Engraving by J.A.J. Wilcox after the painting by Thomas Waterman Wood, image size 24 3/4 x 16 1/2 inches, 1882, early proof before letters, published by Klackner, New York, pencil signed by both the painter and the engraver; "T. W. Wood" l.l, "J.A.J. Wilcox" l.r.
Rare print with remarque from 1883, plate signed in the lower left. Catalog: Schneider 78. Edition of 30 with remarque. Plate measures 9 1/2 x 16 3/4 inches on 15 x 22 inch wove type paper. This is an atmospheric print with lovely plate tone.
This a very fine original etching by American artist Charles Adams Platt, image size 8 1/2 x 14 1/4 inches, 1885, cat: Rice-62, signed and dated in the plate, pencil signed. A richly inked impression with beautiful plate tone, printed on a cream colored Japan type paper with ample margins. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes. He was also a very talented architect and a member of the Saint-Gaudens Art Colony in Cornish, NH.
Etching,1880 image size: 4 3/4X8 in.pencil signed
This 1887 etching by the Irish American artist, Thomas Hovenden, measures 19 1/2 x 13 3/4 inches, pencil signed, remarque on l.l. of shaving mug with brush, copyright info on l.c. Thomas Hovenden was born in Cork, Ireland, studying at the Cork School of Design before emigrating to the US at age 23, enrolling at the National Academy of Design in NYC and working as an illustrator for Harper's magazine. He went on to study in Paris at the Ecole des Beaux Arts under Alexander Cabanel before settling back in the US in the Pennsylvania area. Known for his portrayal of African-Americans going about everyday life, during a time when they were treated less than fairly. His wife's family were abolitionists and his studio was previously used as a stop for the underground railroad.
This is an atmospheric marine etching by J. Henry Hill, after the painting by Otis Weber. The image measures 14 1/2 x 18 1/2 inches, published in 1886 by Klackner, New York, pencil signed on the lower right margin. Hill came from a family of artists and became a well known landscape and marine painter keeping with the pre-raphaelite tradition, influenced by John Ruskin and David Johnson.
Etching, image size 12 7/8 x 18 7/8 inches, plate signed
Etching, image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"
Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.
Etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.
Etching, image size: 8 3/4 x 11 3/4 inches, 1884, second state, cat. Schneider-104, pencil signed lower right.
Etching, 7 1/4 X 12 3/4", 1884, pencil signed.
Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.
This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.
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