A very fine original etching by Mary Nimmo Moran, image size 6 5/8 x 9 1/2 inches, 1885, published in Germany, plate signed and dated in reverse. A rich impression on a medium weight wove type paper with ample margins.
An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
Engraving after a painting by H. Brueckner. Image size 15 1/4 x 21 1/2, Published by John McRae, New York, 1866.
Etching, image size 7 1/4 x 12 3/4 inches, pub. 1882, plate signed "J. M. Falconer 1882", printed on medium weight laid paper.
Etching, image size 18 x 29 1/4 inches, c. 1880, remarque l.l, pencil signed.
Etching, image size 3 1/8 x 5 inches, pencil signed, framed
Etching, image size 8 x 6 1/2 in, pencil signed
This is an original pencil signed etching by American artist Stephen Parrish. The title is:
"Trenton-Winter no.2", it was created and printed in 1883, It was created for the catalogue of the New York Etching Club in 1884. Pencil signed proofs are very rare. This image appears in the Schneider catalog as image number 86. The image measures 3X5 1/2 inches.
This is an original early etching by American artist Stephen Parrish. The title is: "Calling the Geese", it was created and printed in 1880. A rare image, not published by Parrish. The image measures 4 3/8X12 1/4 inches. This impression is plate signed only. Minimum border at the top of the image. This image appears in the Schneider catalog as image number 7.
Etching, image size 4 3/4 x 7 inches, pencil signed, framed
This is an atmospheric etching in sepia ink, image size 4 3/8 x 6 inches, 1887, cat: Rice-84, signed and dated in the plate. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.
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