This is a striking original etching by British artist Gerald Brockhurst. The image size is 4 7/8 x 5 3/4 inches, published in 1928 in an edition of 111, pencil signed, framed, with a label from the Vincent Price Collection. Although Brockhurst is known for his remarkable portraits, this is one of his finest, most sought after etchings. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture. Framed
1887, 19 x 23 1/2 inches, pencil signed, framed
This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
This is a beautiful, intimate etching by the renowned French Barbizon artist Jean Francois Millet (1814-1875). The image size is 6 x 5 1/8 inches, plate size 7 1/4 x 6 1/4 inches, state V of VI, cat: Delteill- 17, plate signed and dated. This etching, based on the painting of the same name, was created by Millet for the 'Gazette des Beaux-Arts' in 1861. This is a very richly inked inked impression, printed on a medium weight laid type paper with ample margins.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
Drypoint from 1930. Catalog: Appleby 144. Featured in Fine Prints of the Year in 1931. Plate signed on the bottom edge: "Blampied Jan. 1931". Signed in ink in the lower right, editioned in the lower left. Numbered 39 in an edition of 100. Plate measures 10 1/4 x 10 1/4 inches. This print is expressive in both line and content.
Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, This etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.
Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.
This is a beautifully colored etching and aquatint by French master of the Belle Epoch, Manuel Robbe (1872-1936) The title of this work is" Claudine" it was created and printed in 1903 and Published by Sagot in Paris. The image measures 12X9 3/4 inches, printed on a medium weight Arches watermarked laid paper. deckeled edges, a very rich impression, excellent condition. Robbe studied at the Academie Julien and then the Ecole des Beaux Artes. His technique of hand coloring the images means that no two are exactly alike, a very painterly technique.
This is an original line engraving by British artist Stanley Anderson (1884-1966) The title of this engraving is: "Three Good Friends", it was created adn printed in 1950, published in an edition of only 65, published by P&D Colnaghi. The image measures 6 3/4X10 1/2 inches. This image appears in the Anderson catalog as image number 257. This engraving is in beautiful condition, wide margins all around, clearly signed and editioned by the artist in pencil.
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