Etching, image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"
Etching, image size: 8 3/4 x 11 3/4 inches, 1884, second state, cat. Schneider-104, pencil signed lower right.
This is a luminous original etching of a rural watermill at twilight by American artist Charles Mielatz. The image size is 19 3/4 x 11 3/4 inches, published in 1886 by Fishel, Adler & Schwartz, remarque in the lower margin, pencil signed. Mielatz was born in Germany but came to the United States as a young boy, studying at the Chicago School of Design, although much of his etching technique was self taught. Mielatz was a member of New York Etching Club and was one of the first etchers elected to the National Academy of Design, where he was also the chief instructor of etching for many years. This is one of Mielatz's early etchings, which like most of his early work is done in the American painter-etcher style with a tonalist inspired sense of fading light.
Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", Schneider 136.
This is an original etching by American artist Thomas Moran. The title of this work is: "A Tower of Cortes, Mexico", it was created and printed in 1883. The image measures 12X9 3/4 inches. Very rich impression, plate signed only. This etching was printed on a medium weight buff toned wove type paper.
This is an original etching by American artist Peter Moran. The title is: "Harvest at San Juan Pueblo", this etching was created and printed in 1883. The image measures 6X12 1/4 inches. This image is not pencil signed. A scene of the Pueblo Indians of New Mexico Herding horses.
Printed on a buff toned wove type paper, very good condition.
This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape. This view of the rugged landscape of Half Dome, the plunging depth of the valley and the towering height of the mountains is accentuated by Moran's richly inked rugged foreground and the contrasting, lightly etched lines of the background giving one the sense of the hostility of the environment.
This is a rare original lithograph by American artist and lithographer William Morris Hunt. The image size is 7 1/2 x 5 5/8 inches, published in a small edition in 1857, after the painting by Hunt which is now in the collection of the MFA Boston. William Morris Hunt was one of the earliest American lithographers. He was also a painter and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
This is a very fine original etching by Massachusetts artist John Austin Sands Monks. The image size is 13 5/8 x 12 5/8 inches, 1885, pencil signed. Monks studied etching with George Cass and painting with George Inness, becoming well known for his New England landscapes and images of sheep.
A very fine original etching by American artist Stephen Parrish, this image is one of three images Parrish created of Chester, a small walled town near Liverpool, England. The image size is 9 1/4 x 7 3/8 inches, 1884, state I/II, before the remarque in the lower margin, cat: Schneider- 107, pencil signed.
Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.
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