This is a rare original etching by American artist Stephen Parrish. The title is: "Northern Moorland,Marblehead". It was created and printed in 1881. The image measures 8 3/4X16 1/8 inches. This image is plate signed and has the Parrish family stamp in the border on the far left. This image appears in the Schneider catalog as image number 42.
This is an original etching by American artist Thomas Moran, this image done with roulette, sandpaper ground, drypoint and retroussage to create the etching. The title of this work is:
"The Coyote-Arizona, also known as "Twilight in Arizona".. This etching was created and printed in 1880. It is plate signed with the TM monogram in the lower left corner of the image, printed on a medium weight wove type paper. The image measures 5 7/8X8 3/4 inches, A very rich impression of this important etching by Moran. This image appears in the Gilcrease catalog as image number 36.
This is a drypoint etching by J. Alden Weir. It is a portrait of his daughter Caroline, "Caro" and her dog Gyp.
This etching was created and printed in 1890. The image measures 7 3/4X5 7/8 inches. It is signed in the plate only and titled and dated in the upper right edge of the image. Printed on a thin watermarked laid type paper.
Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.
Etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.
A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.
Lithograph, image size 6 x 7 1/4 inches, 1858, plate signed and dated. William Morris Hunt was one of the earliest American lithographers. He was also a painter, and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
Engraving after a painting by H. Brueckner. Image size 15 1/4 x 21 1/2, Published by John McRae, New York, 1866.
A very fine original etching by Mary Nimmo Moran, image size 6 5/8 x 9 1/2 inches, 1885, published in Germany, plate signed and dated in reverse. A rich impression on a medium weight wove type paper with ample margins.
Original etching by American 19th century artist Peter Moran. The title of this work is: "A Showery Day". It was created and printed in 1875. The etching is hand signed in pencil lower right. It is printed on a thin chine collet paper adhered to a thicker sheet. The image measures 3 X 5 1/8 inches. A rich impression. This image appears in the Wright catalog as image number 6..
Etching with Remarque,image size 4 7/8X7 3/4 inches,pencil signed
Etching, image size 7 1/4 x 12 3/4 inches, pub. 1882, plate signed "J. M. Falconer 1882", printed on medium weight laid paper.
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