20th Century American Prints

This is one of the finest works by John Taylor Arms etching and aquatint.  It was created and printed in 1940 as image number 1 of his Scandinavian Series.  Pencil signed twice, dedicated to William Schaldach, lower border.  The image measures 7 9/16X13 9/16 inches.  It appears in the Fletcher catalog as image number 346.  It is the third state of three from the edition of 330 impressions.  Printed by David Strang.  This image won 5 prizes between 1941-1948,  Incredible detail, nicely framed with archival materials.

This is a fine original drypoint etching by American artist Walter Tittle.  The title is: Church of the Heavenly Rest, which was built in New York City in 1929.  This etching is hand  signed in ink and measures 12X10 inches, nicely framed with archival materials.  A very rich impression, Tittle at his very best...

Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.

This is an original hand colored lithograph by American artist Don Freeman.  The title is: "To see the mayor".  This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist.  This image is pencil signed, the image measures 12 1/8X9 inches.  According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally.  Freeman drew a group of constituents making appointments with the mayor's secretary"  This lithograph is framed.

Soft ground etching and aquatint, 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.

Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.

This is an incredible rare impression of the well known Panama Canal etching, The Guard Gate, Gatun Lock.  It was created and printed in 1912. Both etching and drypoint, with a rich burr in the shadow areas.   Pencil signed and annotated "imp" meaning that he printed this impression on his own press.  It is printed on a blue toned laid type paper,  Very fine condition, richly printed.  The image measures 12 1/2X9 1/2 inches.  It appears in the Pennell catalog as Wuerth number 627.  The edition is about 60 impressions.

This is an original etching by American artist Gottlob L.Briem (1899-1972)  This etching titled lower left in pencil, "Tower Under Construction, George Washington Bridge" has an image size of 14 3/4X9 5/16 inches.  Pencil signed, dated, 1930 and numbered, 47/100.  Printed on a watermarked laid type paper.  A very dramatic composition, one of his best efforts.

This is a finely detailed wood engraving by American artist Hendrik Glintenkamp (1887-1946)  The title is: Manhattan construction, Radio City, N.Y.  It was created and printed in 1932, and is numbered 25/100.  Hand signed in pencil lower border and also on the back of the sheet.  Very fine condition.

This is an original lithograph by American artist John S. deMartelly.  The image, Old Moon was created and printed in 1938 and sold by Associated American Artists in New York.  The image measures 10 1/8X13 3/4 inches.  One of his best regionalist images.  Much in the style of Thomas Hart Benton of whom the artist knew and worked with  while at the Kansas City Art Institiute in the 1930's and early 40's.  This lithograph is framed with the AAA label on the back.

This is an early original lithograph by American artist Stow Wengenroth.  The title is: Sea's Strange Calm, Eastport, Maine.  It was created and printed in 1931 in an edition of 54 impressions.  This proof is hand signed in pencil lower right border.  The image measures 7 1/4X12 7/8 inches.  It appears in the Stuckey catalog as image number 10.  The scene is Campobello Island in the distance, seen from Eastport, Maine, Across Passaquoddy Bay.  Printed on a medium weight wove type paper with "France" watermark.

Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.

This is a fine original etching and aquatint by American artist Gottlob L. Briem. This rare image is titled Empire State Building, N.Y.C.  It was created and printed circa 1930.  It is pencil signed and inscribed "to Elmerine (Finn) a Vermont artist with best wishes".  The image measures 14X9 inches,  printed on a medium weight wove type paper.

This is an original drypoint etching by American artist Gottlob L. Briem.  The title of this work was : Base of the Chrysler Building, New York, It was created and printed circa 1930, pencil signed and titled in the lower border, the image measures 14 5/8X10 3/16 inches.  Printed on a medium weight wove type paper.

This is an original etching and aquatint by American artist Kerr Eby.  The subject is Eby's home which he named Driftway, in Westport Connecticut.  This etching is hand signed in pencil and has an image size of 8 3/8X15 3/8 inches.  Printed in an edition of 100 in 1939.  This image appears in the Giardina catalog as image number 196.  Printed on a medium weight laid type paper.