Prints

This is an original pencil signed color aquatint etching by Austrian artist Tavik F. Simon.  The title of this work is: Saint Nicholas Market in Staromestske Namesti, which was part of his  Prague series, created and printed in 1916.  The edition was 225 impressions.  Printed on a medium weight arches watermarked wove type paper. The image measures 12 5/8X15 1/2 inches.  Very fine condition.  This image appears in the Novak catalog as image number 268.

This is a fine collaboration between Kerr Eby and John Taylor Arms.  This image is titled; Medieval Pageantry, it was created and printed in 1933 in an edition of 100, 50 to Arms and 50 to Eby.  The image measures 12 5/8X8 5/8 inches.  Hand signed in pencil lower right by both artists.  This image appears in the Giardina catalog as image number 179.  The subject is Sainte Radegonde in Poitiers, France.

This is an original wood block print by American artist Isac Friedlander.  Created circa 1930 this image is titled: "Companions", It is pencil signed and titled in the lower border.  The image measures 11 3/4X9 3/4 inches.  Printed on a medium weight wove type paper.  Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.

Etching after a painting by J. W. Carmichael, image size 17 3/4 x 27 1/4 inches, published in London Feb. 17th 1871 by L. Brall & Sons, period frame.

This is an original wood block print by Jamaican artist  Albert Huie.  This image is titled: In The Woods, created and printed circa 1945.  This woodblock is hand signed and titled in pencil in the lower border.  The image measures 9 1/2X7 1/2 inches.  

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is an original pencil signed etching by American artist Charles Adams Platt.  The title of this work is "Pier at Larmor".  It was created and printed in 1885.  The image measrues 14 1/8X8 1/2 inches.  One of a series of Dutch etchings that he created during this period of travel in Europe.  This is included in the Platt catalog as image number P-55.  Framed.

This is a rare etching by American artist of the Southwest, George Elbert Burr.  The title is: Whirlwinds, Mojave Desert, California no. 2.  It was created and printed circa 1930.  This pencil signed and titled etching measures 8X10 inches.  This appears in the Burr catalog as image number 281.

This is a very richly inked original etching by French artist Albert Besnard. The image size is 11 3/8 x 7 5/8 inches, published in 1887 in an edition of fewer than 100 impressions, cat: Coppier- 63, pencil signed. Besnard studied at the Ecole des Beaux Arts in Paris and for the beginning of his artistic career concentrated on a very academic style of painting and composition, before adopting a more impressionistic approach of portraying light and color; later he went to England to study portraiture with Thomas Gainesborough and Joshua Reynolds.

This is an original pencil signed etching by American artist Lawrence Kupferman.  The title of this work is:
"Victorian Carriage House". This etching was created and printed in 1939 and is editioned as 13/100.  The etching is signed and titled in the lower border, the image measures 9 3/4X11 5/8 inches.  

This etching with sandpaper ground was created and printed by American artist Harold Kerr Eby.  The title: Little Franklin is named for a Ledge located off the coast of Friendship Maine.  The image measrues 8 1/2X14 5/8 inches.  Printed in an edition of 100 in 1937.  Eby left a skim of unwiped ink on the plate to create tone in the water.  A fine impression, nicely framed with archival materials.

Lithograph, image size 21 1/4 x 14 3/8 inches, c. 1920, edition of 50, pencil signed, framed.

This is an impressive etching and drypoint by American artist William C. McNulty. The title is: "Demolishing the Century Theater, 1931" A great industrial study done in New York City. This etching has an image size of 9X11 1/4 inches. Pencil signed and titled. Done in an edition of 75 proofs.

Etching, image size 7 3/4 x 7 1/4 inches, subsequent to Hardie, artist's blindstamp, pencil signed.

Drypoint etching C. 1927. Plate measures 6 7/8 x 9 on 9 x 12 1/4 inch watermarked David Strang paper. Catalog: Appleby 121. Edition of 100. Illustrated: Fine Prints of the Year, 1927. Numbered 63 out of 100 in the lower left in pencil, pencil signed in the lower right. Plate signed and dated in the lower right. A rich impression with drypoint burr.

This is a fine atmospheric etching by British artist Frank Short, the title is: The Old Chelsea Bridge and Church, by the RIver Thames, it was created and printed in  1884.  Hand signed in pencil the image measures 6 5/8X14 1/8 inches.  Printed in brown ink on a heavy weight wove type sheet.