This is an original oil on canvas painting by American artist Charles Harry Eaton. It is a fine costal view with sailboats on the horizon. This painting measures 14X20 inches and is in a fine newcomb macklin carved picture frame. It is signed lower right corner. A fine expressive costal view by this well known New York artist.
This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.
Oil on canvas, signed "Richet" in the lower right. Sight size measures 21 x 17 inches, housed in a tasteful 25 1/2 x 21 1/2 inch gold frame. Léon Richet was raised during the height of the Barbizon school and was influenced by the works of Rousseau. He was a prolific painter whose works appear in many collections.
This oil on canvas painting of an Autumn Stream was the work of American Tonalist Franklin de Haven (1856-1934). This painting measures 30X24 inches. It is signed lower right corner and was created circa 1918. A fine tonalist study of a stream at a lower angle of view. de Haven was a member of the Salmagundi Club where he had numerous shows and won many awards for his impressionistic works of art. This painting was quite similar to the one illustrated on page 464 of the Cleveland Book on American Tonalism.
This is an original oil on board painting by Canadian artist Albert Edward Cloutier ((1902-1965) Signed lower center, this painting has an image area of
29X35 inches. It came to us in what appears to be the original frame with the Walter Klinkhoff Gallery,Montreal, label on the back. The title of this work is:
"Winter Lac Ouimet, Mont Tremblant", it is a view of the Laurentian Mountains of Quebec. Albert Cloutier was a painter, commercial artist and muralist who grew up in Montreal. He also lived in Ottawa and during his time as a war artist was posted in several locations in eastern Canada. He was a member of the R.C.A. and also the CSGA. He moved to Saint-Hilaire, Quebec in 1959 where he lived the rest of his life. His mediums were primarily oils and graphics. His subjects were landscapes, commercial art and (during the war)the military. His style was expressionist and greatly influenced by the Group of Seven.
He studied art under A.Y.Jackson and Edwin Holgate. And from 1955 until 1965 he taught at the École des Beaux-Arts in Montreal.
Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse.
Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. A luminous painting with striking color and detail.
This is an original oil on canvasboard painting by American artist Charles Paul Gruppe (1860-1940) This painting is signed lower right Char P. Gruppe. On the back is an old label with the title: In a Dutch Canal, Delft. This painting from circa 1900 has a canvas size of 8X11 1/2 inches. Housed in a reproduction 19th century gilt picture frame.
This is an original painting by American artist Platt Powell Ryder. This scene of the Village Market Place was painted circa 1870, signed by Ryder lower right with ANA after his name, when he was an established member of the National Art Academy. The painting is oil on board, framed underglass. Excellent condition in what appears to be the original 19th century frame. The painting itself measures 7 3/4X10 1/4 inches. The frame itself has some chips to the corners.
A beautifully painted interior scene by Belgian artist Jean de la Hoese (1846-1917) This painting is signed lower right De La Hoese. It is an oil on panel measuring 12 3/4X9 3/8 inches. Painted on a mahogany chamfered panel. Excellent condition, housed in a modern french frame.
Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.
This is an original oil on canvas painting by European/American artist Hendrick Dirk Kruseman Van Elten. The subject of this painting is a river scene at sunset. It measures 12X22 inches, signed Kruseman Van Elten Lower right corner. The painting is in a period gilt frame. This painting was most likely from the late 19th century, circa 1870's.
Oil on canvas, 18 x 23 1/2 inches, There is a partial obscure signature and date in the painting lower right, the early label on the back is from the gallery of Charles G. Calder who was a well known Providence, R.I. painting dealer, also on the back is a partial label from Whitaker studios. This is a fine Barbizon style landscape painting by American artist George William Whitaker. Whitaker was a teacher and important painter in Providence R.I. and was known as an American tonalist, influenced by George Inness and Alexander Wyant. At a young age he traveled to Paris where his paintings became heavily influenced by the Barbizon painters of the Fontainebleu, especially the talented Francois Millet. George Whitaker's excellence in art is equaled to his contribution to the development of a Rhode Island art community. He was instrumental in recognizing the need for an organization to nurture and support the talented artists within the state. The Providence Art Club was formally instituted in 1880 by Whitaker and his friends Sydney Burleigh, E.M. Bannister and Charles Walter Stetson.
This is an original oil on canvas painting of a young girl in a garden holding an apple. The work is by James Wells Champney, the painting is signed "Champ: lower left and dated "75" 1875. We feel this painting was created when Champney went to France to study art with Edouard Frere.. This painting measures 22X18 inches. The painting has been relined and has some small areas of touchup in the red dress. Chamney later became a professor at Smith College in Northampton, he is best known for his genre subjects and his illustrations in pastel.
Watercolor and graphite on paper, visible size 12 1/8 x 27 1/2 inches, dated 1882, signed lower right
This is a rare pair of Folkart Portraits of a Brother and Sister, oil on canvas, unsigned but in the style of Joseph Goodhue Chandler. Each painting measures 10 3/4X9 1/4 inches and came in a pair of 19th century gilt frames. The overall frame size is 13 1/2X12 inches. There are a few minor spots of repair and retouch. Both works could use a cleaning but they are quite presentable as they now appear.
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