This is an original handsigned woodblock print by Latvian-American artist Isac Friedlander. This work is titled: "Ghetto", it was created and printed in 1942. It is a very scarce image by this artist. It was created and printed in 1942. The image measures 9 3/4X10 7/8 inches. pencil signed titled and dated in the lower margin. This image was printed in an edition of only 26 signed proofs.. Isac Friedlander was born in 1890 in Mitau, Latvia. Those were difficult days for a captive people under the czarist yoke, but it was not long before young Isac’s assertive spirit emerged. At sixteen he was arrested and condemned to death, along with several of his classmates, for protesting compulsory uniforms and weekend curfews. His classmates were shot but his sentence was commuted to life imprisonment.
Fortunately, Friedlander’s skills in drawing and the portraits he did of his prison guards and their children came to the attention of a local functionary, who took an interest in him. In four years he was released. The war years of the 1940’s found him deeply troubled in spirit by the reports of sufferings and persecution of his people throughout Nazi-dominated Europe. Having experienced first hand in his youth the depth of man’s inhumanity to his fellow man, he now produced his heart-rending and powerful prints of the holocaust.
Friedlander’s woodcuts, wood engravings, and etchings are powerful expressions of the human condition. Death took him in 1968, but not before his spirit found renewed expression in his masterful prints of life among America’s urban blacks as the winds of social change were gathering to redress the wrongs of generations.
This is a very rare original etching by American sporting artist Frank W Benson. The image size is 7 7/8 x 9 7/8 inches, published in 1921 in an edition of 100, cat: Ordeman-205, pencil signed, titled in the lower margin. There is some old masking tape residue in the margins, but this is outside of the image area and will be covered by a window mat. This print is quite scarce, and an unusual subject for Benson; in most of his images the landscape serves as a backdrop for wildfowl or hunters but in this etching he focuses on the land and river, creating an atmospheric summer scene.
Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.
A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.
This is an original wood block print by American artist Werner Drewes. It is a self portrait of the artist created and printed in 1971. It is editioned as 22/40. The image measures 18 1/2X11 1/2 inches. Pencil signed by the artist, printed on a medium weight japan type paper.
This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."
Lithograph, image size: 12 7/16 x 9 9/16 inches, c. 1919-1920, numbered 19/33, pencil signed by the printer Bolton Brown l.l., pencil signed by the artist l.r., cat. Czestochowski-127, provenance: Baldwin-Wallace College
Lithograph, image size 9 1/4 x 12 1/8 inches, 1940, AAA edition, cat. Zink-56, pencil signed
A rare artist's proof by Leonard Baskin, this is an early woodcut portraying the artist dressed as a priest. The image size is 21 1/4 x 10 inches, published in 1952, cat: Fern & O'Sullivan-193, pencil signed and dated, notated 'artist's proof', framed. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, and over the course of his long career he created many self portraits which beautifully showcase the evolution of his style.
An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
This is an original lithograph by American artist George Bellows. The title of this work is: "The Return to Life", from his series "Men Like Gods" This lithograph was created and printed in 1923. It is pencil signed by both Bellows and his printer Bolton Brown. The edition was only 40. The image measures 18X14 1/2 inches. Archival framing.
This is an original drypoint etching by American artist Armin Landeck. It is titiled: "Demolition No. 1", it was created and printed in 1940 in an edition of 100. The image measures 7X9 inches. It is pencil signed and dated in the lower right border. Excellent condition.
This is a very rich impression of a great sporting etching by Frank Benson. The image size is 9 x 11 inches, published in 1918 in an edition of 150, cat: Ordeman-131, pencil signed and numbered "6". This etching is titled "Marshes at Evening" in the Ordeman catalog, although it is titled in the artist's hand on the lower margin as "Evening in the Marshes". In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist. In this, his followers and imitators have been many; his equals none." In this image, a flock of ducks come into the marsh to roost, silhouetted against the still bright sky of a midsummer evening.
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