This is an original drypoint etching by Scottish artist David .Y. Cameron. It is titled: " Monzie" with a view of Monzie castle. This image measures 9 3/4X13 3/4 inches. Printed on a medium weight laid type paper with a unicorn watermark. Hand signed in pencil lower right border. Very rich impression. Fine use of drypoint in the foreground shadow area.
This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.
Lithograph from 1963. Edition of 25. Plate measures 13 1/4 x 19 13/16 inches on 17 1/8 x 23 1/8 inch medium weight wove type paper. Catalog: Stuckey 284. The scene is along Marginal Way near Perkins Cove in Ogunquit, Maine. Pencil signed in the lower right.
This is a beautiful color etching and aquatint by Austrian artist Luigi Kasimir. The title is "Vienna Opera House". It was created and printed in 1922. It is dated in the plate, "October 1922". The image is large measuring 18 1/2X15 3/4 inches. Very nice condition, a rich impression.
One of John Taylor Arms' early etchings, this image of a rural European farm measures 4 5/8 x 11 7/8 inches, pencil signed, dated and numbered 3/75, also titled "The Sty" and "La Parcherie". Printed by Frederick Reynolds, cat: Fletcher #83. Created in 1920, this very detailed and expertly toned etching is beautifully matted and framed.
This is a fantastic scene of the railroad tracks and surrounding industrial buildings in Oberhausen, Germany by American artist Joseph Pennell. Etching, image size 9 3/8 x 12 1/2 inches, published in 1910 in an edition of 50 impressions, cat: Wuerth- 606, pencil signed "J. Pennell imp", the 'imp' indicating that Pennell printed this impression himself. This etching is printed on an early antique watermarked laid type paper with trimmed margins and a tab signature, in the style of Whistler. There are two small rust spots which appear to be in the paper, as is common in early paper of this type. Pennell was one of the foremost American printmakers of the early 20th century, and was close friends with James McNeill Whistler, whose influence is evident in many of Pennell's images as well as his sense of experimentation with etching technique. Pennell was especially known for his images of cityscapes and architecture; in this image the trains and surrounding factories provide the structure of the composition, while ghostly, quickly rendered figures give a human presence and sense of scale to the bustling railyard.
Lithograph printed in 1939. Edition of 25. Pencil titled in the lower left, signed and dated in pencil in the lower right. Plate measures 13 1/4 x 9 7/8 inches on 18 x 12 3/8. A delightful print full of light and movement.
Etching, image size 8 1/2 x 14 1/2 inches, 1884, plate signed l.l. "Smillie Sep '83.Op.30." and inscribed in the plate l.r. "My Colored Neighbor's Hen Yard, etched from Nature, Montrose, Penna.", pencil signed l.r. "James D. Smillie, April 1884".
This is an original drypoint etching by American artist Lawrence Kupferman. It is titled: "Abandoned House", it was created and printed in 1939, this is editioned as 5/100. The image measures 10 1/2X12 inches. It is pencil signed and titled in the lower border
This is an original etching by American artist Otto Bacher. It was created after the painting by Henry Ward Ranger. Its is pencil signed by both men. it has the copyright of "Published by Fishel Adler & Schwartz NY" and dated 1888. This etching is quite large with an image area measuring 18X23 1/2 inches. We have been unable to find the exact title of this piece. Obviously done in Italy. Printed on a semi parchment, wide borders all around. some handling creases in the borders. A fine detailed impression.
C. 1935. Catalog: Fletcher 284. Edition of 153. #12 in the Spanish Church Series. Plate measures 9 1/2 x 12 1/4 inches on 10 5/8 x 14 7/8 inch watermarked laid paper. Pencil signed in the lower right and dated 1935. In the lower left: "To my dear friends Charlotte and Richard Perry, John Taylor Arms 1935." This print has a wide tonal range, with a variety of different intricate line patterns to convey shading and texture. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is an original hand signed and titled lithograph by American artist John A Noble. The title of this image is: "Oncoming Night", from his series "Mast and Man", this is image number 1.
This lithograph was created and printed in 1966. The image measures 11 7/8X15 3/4 inches. "From 1928 until 1945, Noble worked as a seaman on schooners and in marine salvage. In 1928, while on a schooner that was towing out down the Kill van Kull, the waterway that separates Staten Island from New Jersey, he saw the old Port Johnston coal docks for the first time. It was a sight, he later asserted, which affected him for life. Port Johnston was "the largest graveyard of wooden sailing vessels in the world." Filled with new but obsolete ships, the great coalport had become a great boneyard. In 1941, Noble began to build his floating studio there, out of parts of vessels he salvaged and from 1946 on, he worked as a full-time artist, setting off from his studio in a rowboat to explore the Harbor. "information from The Noble Maritime Collection.
This is an original early etching by American artist Charles Mielatz. The title is:Out of Commission, It was created and printed in 1887. A scene taken most likely from New York Harbor. The image measures 13 1/2X21 3/4 inches. Printed on a heavy weight Japan type wove paper. Pencil signed and the long boat remarque lower left. Very nice condition, a few pressure creases in the outer border well away from the image area.
This is one of the finest etchings by American artist George Elbert Burr. The title of this work is: High Street, Oxford, circa 1900 when he and his wife spent time touring europe. A wonderful impression of a rainy night in the city. Richly inked, pencil signed and titled in the lower border. The image measures 10X12 inches. Framed.
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