This is an original drypoint etching by German Expressionist artist Lovis Corinth (1858-1925) The title of this work is: "Alter Mann" (the old man) It was created and printed in 1916. The image measures 6 5/8X4 3/4 inches. Signed in pencil in the lower border.Printed on a light weight laid type paper, very nice condition.
This 1930 etching of "Anais", the artist's first wife, measures 8 3/4 x 6 3/4 inches and is pencil signed on the l.r., framed, Fletcher cat: 67, in an edition of 111. Born in England and found to be artistically talented at an early age, he was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the great masters, Botticelli and da Vinci, had a lasting influenced on him. A self-taught etcher who became one of the best portrait etchers in art history being elected into the Royal Society of Painter - Etchers and Engravers in 1921.
This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.
Lithograph, 1875, image size: 7 1/2 x 7 7/16 inches, initialed in plate
Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.
This is an original etching by American artist John Taylor Arms (1887-1953) The title of this work is "Study in Stone, Cathedral of Orense. This etching was created and printed in 1933 in an edition of 100. This image was part of the artist's Spanish Church Series. It appears in the Fletcher catalog as image number 257. The image measures 7 1/4X5 9/16 inches. The etching is pencil signed, dated and also inscribed: "To Mr. E O Ropka..? with the best wishes John Taylor Arms, 1927. This etching was printed by David Strang. Printed on a medium weight laid type paper.
Etching, image size 11 3/4 x 14 3/4 inches, 1971, Series A, numbered 2/6, titled and signed in pencil, framed.
This is an original color aquatint etching by French artist Manuel Robbe (1872-1936) The title is: "Petit Miroir", it was created and printed in 1907 in an edition of 100. The image measures 10 1/2X8 3/8 inches.Printed on a watermarked, laid type paper with deckled edge. A rich impression, fine use of drypoint with some hand coloring.
signed in pencil by the artist lower right.. This image appears in the Merrill Chase catalog as image number 69. A fine impression, previously sold by Merrill Chase in Chicago.. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
A well inked impression with plate toning and a rich drypoint burr. Plate measures 5 1/4 x 7 inches on 7 1/2 x 11 inch laid paper. State IV/V. Catalog: Delteil 1. Published by the Gazette des Beaux-Arts in 1903 to illustrate the obituary article on Corot by Louis Gonse. Printed by A. Salmon in Paris, France in 1875. Plate signed in the lower left. The plate for this image was discovered by Felix Bracquemond in a box of nails in Corot's home.
This is an original color lithograph by American artist Robert Kipniss. The title of this work is Early Light, created circa 1970. It is editioned as 41/100 and is hand signed in pencil. The image measures 12 1/4X 15 7/8 inches. It is printed on a heavy wove type sheet with deckeled edges. It was published by Associated American Artists in New York. The label is included.
A very fine sporting etching by Frank Benson, this image measures 9 3/4 x 14 3/4 inches, published in 1924, cat: Ordeman-231, pencil signed below the image, titled on the lower edge of the sheet. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.
Engraving after Rigaud, 1742, image size 18 x 13 inches
Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.
Plate measures 9 x 7 3/8 inches on 11 1/2 x 9 1/4 inch paper. Printed in April, 1973. Greenport, New York. Catalog: Stuckey 351. Edition of 135. This print has a wide tonal range and incredible texture.
Copyright 2020· All rights reserved