Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"
This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.
This is an original etching and aquatint from 1922. Unsigned. Plate 19 from Miserere: Son avocat, et phrases creuses, clame sa totale inconscience. Plate measures 21 x 16 inches in a silver 30 x 24 1/2 inch frame. Georges Rouault began his art career at age fourteen, when he began a five year apprenticeship painting and restoring glass. This appears to have had a heavy influence on his cloisonnist style, with the heavy black contouring and glowing colors resembling leaded glass. He began attending evening classes during this apprenticeship and in 1891 entered the École des Beaux-Arts, where he studied under Gustave Moreau. A devout Roman Catholic, his work was often religious, exploring themes of sin and redemption. Rouault is often associated with the Fauvist and Expressionist movements.
Etching with drypoint, C. 1900. Pencil signed in the lower right. There is a repaired tear at the bottom of the print, not in the image. There are also some thin spots on the back of the paper. Plate measures 23 x 13 1/2 inches on 24 1/2 x 16 3/4 inch wove type paper. A well inked, captivating portrait. Helleu began his art career when he enrolled at the Ecole des Beaux Arts and worked as an apprentice for Theodore Deck, decorating ceramic plates with women's portraits. He became friends with many artists of La Belle Epoch, including John Singer Sargent, Whistler, Tissot, Monet and Rodin, and became well known for his elegant portraits of women of French society. He traveled between France and America, and in 1912 was commissioned to create the astrological ceiling decoration in New York's Grand Central Station.
Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He then returned to Germany and became a member and then president of the Berlin "Sezession".
This is a fine example of the important etching by Jean Baptiste Corot. This etching is titled: Enviorns De Rome, it was created in 1866, this proof is the second state A. of three. Printed on Holland Paper, This printing had the addresses of:" Cadart and Luquet Editeurs, 79 Rue St Jacques 303 Paris" A rich impression, Catalog Delteil 6 II/III. Framed, previously sold by Kennedy Galleries in New York.
A remarkable etching by James McBey of the New York City skyline from Weehawken, NJ, this etching measures 8 x 14 7/8 inches, 1940, cat: Hardie-277, plate signed and dated, hand signed and numbered "XXVII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. McBey lived in New York for several years, and his images of the city are considered some of his finest work.
A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.
This is an original mezzotint by British artist Sir Frank Short. The title is: "Moonrise on the Bure" This mezzotint was printed in 1922, the image measures 11X15 7/8 inches, printed on a medium weight wove type paper, pencil signed lower right and monogrammed in the plate lower left corner. A beautiful rich impression, very subtle tonal range throughout. Beautiful condition.
This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching, drypoint, image size 15 x 9 7/8 inches, 1930, trial proof before the published state of 150, Ordeman #300, pencil signed l.l. "Frank W. Benson", printed on Whatman paper.
This is an extremely detailed etching by American master John Taylor Arms. This image titled: "Limoges" was created and printed in 1932. It was part of his series on French Churches. The image measures 10 1/16X13 5/8 inches, printed on a blue toned laid type paper. The etching is pencil signed and inscribed as "Ed 100 III"
A beautiful etching by Sir Francis Seymour Hayden measuring 7 x 13 inches, pencil signed on l.r., Schneiderman cat: 37, state VI/IX, 1860, printed on japan paper, label from Harlow and McDonald included. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. This print was exhibited at the Royal Academy in 1861, under "H. Dean," the anagram of Haden.
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