This is an original lithograph by American artist Stow Wengenroth. The title is: "The Matriarch" , This image was captured in Rockport Massachusetts January 1974. This lithograph is hand signed in pencil in the lower border and has the edition number of 100. The image measures 13 1/4X11 1/16 inches. This lithograph is nicely framed with archival materials. On the back of the frame is a Christmas card signed by Harriet Wengenroth,
This is an original two color woodblock print by American artist Leonard Baskin. The title is: "Frightened Boy and His Dog". It was created and printed in 1954. This image is numbered as 16/210. The image measures 12 1/2X14 inches, printed on a hand made Japan type paper. Pencil signed and titled by the artist lower image. One of his most iconic early woodblock prints.
This is an original pencil signed etching by American artist Stephen Parrish. This etching titled: "Gloucester Harbor", also known as "Rainy Day Gloucester", was created and printed in 1882. It is a rare work, one of the few that Parrish did after another artists composition. This was after the painting by W.M. Hunt. Hunt's initials are etched into the plate lower left. The image measures 13 1/8X19 3/4 inches. Printed on a simulated parchment wove type paper, laid onto a thicker sheet. This is an early signed proof but done without the sailboat remarque . This etching appears in the Schneider catalog as image number 74. From the artists catalog, "June 1882, From the head of the harbor,looking south, In the right foreground, an old black hulk" beyond wharves and shipping and part of the town....In mid distance Five Pound Island."
Etching, aquatint and drypoint, image size 7 1/2 x 12 inches, 4th state, "Louis Legrand" pencil and plate signed l.r., Arwas A74.
Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.
This is a fine hand signed etching by American Artist Stephen Parrish. The title of this work is "Evening, Gloucester, 1883". The image measures 8 5/8X14 inches. This image appears in the Schneider catalog as image number 77. "To the right of the mast is the tower of the 1869 City Hall, still standing, Next to the right is the sharply pointed spire of the Baptist church, now gone. At the far right are the buildings of the Rocky Neck Marine Railways." Fine use of plate tone in the sky and sea.
A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.
This is a hand signed original color etching by Austrian artist Luigi Kasimir. The title is: New York, Park Avenue, created and printed circa 1928. The image measures 17X10 1/2 inches. Very nice condition, pencil signed lower border and nicely framed with archival materials.
This is an original Arthur Briscoe etching, titiled: "Heavy Canvas", this etching was created and printed in 1931 in an edition of 75. The image is hand signed in pen and ink and editioned in the lower border. The image measures 13 1/2X8 3/8 inches. The subject shows four men making fast the crossjack of a four masted barque. This etching is archivally framed.
This is a pencil signed and dated original lithograph by American artist Edward Wilson. This image from his pipe fitters series shows the pipes being assembled. This lithograph has an image size of 13 15/16X8 15/16 inches. This image was printed on a medium weight wove type paper.
Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
This rare 1915 Benson etching measures 5 x 7 7/8 inches. It is signed, numbered and titled on the lower margin. In the Ordeman catalogue it is #84. Printed on Normandy vellum, only 54 proofs were made of which fifty are signed and numbered. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
This is an original etching by American artist Stephen Parrish. The title of this work is: "Gloucester Ferry, 1881", it was created and printed in 1881, this is the larger plate. It was recreated in a smaller version a year later. The image measures 9 3/8X14 5/8 inches. It is pencil signed lower right border and plate signed l.l. and titled l.r. image with the Stephen Parrish number 47, meaning this was his 47th etching that he created. "To the right, a schooner lies at anchor. Beyond, a foot bridge leads down to a small dock, on which are two figures" (Rona Schneider)
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