This is an original etching by American artist John Sloan. The title is: "Nude on a Draped Couch", it was created and printed in 1931 in an edition of 100. The image measures 7X5 1/2 inches. Pencil signed and editioned in the lower border. This etching is in very good condition apart from having the borders trimmed to within 1 inch of the platemark. Enough room for proper presentation. This etching came to us in an early frame with the Kraushaar Gallery, N.Y. label on the back.
This Joseph Pennell etching measures 11 3/4 x 8 3/8 inches, pencil signed, 1904, cat: Wuerth 324, probably in an edition of 25. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.
"Brixham Trawlers" by Arthur Briscoe measures 5 3/8 x 13 7/8 inches, published in 1929 in an edition of 75. Printed in sepia toned ink on Whatman laid paper, it is ink signed and numbered and also plate signed, dated and titled. Briscoe is known as the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris. His name became internationally renowned when his works sold to the New York market.
This is an original hand signed drypoint etching by British artist Sir William Russell Flint. The title of this work is "A Rendez-Vous,Vincenzia". It was created and printed in 1929 in an edition of 75. The image measures 9 1/2X6 5/8 inches, printed on a watermarked laid type paper, signed in brown in and editioned as "VI " in the lower left border.
This image appears in the Wright catalog as image number 19.
Lithograph, image size 10 1/4 x 14 3/8 inches, c. 1940, pencil signed and titled, "Bridge in Astoria, L.I." Tanzer was active in New York during the depression and was a member of the WPA.
This is one of the finest etchings by American artist George Elbert Burr. The title of this work is: High Street, Oxford, circa 1900 when he and his wife spent time touring europe. A wonderful impression of a rainy night in the city. Richly inked, pencil signed and titled in the lower border. The image measures 10X12 inches. Framed.
This is an original drypoint etching by British artist William Lee Hankey. The title is: Minding the Flock. This etching created and printed circa 1920 is hand signed in pencil by the artist. A large etching measuring 14X11 1/2 inches.Printed on a medium weight wove type paper. Fine use of the sunlight and shadow in this beautiful composition.
This is a very fine original etching of a hardworking woman carrying water by German artist Lesser Ury. The image size is 5 1/2 x 3 5/8 inches, 1923, pencil signed. Ury was a German Jewish artist known for his impressionistic paintings and etchings. He was best known for his scenes of Paris as well as a series of etching depicting the Dutch countryside and people.
This etching by American artist James McNeill Whistler was titled: Alderney Street,London. It was created and printed in 1881, this second state of three was published by Gazette des Beaux-Arts, printed by Cadart Paris. The image measures 7X4 3/8 inches, has the artists butterfly monogram in the upper right side of the image. Printed on a medium weight laid type paper. The publisher's name in type setting in the lower margin. This is a street view in London in the vicinity of where Whistler lived for a short time after his return from Venice.
Drypoint etching from 1660. Catalog: Hollstein, Bartsch 34. 3rd state of 5. Inscribed in the lower left is the printer's address: "I Covens et C. Mortier Excudit." Pencil signed "Etch'd by Bega" in the lower right. Plate measures 7 x 6 inches, thread margins on a backing sheet.
This is an original etching by American artist Samuel Chamberlain. This image was a privately commissioned etching and is quite rare. Created in 1949 The image measures 10 3/16X9 5/8 inches. The subject: First National Bank Building of Boton, done in drypoint was from the edition of only 16 signed proofs. It appears in the Chamberlain catalog as image number 286. A very fine impression.
Etching, dry point, image size 12 1/4 x 8 1/4 inches, 1922, edition of 100, Tabelli #345, pencil signed l.l. "Edgar Chahine", titled l.r. "Groupe de Sail - Venice".
This is an original drypoint etching by American sporting artist Frank Benson. The title is: Over Sunk Marsh, it was created and printed in an edition of 150 impressions in 1920. The image measures 6X7 7/8 inches. Printed on a medium weight Hodamura paper. This image appears in the Ordeman catalog as image number 188.
Pencil signed, printed in 1923. 6 x 8 inches on 9 3/4 x 12 3/4 laid-type paper. Kuhler was one of the best known industrial designers of the American railroads. He learned etching after World War I and enrolled at the Academy of Art in Düsseldorf.
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