Etching, image size 11 3/8 x 19 inches, etching, 1885, pencil signed, published by Klackner, New York.
Etching, image size 9 7/8 x 13 7/8 inches, 1881, catalog Schneider 44, thread margins on 2 sides, pencil signed within the image.
This is a rare original lithograph by American artist and lithographer William Morris Hunt. The image size is 7 1/2 x 5 5/8 inches, published in a small edition in 1857, after the painting by Hunt which is now in the collection of the MFA Boston. William Morris Hunt was one of the earliest American lithographers. He was also a painter and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
Etching, 1884, image size 10 1/2 X 16 1/4 inches, plate signed "R. Swain Gifford 1884" l.r.
Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.
This is an original etching by American artist Charles Adams Platt. The title of this work is :"The East River Bridge" - Brooklyn Bridge It was created and printed in 1888 and published by Frederick Stokes New York. The image measures 6 3/4X10 7/8 inches. It is signed and dated in the plate and also pencil signed lower right border.
Etching, image size 10 3/4 x 14 1/2 inches, 1884, artist's monogram within the plate, pencil signed, l.r, printed on Japan paper.
Engraving by Cornelius Tiebout (1770-1830) after Stuart, image size 20 1/8 x 13 inches, sheet size 25 x 18 inches. This engraving is after the "Landsdowne" portrait, named for the British nobleman who commissioned the original painting by Stuart. It was first published by Tiebout in 1801. This is a later re-strike issued by William Smith, Philadelphia, c. 1865.
This is a drypoint etching from 1881. Plate signed in the lower right, titled and dated in the lower left. Plate measures 15 1/4 x 13 1/4 inches on 17 1/2 x 15 1/2 inch laid paper. Catalog: Platt 26. An atmospheric print with a rich drypoint burr.
This is an original etching by American artist Thomas Moran, this image done with roulette, sandpaper ground, drypoint and retroussage to create the etching. The title of this work is:
"The Coyote-Arizona, also known as "Twilight in Arizona".. This etching was created and printed in 1880. It is plate signed with the TM monogram in the lower left corner of the image, printed on a medium weight wove type paper. The image measures 5 7/8X8 3/4 inches, A very rich impression of this important etching by Moran. This image appears in the Gilcrease catalog as image number 36.
This is a scarce etching by American artist Charles Adams Platt. It is titled: The Harbor of Naples, it was created and printed in 1887. The image measures 5X7 5/8 inches. Pencil signed lower right border, framed with a label from H.V. Allison & Co, New York,
This is a drypoint etching by J. Alden Weir. It is a portrait of his daughter Caroline, "Caro" and her dog Gyp.
This etching was created and printed in 1890. The image measures 7 3/4X5 7/8 inches. It is signed in the plate only and titled and dated in the upper right edge of the image. Printed on a thin watermarked laid type paper.
Etching, image size: 7 3/16 x 9 3/4 inches, 1888, plate signed lower right
A very fine original engraving of Daniel Webster, after the painting by Thomas B. Lawson, image size 26 1/2 x 18 inches, 1852, engraved and printed by C. E. Wagstaff and Jos. Andrews, in what appears to be the original frame. Daniel Webster was a noted Senator, lawyer and politician from New Hampshire, who also served as secretary of state twice, under the administrations of William Henry Harrison, John Tyler and Millard Fillmore.
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