This is an original drypoint etching by American artist Lawrence Kupferman. It is titled: "Abandoned House", it was created and printed in 1939, this is editioned as 5/100. The image measures 10 1/2X12 inches. It is pencil signed and titled in the lower border
Lithograph from 1963. Edition of 25. Plate measures 13 1/4 x 19 13/16 inches on 17 1/8 x 23 1/8 inch medium weight wove type paper. Catalog: Stuckey 284. The scene is along Marginal Way near Perkins Cove in Ogunquit, Maine. Pencil signed in the lower right.
C. 1935. Catalog: Fletcher 284. Edition of 153. #12 in the Spanish Church Series. Plate measures 9 1/2 x 12 1/4 inches on 10 5/8 x 14 7/8 inch watermarked laid paper. Pencil signed in the lower right and dated 1935. In the lower left: "To my dear friends Charlotte and Richard Perry, John Taylor Arms 1935." This print has a wide tonal range, with a variety of different intricate line patterns to convey shading and texture. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself.
Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms. Eby was known for his atmospheric renderings of the New England landscape as well as his dramatic images of WWI.
Etching, image size 9 7/8 x 6 7/8 inches, 1921, cat. Wuerth 782 and the cover, pencil signed.
Wood engraving on maple from 1932. "C L imp" blindstamp in the lower left. "Trial proof" in pencil in the lower left. Only a few proofs were done in 1932. Printed in the 1970's by Letterio Calapai. Edition of 100. Catalog: Burne Jones 91. Plate measures 5 1/2 x 7 inches on 9 1/4 x 11 inch paper. A good impression of a bold and dramatic print with strong, even blacks. The muscular yet poised figure in a moment of nighttime contemplation invites the viewer to wonder what he is thinking about.
A great image of a WWII battleship by John Taylor Arms, this etching with aquatint measures 12 x 18 inches, #1 of Arms' "U. S. Navy Ship Series," published in 1943, state 3 of 6, pencil signed and dated lower right, numbered "VI" lower left, cat: Fletcher-376. This is a rare early state proof before the plate was steel-faced for the fourth state. John Taylor Arms was an extremely talented and successful artist in the early 20th century, known especially for his exquisite renderings of French cathedrals and other European architecture. He served as a naval officer during WWI and at the onset of WWII was ready to serve again, but did not meet the Navy's physical requirements. Instead, Arms created his "U.S. Navy Ship Series," to support the American war effort.
A drypoint etching C. 1920. Pencil signed and dated in the lower right, plate signed and dated in the lower left. Plate measures 8 x 11 3/4 inches on 9 3/4 x 15 3/4 inch wove paper. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Hear Oh' Israel", it was created and printed in 1944. One of the artists War aftermath motifs . This etching is inscribed as Trial Proof #2, from the later published edition of 50. The image measures 14X9 1/2 inches.Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is an original color lithograph by American artist Leonard Baskin (1922-2000) The title of this work is "Rachel", it was created and printed in 1976 in an edition of only 100. The image is quite large measuring 37 1/2X26 inches. It is currently framed. Pencil signed lower right within the edge of the image.
Drypoint etching with hand coloring (lips), image size 19 3/4 x 12 inches, 1907, pencil signed lower right
This is a vibrant original lithograph in colors by American artist Leonard Baskin. The image size is 24 1/2 x 36 1/2 inches oval, 1974, cat: Fern & O'Sullivan- 655, artist's proof apart from the published edition, pencil signed and notated "AP", printed on a full sheet of Arches paper with deckle edges. Leonard Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence especially in his sense of composition and structure. In the 1970s Baskin created a series of striking large scale portraits of Native Americans to honor and highlight their role in the history of our country.
A beautiful etching by John Taylor Arms measuring 12 3/8 x 17 3/8 inches, pencil signed and dated, printed in 1945, state II, cat: Fletcher-390. John Taylor Arms was an extremely talented and successful artist in the early 20th century, known especially for his exquisite renderings of French cathedrals and other European architecture. He served as a naval officer during WWI and at the onset of WWII was ready to serve again, but did not meet the Navy's physical requirements. Instead, Arms created his "U.S. Navy Ship Series," to support the American war effort.
Etching and aquatint from 1937. Edition of 250. Published by Associated American Artists in New York. Pencil signed in the lower right. Plate size 11 3/4 x 8 1/2 on 15 x 11 3/4 inch wove type paper. Harry Sternberg was born and educated in New York City, His lithographs are in the permanent collections of the Museum of Modern Art, Whitney Museum, Fogg Museum at Harvard, Addison Gallery of American Art, Metropolitan Museum, Library of Congress, Ohio University, Victoria and Albert Museum in London, Bibliotheque Nationale in Paris, and others.
This is an original hand signed lithograph by American artist Stow Wengenroth. The title of this piece is "Bufflehead", it was created and printed in 1967 in an edition of only 50 signed proofs.
The image measures 9 3/4X15 7/8 inches. This lithograph appears in the Stuckey catalog as image number 312. Very good condition, matted not framed.
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