Etching with sepia ink, image size 9 1/8 x 12 inches, 1883, cat: Tyler-100, plate signed and dated.
This 1888 etching by Mary Nimmo Moran measures 11 7/8 x 8 inches, plate signed and dated, after a painting by her husband, Thomas Moran. Mary Nimmo Moran was known for her originality and boldness in her etchings and was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
This original etching by Charles Adams Platt measures 5 1/2 x 7 7/8 inches and was created in 1887. Plate signed, titled and dated.
Etching, image size 5 7/8 x 7 7/8 inches, 1887, second state, #125 in the Stephen Parrish catalog, plate signed l.l. "Stephen Parrish", "Copyright 1887 by Frederick A. Stokes" u.l.
Etching, image size 13 1/2 x 8 7/8 inches, 1890, published by Klackner, pencil signed
Etching, 1885, image size 18 3/4 x 10 11/16 inches, platesigned
This is a very rare early etching by Stephen Parrish, image size 5 7/8 x 10 7/8 inches, 1880, cat: Schneider-10, plate signed and titled, pencil signed. A richly inked impression with beautiful tonal range on a thin laid type paper, some condition issues.
Etching, portrait of a young woman, image size 6 1/2 x 4 9/16 inches, plate signed and dated 1888, 3rd proof, pencil signed
Etching, image size 6 1/4 x 9 1/2 inches, plate signed and dated, l.l.
Etching measures 5 1/2 x 7 1/2 inches in an 11 1/4 12 7/8 inch black frame. C. 1880. Plate initialed and dated in the lower right. Catalog: Klackner 9. Published in 1880 by the American Art Review. A dark and detailed print with a rich drypoint burr. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
Etching, image size 3 x 5 3/4 inches, c. 1880, plate signed l.r. "JM Falconer" and pencil signed l.r. "Falconer". Falconer was a Scottish-born American etcher, painter, and watercolorist. He belonged to the New York Etching Club, and was made an honorary member of the National Academy of Design in 1856. He is known for his picturesque sites of older buildings and rural ruins. Falconer was a friend of Thomas Cole, Asher Durand, Jasper Francis Cropsey and other artists of the Hudson River School. His works are in the collections of the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the New-York Historical Society; the Brooklyn Museum of Art; and the Columbus (Georgia) Museum.
This is a an atmospheric original etching, image size 4 3/4 x 8 3/4 inches, 1880, cat: Schneider-40, plate signed. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.
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