This is a beautiful, intimate etching by the renowned French Barbizon artist Jean Francois Millet (1814-1875). The image size is 6 x 5 1/8 inches, plate size 7 1/4 x 6 1/4 inches, state V of VI, cat: Delteill- 17, plate signed and dated. This etching, based on the painting of the same name, was created by Millet for the 'Gazette des Beaux-Arts' in 1861. This is a very richly inked inked impression, printed on a medium weight laid type paper with ample margins.
A superb portrait of Brockhurst's first wife Anais, this etching measures 8 3/4 x 6 1/4 inches, published in 1927 in an edition of 111, pencil signed. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture.
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
Etching and Aquatint from 1940. Likely printed by David Strang. Print #1 in his Scandinavian Series. Image measures 7 1/2 x 13 1/3 inches on 11 5/8 x 18 1/4 inch watermarked laid type paper. This very sharp print has a wide tonal range and captures the patterns in the columns and floor.
This is an original etching and aquatint by British artist Laura Knight (1877-1970) The title of this image is "Salt and Saucy", Islington Hall. This etching printed on a medium weight wove type paper. The image measures : 7 3/4X10 3/4 inches. Hand signed in pencil lower right border. Salt and Saucy were the two well known elephants in entertainment circles.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching, aquatint, and drypoint. IV/VII state. April 1st, 1908. Catalog: Arwas 363. Seven states. Plate signed in the upper right, pencil signed and numbered in the lower right. Collector's stamp in the lower right. Numbered 89 in an edition of 100. Image size measures 15 3/4 x 11 1/4 inches on 20 1/4 x 14 1/4 inch wove type paper. A dramatic, ethereal print with a wide tonal range, using light to convey that the dancer is about to go onstage.
This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
Etching C. 1938. Catalog: Fletcher 311. 2nd state, edition of 156. Printed by David Strang. Plate measures 7 1/16 x 17 1/8 inches on 9 1/4 x 20 5/8 inch Whatman watermarked laid paper. Number two in his English Series. Plate inscription in the lower right: "John Taylor Arms 1938." Pencil signed in the lower right: John Taylor Arms 1938. Pencil numbered "II" in the lower left and inscribed "To my friends Charlotte and Richard Perry - John Taylor Arms 1938". An atmospheric and exquisitely detailed print, Arms has perfectly captured the reflections of the buildings. There is even a signpost just above the bridge that is perfectly legible, but only with a loupe tool or magnifying glass. This print has won several awards including the Purchase Prize, the Josephine Hancock Logan Prize and Medal, and the Lotus Club Print Prize. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Drypoint from 1930. Catalog: Appleby 144. Featured in Fine Prints of the Year in 1931. Plate signed on the bottom edge: "Blampied Jan. 1931". Signed in ink in the lower right, editioned in the lower left. Numbered 39 in an edition of 100. Plate measures 10 1/4 x 10 1/4 inches. This print is expressive in both line and content.
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
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