th, 1908. 2nd state. Pencil signed and pellet stamped. Plate signed and dated. Large remarque of a beetle in the right corner. Image measures 11 1/8 x 5 1/2 inches. Catalog reference: Arwas 353.
Plate measures 7 7/8 x 5 7/8 inches on 14 x 11 inch medium weight wove type paper. C. 1905. Catalog: Novak 33. Edition of 50. This is a rare, very early print of his. Pencil signed and dated in the lower right with the word "Paris." Plate initialed on the left hand side. Rich drypoint burr with extensive use of plate tone.
Print 61 in an edition of 75. Signed in the lower left, editioned in the lower right. Plate initialed and dated "1926" in the lower right. Second state. Catalog: Laboureur 323. The image depicts the cliffs along the coast of Penestin, France. Plate measures 9 1/2 x 6 1/4 inches on 15 x 9 5/8 inch watermarked wove type paper. Collector's stamp on back. This print has very fine engraved lines and a very whimsical style. Laboureur studied at the Academie Julian under Auguste Lepere before traveling extensively throughout Germany, Italy and Greece. He returned to Paris in 1910, just when Cubism was being explored, and fully embraced it, incorporating it into his distinct style. He founded the Société des Peintres-Graveurs Indépendants in 1923 and its members included Braque, Dufy, Vlamnick, Laurencin and Segonzac.
This is an original drypoint etching by British artist Edmund Detmold (1883-1957) This image titled : "Peacocks", the large plate was created and printed c. 1925. The image measures 12 5/8X 161/8 inches. It is pencil signed lower right border, printed on a thin Japan like paper. A very rich impression with good drypoint burr. "Peacocks are a recurring subject throughout E.J. Detmold’s work, the complexity of patterns offered by their elaborate plumage holding a natural appeal for this brilliant bird painter. This particular drypoint plate of Peacocks is the largest original print of these birds ever made by the artist and is the only version to be worked in drypoint, rather than etching or line engraving", (Campbell)
Etching, image size: 3 1/2 x 5 1/2 inches, ed 2/45, pencil signed
A beautiful hand colored etching by the British artist, Elyse Ashe Lord. It measures 12 x 16 inches, pencil signed, numbered and framed. Elyse Lord was known for her Asian inspired images using fine drypoint lines and delicate, yet vibrant colors to create images that have a serene, almost dreamlike quality. She was a member of the Society of Graver-Printers in Colour and the Royal Institute of Painters in Water Colours and showed her work in many exhibitions including at the Royal Academy, Royal Institute of Painters in Water Colours, Royal Scottish Academy, Walker Art Gallery, Liverpool, and the Paris Salon.
This is a remarkable original etching and aquatint of Hamburg Harbor in Germany. The image size is 15 5/8 x 22 3/4 inches, published in 1914 in an edition of 100 impressions, pencil signed and numbered. This image is printed using two plates, one in black ink and one in gray ink to create a chiaroscuro effect with beautiful tonal range and rich contrast. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. Kasimir traveled all over Europe and the United States creating many spectacular etchings. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.
Etching, image size 7 3/4 x 7 1/4 inches, subsequent to Hardie, artist's blindstamp, pencil signed.
C. 1926. Edition of 50. Catalog: Dodgson 66. Pencil signed and dated in the lower right. Plate initialed near the bottom. Plate measures 5 1/2 x 5 3/4 inches on 8 1/2 x 11 inch watermarked laid type paper. A charming print with a unique perspective and very fine detail.
This is an original color etching and aquatint by well known French impressionist: Jean Francois Raffaelli. The title is: "Le Boulevard des Italiens", it was created and printed in 1908. This impression is hand signed by the artist in pencil lower right border. The image measures 7 5/8X12 3/4 inches. Printed on a medium weight wove type paper. This composition was also used for one of his best known paintings under the same title. This image was from the edition of 200 in the 3rd and final state.
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