C. 1912. Pencil signed in the lower right. Plate initialed and dated in the lower left. Plate measures 11 3/4 x 7 3/4 inches on 16 1/2 x 11 1/2 inch watermarked Van Gelder Zonin laid paper. Catalog: Hjert and Hjert 209. A rare print. This is an excellent portrayal of a pensive woman with a rich drypoint burr. Anders Zorn's artistic talents were obvious at an early age. At 15 he entered the Royal Swedish Academy of Art in Stockholm and at 20 years old, at a student exhibition, he entered his watercolor painting "In Mourning" which now hangs in the National Museum in Stockholm. This recognition was the start of a long and accomplished career for Zorn.
This is a very cool lithograph on zinc, image size 12 5/8 x 17 7/8 inches, 1919-1920, from a very small edition of 27 or fewer impressions, cat: Czestochowski-134, printed by Bolton Brown, pencil signed. Provenance: The Cleveland Museum of Art. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This image is a beautiful homage to the ancient Greeks, which Davies portrays in his distinctive style that is at once quite classical and quite modern.
Lithograph, image size 15 3/8 x 18 inches, 1932, pencil signed. Born in Poland, Max Weber emigrated to Brooklyn, New York with his family at the age of 10. He went on to study art at the Pratt Institute in Boston, then traveled to Europe where he was influenced by the groundbreaking work of Henri Matisse, Pablo Picasso and Henri Rousseau. Weber returned to America, bringing with him the cubist and modernist ideas and techniques that he learned in Europe, and is considered by many to be one of the forefathers of American modernism.
Large edition, august, 1884, 11 1/2x18 1/4, dedicated to Henry Voigt in pencil lower right margin, pencil signed, and framed
Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.
A fine atmospheric scene of Venice by Scottish artist James McBey. The image size is 8 1/8X9 7/8 inches, created and printed in 1925 in an edition of 80. Hardie-236, hand signed in ink and numbered XIV, printed on a cold toned paper. Archival matboard and framed.
This is an original etching by Well known Belle Epoch artist Manuel Robbe (1872-1936) The title of this work is: "Parisienne", it was created and printed in 1906 in an edition of 200, published by Georges Petit. The image measures 19 1/2X13 1/2 inches. It is signed in pencil lower left within the image. A fine impression, previously sold by Merrill Chase galleries. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.
Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He then returned to Germany and became a member and then president of the Berlin "Sezession".
This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.
This is a colored drypoint, aquatint, and soft-ground etching from 1910. The plate measures 14 3/4 x 18 1/2 inches on 19 x 24 1/2 inch watermarked Arches laid paper. Pencil signed in the lower right. Edition of 200. This print is a fine example of Raffaëlli's impressionistic tendencies, with th subtle lighting and the atmospheric sky.
This is an original color aquatint and drypoint etching by French artist Manuel Robbe. This image is titled "Le Dernier Roman" The plate measures 20 1/2X14 1/2 inches. It is hand signed in pencil in the image and editioned as number 55. This etching is framed and originally sold by Merrill Chase Galleries, label on the back.
Etching with drypoint, C. 1900. Pencil signed in the lower right. There is a repaired tear at the bottom of the print, not in the image. There are also some thin spots on the back of the paper. Plate measures 23 x 13 1/2 inches on 24 1/2 x 16 3/4 inch wove type paper. A well inked, captivating portrait. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. He traveled between France and America, and in 1912 was commissioned to create the astrological ceiling decoration in New York's Grand Central Station.
This is a fine example of the important etching by Jean Baptiste Corot. This etching is titled: Enviorns De Rome, it was created in 1866, this proof is the second state A. of three. Printed on Holland Paper, This printing had the addresses of:" Cadart and Luquet Editeurs, 79 Rue St Jacques 303 Paris" A rich impression, Catalog Delteil 6 II/III. Framed, previously sold by Kennedy Galleries in New York.
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