This engraving by James Smillie measures 15 x 22 3/4 inches. Created after four paintings by Hudson River School founder Thomas Cole, this early lettered proof impression, published in Boston by L.A. Elliot, reads, "From the original Painting by Thomas Cole, in the possession of Rev.d Gorham D. Abbott, Spingler Institute, New York", under the title on the lower margin. Also included on the lower margin is a poem by J.H. Daniels. In 1842 Thomas Cole did a series of paintings that represented an allegory for the four stages of life; childhood, youth, manhood, and old age. Each phase accompanied by a guardian angel. In "Old Age" the voyager is looking across the river of life towards an angel filled sky, ready to enter the kingdom of heaven. Cole's paintings were converted to engravings after his death and widely distributed during "The Third Awakening", a period of religious activism from the late 1850's to the early 1900's.
A very fine original etching by American artist Stephen Parrish, this image is one of three images Parrish created of Chester, a small walled town near Liverpool, England. The image size is 9 1/4 x 7 3/8 inches, 1884, state I/II, before the remarque in the lower margin, cat: Schneider- 107, pencil signed.
Etching, image size 5 3/4x8 3/4, pencil signed
This is a rare original lithograph by American artist and lithographer William Morris Hunt. The image size is 7 1/2 x 5 5/8 inches, published in a small edition in 1857, after the painting by Hunt which is now in the collection of the MFA Boston. William Morris Hunt was one of the earliest American lithographers. He was also a painter and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
This is a very rare original early etching by Boston artist Charles Woodbury. The title: Wooden Bridge, was created and printed in 1890. This impression is an unsigned working proof. There is evidence of additional inking by hand in the trees and center of the image. A minor flaw in the paper in the lower left side of the image, unobtrusive, narrow margins on both sides. The image measures 8 1/2X14 1/2 inches. An impression of this scarce etching is in the Boston Public Library print department.
Etching, image size 11 3/8 x 19 inches, etching, 1885, pencil signed, published by Klackner, New York.
This is an original etching by American artist Edith Loring Peirce Getchell (1855-1940) The title of this work is: "The Overflow", Ulster County New York. The image is plate signed lower left corner. It was created and printed in 1882. The image measures 8X13 3/4 inches. Nice use of plate tone in the sky and land.
This is a drypoint etching from 1881. Plate signed in the lower right, titled and dated in the lower left. Plate measures 15 1/4 x 13 1/4 inches on 17 1/2 x 15 1/2 inch laid paper. Catalog: Platt 26. An atmospheric print with a rich drypoint burr.
C. 1886. An etching by James David Smillie directly from the watercolor by Winslow Homer. Inscribed in the plate in the lower right: "Winslow Homer 1883." Catalog: Witthoft 42. Signed by Smillie in the upper left and inscribed "Aqua fortis 1886." Plate measures 6 5/8 x 10 inches on 11 1/2 x 14 3/4 inch wove type paper. A beautifully detailed and accurate rendition of the painting.
Drypoint etching by Thomas Moran. Plate signed and dated in the lower right, 1881. Plate measures 5 1/2 x 8 1/2 inches on 11 1/2 x 14 3/4 inch medium weight wove type paper. An atmospheric print with good use of plate tone. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape. This view of the rugged landscape of Half Dome, the plunging depth of the valley and the towering height of the mountains is accentuated by Moran's richly inked rugged foreground and the contrasting, lightly etched lines of the background giving one the sense of the hostility of the environment.
Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.
This is a rare original etching by American artist Stephen Parrish. The title is: "Northern Moorland,Marblehead". It was created and printed in 1881. The image measures 8 3/4X16 1/8 inches. This image is plate signed and has the Parrish family stamp in the border on the far left. This image appears in the Schneider catalog as image number 42.
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