20th Century American

Image measures 13 3/4 x 9 3/4 inches on 18 x 13 3/4 inch Rives watermarked wove type paper. Plate initialed and dated 1930. Pencil editioned in the lower left. Editioned 30/90. Catalog: Barker 46. An atmospheric print of two people and a horse hauling wood through a storm.

Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.

Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.

Giardina 191. C. 1937. Etching and sandpaper ground. Edition 100. Pencil signed and annotated "imp," indicating that the artist printed it himself. A coastal scene in Maine. Print measures 9 1/2 x 15 3/4 inches on 13 1/8 x 19 inch watermarked laid type paper.

Plate measures 9 x 7 3/8 inches on 11 1/2 x 9 1/4 inch paper. Printed in April, 1973. Greenport, New York. Catalog: Stuckey 351. Edition of 135. This print has a wide tonal range and incredible texture.

Colored etching and aquatint. Artist's proof. Pencil signed in the lower right. Edition of 200. Catalog: Fletcher 133. Plate size: 11 3/4 x 17 3/4 inches on 18 x 23 inch medium weight wove type paper. C. 1923. A dramatic and beautifully colored maritime etching.

Plate initialed in the lower left. Pencil editioned and signed in the lower right. Edition of 75. Plate size 7 3/8 x 6 5/8 on 10 x 9 1/8 inch thin laid type paper. C. 1952. The artist has skillfully captured the variety of contours and textures found in nature and and makes good use of negative space in this lively print.

Original woodblock print. Pencil signed in the lower right and dated 1934. Martin studied with Robert Henri at the ASL. He has exhibited in the Los Angeles County Museum of Art, 1918 (solo); Calif. Art Club, 1919; Brooklyn Society of Min. Painters; Brooklyn Museum, 1933; NY World's Fair, 1939. His woodblock prints are quite rare.

Original woodblock print. Pencil signed in the lower right and dated 1934. Martin studied with Robert Henri at the ASL. He has exhibited in the Los Angeles County Museum of Art, 1918 (solo); Calif. Art Club, 1919; Brooklyn Society of Min. Painters; Brooklyn Museum, 1933; NY World's Fair, 1939. His woodblock prints are quite rare..

C. 1944. Pencil signed and dated in the lower right. "II" inscribed in pencil in the lower left. Number two in his "English Church" series. Edition of 155. Catalog: Fletcher 381. Plate measures 9 1/2 x 5 1/2 inches on 11 1/2 x 8 inch watermarked laid type paper. Collector's mark in lower right corner of paper. Arms worked on this plate for a total of 289 hours.