This is an original watercolor painting by California artist Millard Sheets. This view of the Distant Hills has an image size of 12X18 inches. It is framed in a Whistler style frame which has an overall size of 23X27 inches. The painting is in good condition hand signed in pencil lower right corner. This painting was created circa 1940. Sheets was one of the founding members of the California Scene Painters who later became known as the California Regionalist School..
Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe under Charles-François Daubigny, probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli in Naples, Italy. De Blois’s paintings were exhibited in the Paris Salon in 1878; and in the United States with the Boston Athenaeum 1867 – 1873, the Brooklyn Art Association in 1874, the Boston Art Club 1875 – 1882, and the National Academy of Design 1880 – 1882. More recently, a De Blois painting was included in the 2008 exhibition titled “The Grand Tour Art and Travel, 1740 – 1914” at the Indiana University Art Museum.
This is an oil on canvas painting. Signed "C. P Appel" in the lower left and dated 1923. Painting measures 12 1/4 x 18 1/4 inches in a 17 5/8 x 23 1/2 inch 20th century gilt frame. Appel is known for romantic landscapes and marine paintings in Tonalist and Impressionistic styles. He studied at the New York School of Art with Francis Luis Mora and William Merritt Chase and later with Frank Vincent DuMond at The Art Students League. He became a member of the Salmagundi Club in New York City in 1906.
A fine luminist seascape by American artist Franklin Dullin Briscoe (1844-1903) The painting measures 14X11 inches, painted on academy board. Signed lower left. Housed in a period gilt frame. "History and marine painter Franklin Dullin Briscoe was born in Baltimore, Maryland, in 1844 and studied in Philadelphia with Edward Moran in 1860. Like many of his contemporaries, he then went abroad to further his artistic education, visiting London and Paris before returning home and establishing his studio in Philadelphia. Briscoe made several more ocean voyages during his career, experiences that inspired the dramatic seascapes and shipping scenes for which he is today best known. The weather was an especially important factor in his work, whether capturing fishermen returning after a long day’s work under calm, luminist skies to his paintings of storm-tossed ships and sailors at the mercy of the wind and waves." (info. Vose Gallery)
Pastel, image size 16 1/2 x 11 inches
This is a fine original oil on canvas painting by American artist Charles Paul Gruppe (1860-1940) This study of a Farmwife at work was created circa 1880 prior to his moving to the USA in 1914. It is signed "Gruppe" lower right corner. The canvas measures 10X14 inches and came to us in what appears to be the original frame with the gallery label on the back: "Goupils" This well known New York painting dealer opened his gallery in 1848 and was later bought out by Knoedler. This was one of the earliest galleries in the USA to promote American as well as european paintings. The over all frame size measrues 18 1/2X22 1/2 inches. The painting came to us under glass which weve since removed. The painting is in extremely fine condition, no repairs,tears or staining. The frame has a few minor losses and scrapes, over all the painting is quite presentable just as it now appears.
Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design. He exhibited his work at the Paris Salon, The Boston Art Club, The Carnegie Institute, and the Art Institute of Chicago, as well as in exhibitions with the Society of American Artists and the National Academy of Design.
This is an original oil on canvas painting by American Tonalist ,Charles P. Appel. This painting measures 12X16 inches, signed lower right. This painting came with a partial Salmagundi Club label on the back. Appel is known for romantic landscapes and marine paintings in Tonalist and Impressionistic styles. He studied at the New York School of Art with Francis Luis Mora and William Merritt Chase and later with Frank Vincent DuMond at The Art Students League. He became a member of the Salmagundi Club in New York City in 1906.
This is an original oil on canvas painting by Boston artist A.C. Goodwin. The title of this work appeared on the stretcher as Autumn Landscape, circa 1925. The painting measures 25X29 inches. Signed
"A.C. Goodwin" lower left, This painting is framed in a modern gold frame. "Goodwin was born in Portsmouth, New Hampshire, and was raised in Chelsea Massachusetts. He did not begin painting until the age of thirty and became a self-taught Impressionist and also a follower of the Ashcan School led by Robert Henri. After painting in Boston in both oil and pastel for a twenty-year period, Goodwin gained the recognition of famous art figures including John Singer Sargent, Mrs. Jack Gardner, and John T. Spaulding. Childe Hassam was quoted as describing Goodwin as "the greatest painter in Boston. In 1921, he left Boston for New York City and had a studio on Washington Square where he "developed a reputation as one of the few American Impressionists to prefer urban subjects" (Spanierman) including bridges, parks and avenues. He and his wife then lived in Chatham, New York where he painted many landscapes. In 1929, he returned to Boston and resumed his Bohemian lifestyle. "
This is an original oil on canvas painting of a Young Boy by American artist Daniel Strain
(1847-1925) This painting measures 18X16 inches, housed in a fine early frame. The painting is signed and dated in the upper left corner of the image, 1872. Strain is best known for his portraits and landscape paintings. The painting has one small repair in the background about 1/4 inch which has been patched and touched up, very minor.
Oil on canvas, sight size 17 x 12 inches, 1918,unsigned, attributed to Joseph Elliot Enneking, an American Impressionist painter known for his New England landscapes. There is a hand written title "Hog Island, Maine" and date "June 27 1918" on the bottom edge of the canvas and on the back but no clear signature. Period Gilt Frame
This is a 9 x 12 inch oil on canvas in an ornate gold 15 x 18 1/4 inch frame, signed "G. A Hays" in the lower left. The title and date of creation are inscribed on the back. C. 1909. George Arthur Hays was born in Greenville, New Hampshire and spent his adult life in Providence, becoming one of Rhode Island's most popular 19th century artists. Hays self taught and was a member of the Providence Art Club, where he exhibited from 1888 to 1940, the Society for Independent Artists, the Copley Society, and the Providence Water Color Club. He painted in both watercolor and oil and is known for his bucolic landscapes of cows and sheep.
Original oil on canvas painting by American artist Wells M Sawyer (1863-1960) "Summer Landscape" the image measures
20X16 inches, signed lower left. The painting is in a fine American Impressionist gilt frame, it appears to be the original frame for this painting. The overall frame measures
27X23 inches. He was a member of Allied Artists of America, American Federation of Arts, American Watercolor Society, American Artists Professional League, Art Students League of Washington D. C., Salmagundi Club, Sarasota Art Association, The Florida Art Group, The Studio Guild, The Washington Society of Artists, The Chicago Society of Artists, Washington Society of Fine Arts, and the Yonkers Art Association.
Oil on canvas, 10 1/4 x 16 inches, c. 1880, unsigned, in the style of Alexander Wyant, in a period gilt frame.
A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.
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