Framed 12 1/2 x 9 1/2 inch lithograph in 18 1/2 x 15 inch frame. Pencil signed in the lower right and dated 1935. Print is number 19 in an edition of 50.
A rare working proof by American sporting artist Frank Benson, this etching measures 9 7/8 x 7 7/8 inches, published in 1922, cat: Ordeman-165, proof C-2, pencil signed below the image, titled "Black Ducks No 2" and inscribed "C-2" in the lower margin. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.
This is a pencil signed and dated lithograph by American artist Edward A Wilson. This view of pipeline installation in a small American town, as part of his Pipe Layers Series. This lithograph was created in 1945 and has the edition of 17/30. Printed on a medium weight wove type paper. The image measures 11X13 7/8 inches.
Print measures 13 3/4 x 6 7/8 inches on 16 1/2 x 9 3/4 inch watermarked laid type paper. Pencil signed and dated "1950" in the lower right. Third state. Edition of 308. Number 15 in his "Spanish Church" series. Catalog: Fletcher 418. This is an exquisitely detailed print with strong contrast!
This is an original etching by American artist John Sloan. The title is: "Nude on a Draped Couch", it was created and printed in 1931 in an edition of 100. The image measures 7X5 1/2 inches. Pencil signed and editioned in the lower border. This etching is in very good condition apart from having the borders trimmed to within 1 inch of the platemark. Enough room for proper presentation. This etching came to us in an early frame with the Kraushaar Gallery, N.Y. label on the back.
Kerr Eby, American, 1889-1946, "Rough Going". An evocative image of WWI by American artist Harold Kerr Eby, this etching with drypoint measures 8 1/4 x 11 3/4 inches, pencil signed in an edition of 60, second published state, 1919, Giardina cat: 29. Eby's WWI experiences in France lead to this richly inked image of infantry marching through the results of war. Very richly inked with drypoint burr.
This Joseph Pennell etching measures 11 3/4 x 8 3/8 inches, pencil signed, 1904, cat: Wuerth 324, probably in an edition of 25. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.
This is an original pencil signed etching by American artist Joseph Pennell. The title of this work is: "Sunset from the Williamsburg Bridge, NY" It was created and printed in 1915 in an edition of 100. The image measures 8 3/8X10 15/16 inches. It appears in the Wuerth catalog as image number 674. This etching has a collectors stamp in the lower border and the original Kappel N.Y. label. The margins are thin on three sides which was typical of Pennell's etchings. A fine and atmospheric image.
This is an original etching by American artist Samuel Chamberlain. This image was a privately commissioned etching and is quite rare. Created in 1949 The image measures 10 3/16X9 5/8 inches. The subject: First National Bank Building of Boton, done in drypoint was from the edition of only 16 signed proofs. It appears in the Chamberlain catalog as image number 286. A very fine impression.
This is an original etching by American artist Kerr Eby. The title is: "Light in the Woods", it was created and printed in 1931. This etching was printed in an edition of 100, printed by the artist himself. There is the "imp" written after the artists pencil signature. The image14 1/2X9 1/2 inches. Very richly printed. This image appears as image number 161 in the Giardina catalog. The scene is thought to be either Connecticut or Maine. Fine condition.
This is an atmospheric scene of a ship coming into port, pulled by a tugboat; it is rendered with remarkabley delicate lines and a rich yet quite subtle tonal range, giving a strong sense of a soft morning fog over calm waters. The canvas sails of the ship beautifully contrast with the steam of the tug as is dissipates into the misty air. The image measures 19 x 23 inches, published in 1887, pencil signed on the lower right margin. "Copyright R. Cleveland Coxe, 1887, NY" is printed on the lower center, with a remarque of an anchor in the lower left margin. Framed. Coxe studied at the National Academy before going to Paris to study with Leon Bonnat. A painter and etcher, Coxe best works were of seascapes of the New England Coast.
9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself.
Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms. Eby was known for his atmospheric renderings of the New England landscape as well as his dramatic images of WWI.
This is an original drypoint etching by American artist Lawrence Kupferman. It is titled: "Abandoned House", it was created and printed in 1939, this is editioned as 5/100. The image measures 10 1/2X12 inches. It is pencil signed and titled in the lower border
This is an original drypoint etching by American sporting artist Frank Benson. The title is "Teal" a fine study of a family swimming in a quiet pond. The image measures 7 7/8X10 7/8 inches. Pencil signed lower left border. A fine rich impression from the edition of 150. Printed on a Whatman watermarked medium weight paper. This image appears in the Ordeman catalog as image number 243.
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