Lithograph, image size 9 3/4 x 11 1/2 inches, pencil signed/titled
Engraving after Reni Guido, image size 15 5/16 x 11 3/16 in, plate size 17 x 11 5/8 in, Randall Coll. #8835, Fogg Museum provenance
This is an original pencil signed etching by American artist Kerr Eby. The title of this work is: "A Connecticut Valley", it was created and printed in 1935 in an edition of 100.
The scene shows one of Connecticut's covered bridges in snow. The image measures 7 11/16X15 3/8 inches. It appears in the Giardina catalog as image number 184.
Fine use of skim coating of ink to show the tone of the sky.
Etching, image size: 8 3/4 x 11 3/4 inches, 1884, second state, cat. Schneider-104, pencil signed lower right.
This 1861 etching by Johan Barthold Jongkind measures 5 1/4 x 7 1/4 inches, plate signed, framed. D-14, early proof before letters, 1/III.
Engraving after Raphael; prov.Randall 3739;According to Thies "Baron Rumohr (Italienische Forschungen, III.p.119) considers it, mentioning this very engraving, a very fine repetition or duplicate, and by no means a mere copy, of the well known picture, for the Cabinet Crozat, Np 28."
Engraving, image size 2 5/8 x 3 7/16 inches, 1635, inscribed "Jesus adductam ad se mulierem adulteram absoluit."
This is an original etching by American 19th century printmaker, Stephen Parrish. The title is: A Showery Day, St. Augustine This image was created and printed in 1884. The image measures 5 5/8X9 5/8 inches. It is hand signed in pencil and has the title written in the artists hand in the lower margin. Printed on a medium weight wove type paper. This image appears in the Schneider catalog as image number 100.
Transfer lithograph, 11 1/2 x 18 inches, ed. 25, 1924, only state, printed by George C. Miller, alternatively titled "Spring Dance," cat. Czestochowski-211, pencil signed lower right
This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. Haden created a number of remarkable etchings featuring scenes of fishing in the British countryside, of which this is one of his finest.
A beautiful light-filled lithograph by the American artist, John Stockton deMartelly, measuring 8 7/8 x 11 3/4 inches, cat: Zink 45, published by AAA, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, traveling to Italy and London to continue his studies. He was close friends with Thomas Hart Benton, with whom he taught at the Kansas City Art Institute for several years, before becoming the artist in residence at Michigan State University. DeMartelly was known for his regionalist style, most often depicting scenes of rural American farm life. He owned a home in rural NH, and was known to have portrayed his neighbors in many of his images.
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