Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.
This is an original etching and aquatint by French artist Louis Legrand. This etching is titled: "La Fille a sa tante", the girl with her aunt....This etching was created and printed in 1893 in an edition of 100. It came from his series "Les Petites du Ballet", (the Little ones of Ballet). The image measures 14 1/4X8 3/4 inches. Printed on a medium weight wove type paper, pencil signed lower right border. This image appears in the Arwas catalog as image number 77.
An original etching by Piranesi from his 'Vedute di Roma' series, this image measures 17 7/8 x 27 1/4 inches, state V/V, 1766, cat: Hind-78. From the 'Regia Calcographia' edition c. 1870s, with the blindstamp in the lower right corner. Piranesi was an Italian artist and designer, best known for his series of etchings of Ancient Roman ruins, the "Vedute di Roma". These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries.
This is an original etching by French impressionist Edgar Degas. The title is, "AutoPortrait", Self Portrait. It was created in 1857, this is the Forth state of 4, after the cancellation marks. Delteil 1.
The image measures 9X5 3/8 inches. printed on a cream wove type paper. Unsigned as issued.
Drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left. Plate measures 8 7/8 x 11 1/2 inches.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right. Plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame.
Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.
This is an original very early Giovanni Piranesi etching. It is titled: "Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna", meaning
"Internal view of St. Peter's Basilica in the Vatican near the Tribuna." It was from the Vedute di Roma series, which Piranesi is best known for. These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries. It appears in the Hind catalog as image number 102. The image measures 19 1/4 X 26 1/4 inches on 21 X 28 1/4 inch laid paper. This printing is from the 1st Paris edition, created between 1800-1807 when the family brought the original plates to Paris. There is a "2V" after the signature that dates this etching and makes this the 2nd state of three. A very rich impression not seen in the later restrikes.
Drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed lower right
A well inked impression with plate toning and a rich drypoint burr. Plate measures 5 1/4 x 7 inches on 7 1/2 x 11 inch laid paper. State IV/V. Catalog: Delteil 1. Published by the Gazette des Beaux-Arts in 1903 to illustrate the obituary article on Corot by Louis Gonse. Printed by A. Salmon in Paris, France in 1875. Plate signed in the lower left. The plate for this image was discovered by Felix Bracquemond in a box of nails in Corot's home.
Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.
This is a rare original mezzotint by British artist, Sir Francis Seymour Haden. The title of this work is: "Harlech No II", it was created and printed in 1880. A combination of mezzotint, etching and drypoint, hand signed in pencil lower left border. This image appears in the Schneiderman catalog as image number 197. The image measures 8X11 3/4 inches. This is the V state of V.. This is a rarely seen image by Haden. Richly inked and printed.
This 1862 etching by Johan Barthold Jongkind measures 8 3/4 x 12 1/4 inches and is plate signed and dated. Publisher info and title printed below image. III/VI, J-8, publishers blindstamp on l.c.,
This is a very fine early state etching by British artist Sir Francis Seymour Haden. The image size is 5 1/2 x 8 3/8 inches, 1864, state IX/XVII, cat: Schneiderman-72, signed titled and dated in the plate, pencil signed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.
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