This is an original lithograph by American artist Stow Wengenroth. It is titled: Winter Visitor, Greenport, N.Y. This lithograph was created and printed in 1965 in an edition of 60. The image measures 10 3/16X16 1/8 inches. Pencil signed lower border. This lithograph won a Gold Medal of Honor from the Rockport Art Association.
This is a very rare original etching by American sporting artist Frank W Benson. The image size is 7 7/8 x 9 7/8 inches, published in 1921 in an edition of 100, cat: Ordeman-205, pencil signed, titled in the lower margin. There is some old masking tape residue in the margins, but this is outside of the image area and will be covered by a window mat. This print is quite scarce, and an unusual subject for Benson; in most of his images the landscape serves as a backdrop for wildfowl or hunters but in this etching he focuses on the land and river, creating an atmospheric summer scene.
This remarkable etching is one of Eby's finest prints, and is featured on the front cover of the Giardina catalog. The image size is 8 5/8 x 15 5/8 inches, published in an edition of 100 in 1931, cat: Giardina-168, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This image is one of several landscapes Eby made depicting his house in Westport, Connecticut and with it's rich tonal range and vivid contrasts, it is by far one of his most impressive images. This etching features a very richly inked impression on a medium weight watermarked wove type paper.
Etching, image size 12 3/4 x 9 1/4 inches, titled and signed in pencil
Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed
This is an original wood block print by American artist Werner Drewes. It is a self portrait of the artist created and printed in 1971. It is editioned as 22/40. The image measures 18 1/2X11 1/2 inches. Pencil signed by the artist, printed on a medium weight japan type paper.
This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."
Lithograph, image size: 12 7/16 x 9 9/16 inches, c. 1919-1920, numbered 19/33, pencil signed by the printer Bolton Brown l.l., pencil signed by the artist l.r., cat. Czestochowski-127, provenance: Baldwin-Wallace College
This is an original lithograph created by Japanese American artist Yasuo Kuniyoshi. The title is Burlesque Queen, it was created and printed in 1936 for the American Artists School in New York City. It was created in an edition of 100. The image measures 11 5/8X9 1/2 inches. This image is plate signed as issued, it is inscribed in pencil lower left "100 prints". The sheet has the AAS blind stamp in the lower border and with a partial ink stamp on the back of the sheet from the American Artists School.
This is an original etching by American artist Leonard Baskin. This portrait is of Thomas Eakins, the early painter. It was created and printed in 1964. The image measures 18 1/4X13 inches. It is pencil signed, titled and editioned as 74/90. The image appears in the Baskin catalog as image number 465. This etching, in great condition is currently framed in a fine period picture frame. The overall frame measures 30X24 inches.
An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
This original lithograph was created by American artist Stow Wengenroth. The title is "Memory", it was taken from a scene in Greenport, New York in 1971. The image measures 14 3/8 X10 3/4 inches. The edition was only 60 signed impressions. It is pencil signed lower border, printed on a medium weight wove type paper. This lithograph was done as a special tribute to the artist's wife who died the year before.
This is a very rich impression of a great sporting etching by Frank Benson. The image size is 9 x 11 inches, published in 1918 in an edition of 150, cat: Ordeman-131, pencil signed and numbered "6". This etching is titled "Marshes at Evening" in the Ordeman catalog, although it is titled in the artist's hand on the lower margin as "Evening in the Marshes". In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist. In this, his followers and imitators have been many; his equals none." In this image, a flock of ducks come into the marsh to roost, silhouetted against the still bright sky of a midsummer evening.
This expressive drypoint etching of ducks taking flight by Frank Benson was published in 1918 in an edition of 150. It is pencil signed on the lower margin. This image measures 7 7/8 x 9 7/8 inches with wide margins on a sheet size of 12 1/2 x 15 3/8 inches. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.
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