This is an original etching and aquatint from 1922. Unsigned. Plate 19 from Miserere: Son avocat, et phrases creuses, clame sa totale inconscience. Plate measures 21 x 16 inches in a silver 30 x 24 1/2 inch frame. Georges Rouault began his art career at age fourteen, when he began a five year apprenticeship painting and restoring glass. This appears to have had a heavy influence on his cloisonnist style, with the heavy black contouring and glowing colors resembling leaded glass. He began attending evening classes during this apprenticeship and in 1891 entered the École des Beaux-Arts, where he studied under Gustave Moreau. A devout Roman Catholic, his work was often religious, exploring themes of sin and redemption. Rouault is often associated with the Fauvist and Expressionist movements.
This is an original color aquatint etching by American artist John Taylor Arms. The title of this image is "Loop-The-Loop". It was created and printed in 1921, in an edition of 25 signed impressions. This one is pencil signed dated and titled lower border. Very fine condition. This is a rarely seen etching by this great American printmaker. The image measures 6X4 inches printed on a medium weight wove type paper.
This is an original color aquatint etching by American artist, John Taylor Arms. The title of this work is "The Birdman" It was created and printed in 1919. This is a very scarce image by Arms. It has a pencil signature, and is editioned as 41/50. It also has the printer Frederick Reynolds name under the artists in the lower border. Very fine condition, printed on watermarked laid type paper. The image measures 7 5/8x5 inches. This image appears in the Fletcher catalog as image number 25.
This is an original etching by Well known Belle Epoch artist Manuel Robbe (1872-1936) The title of this work is: "Parisienne", it was created and printed in 1906 in an edition of 200, published by Georges Petit. The image measures 19 1/2X13 1/2 inches. It is signed in pencil lower left within the image. A fine impression, previously sold by Merrill Chase galleries. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.
Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He then returned to Germany and became a member and then president of the Berlin "Sezession".
This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.
This is an original mezzotint by British artist Sir Frank Short. The title is: "Moonrise on the Bure" This mezzotint was printed in 1922, the image measures 11X15 7/8 inches, printed on a medium weight wove type paper, pencil signed lower right and monogrammed in the plate lower left corner. A beautiful rich impression, very subtle tonal range throughout. Beautiful condition.
A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.
Etching, drypoint, image size 15 x 9 7/8 inches, 1930, trial proof before the published state of 150, Ordeman #300, pencil signed l.l. "Frank W. Benson", printed on Whatman paper.
This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This 1878 etching by the Dutch artist, Johan Barthold Jongkind, measures 5 3/4 x 9 1/8 inches, plate signed and dated. Early proof before letters, D-20, II/IV.
This is an original etching by French Master Georges Rouault. The title of this work is: "Sunt lacrymae rerum " ( There are tears in things ) This etching and aquatint was created for the Miserere series in 1926 as image number 27. . The platemark measures 24 1/4 17 1/2 inches. It was published in an edition of 450 on arches wove type paper by Ambroise Vollard. His Vollard watermark appears in the sheet. The etching is signed and dated in the image in the lower right. This etching was never hand signed by the artist.
This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Copyright 2016· All rights reserved