Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.
This is an original etching by American artist Stephen Parrish. The title of this work is: "Gloucester Ferry, 1881", it was created and printed in 1881, this is the larger plate. It was recreated in a smaller version a year later. The image measures 9 3/8X14 5/8 inches. It is pencil signed lower right border and plate signed l.l. and titled l.r. image with the Stephen Parrish number 47, meaning this was his 47th etching that he created. "To the right, a schooner lies at anchor. Beyond, a foot bridge leads down to a small dock, on which are two figures" (Rona Schneider)
This elegant and detailed etching by Charles Mielatz measures 14 3/4 x 10 7/8 inches. Created in 1899 in a very small edition of 25 proofs, it depicts the American Naval Arch on the corner of 5th Avenue and 23rd Street in New York City. It is plate signed and dated and also pencil signed. On the lower margin is a pencil sketch of a US Navy battleship. Born in Germany and arriving in the US as a young boy, Mielatz went on to study at the Chicago School of Design. His first prints were of the New England landscape but after visiting NYC the urban landscape became his subject of choice. He took a great deal of time with his craft and was a early pioneer of the multi-plate color process. Mielatz was a member of the New York Etching Club, the Brooklyn Society of Etchers and was an associate member of the National Academy of Design.
1983, 18 1/2 x 28", pencil signed lower right
This image by the American artist, Stow Wengenroth, measures 7 7/8 x 12 3/4 inches, pencil signed, 1936, cat: BPL-58, edition of 40. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right. Plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame.
This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.
This is an original woodblock print by Latvian American artist Isac Friedlander. The title of this work is: "Under the Arch", it was created and printed in 1937. This image is editioned as 1/10, a very rare image. It is hand signed titiled and editioned in pencil in the lower margin. The image mesures 9X8 1/4 inches, printed on a handmade japan type paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This is an original etching by British artist Arthur Briscoe. The title is: "Manning the Pumps". This etching was created and printed in 1931 in an edition of 75. This etching is hand signed and editioned in pen and ink by the artist. The image measures 12 1/4X9 1/8 inches. "The action shows the men manning the pumps which are in the waist of the ship, the wettest part of all when seas are coming aboard". This etching is framed with archival materials.
Measuring 11 1/4 x 9 1/4 inches, "The Fisherman's Home" is very similar to Strang's painting of the same name from 1905 which is owned by the Ashmolean Museum, Oxford. This richly inked print from the Baldwin-Wallace College collection is also signed in pencil by the artist along the lower right edge of the image.
Original color aquatint etching, created and printed in 1989. This is hand signed and editioned as Eprevues d'artist, artist proof. EA, lower left. The image measures 17 3/4 X 25 1/4 inches. Printed on wove-type paper.
This 1926 lithograph by Jules Pascin measures 10 x 12 3/4 inches, pencil signed in an edition of 35, cat: Hemin 7. Part of the edition was destroyed in the 1945 bombing of Royan. Pascin became a symbol of the Montparnasse artistic community creating mainly watercolors and prints. Drawing upon his surroundings, his subjects included nudes and portraiture of many of his friends. Influenced by Fauvism and Cezanne he exhibited 12 of his works at the 1913 Armory Show.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
A richly inked etching from 1879. Pencil signed in the lower left. Andrew Danube set #18. Plate monogrammed in the lower right, plate titled and dated in the lower left. Image measures 6 x 10 3/4 inches, plate measures 6 3/4 x 11 3/4 inches on 11 1/2 x 17 1/4 inch wove paper. Andrew Danube set #18. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.
Color etching and aquatint, image size 16 x 22 1/2 inches, 1929, pencil signed, l.c. "Luigi Kasimir", on wove paper. A beautiful colored aquatint etching of the famous Persenbeug Castle situated along the banks of the Danube River. Framed.
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